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Trollope 1st Edition Summer in Western France, 1st edition, 2 vols, 1841 Beautifully Fully Bound in Fine Calf with Gilt Decoration 10 Etched Plates by A. Hervieu, Presented to Colonel Lord Brownlow Thomas Montagu Cecil {Colonel of the Scots Guards}

Trollope 1st Edition Summer in Western France, 1st edition, 2 vols, 1841 Beautifully Fully Bound in Fine Calf with Gilt Decoration 10 Etched Plates by A. Hervieu, Presented to Colonel Lord Brownlow Thomas Montagu Cecil {Colonel of the Scots Guards}

One of our most popular purchases from The Lanes Armoury, for gifting at Christmas, will always be our finest novels, by iconic authors. An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy of considerable beauty.

A very handsome pair of beautiful, antique, fully calf leather bound 1st edition leather volumes, in nice condition for age, with natural colour aging to pages, some foxing, from one of the of the most highly rated family of English authors, the Trollope's of Kepple Street, London. Frances, Thomas and Anthony

A Summer in Western France, 1st edition, 2 vols, Thomas Adolphus Trollope, with 5 etched plates by A. Hervieu, 2 hand-coloured lithograph frontis., and etched title-page vignettes, gilt tooled red morocco, spines Henry Colburn, London, 1841,

Presented to Colonel Lord Brownlow Thomas Montagu Cecil {Colonel of the Scots Guards} in 1844 upon his graduation from Eton, by John Marjoribanks

This is Thomas Trollope's account of his experiences during a Summer spent in Western France with detailed topographical & historical recordings as well as the interesting diversions into the folklore & mythology of this region of France. It has been edited by Frances Trollope, celebrated author of 'Domestic Manners of the Americans.'

Trollope was born in Bloomsbury, London on 29 April 1810, the eldest son of Thomas Anthony and Frances Milton Trollope. (A younger brother was Anthony Trollope, the novelist.) He was educated at Harrow School and Winchester College. He first started writing before he went to Oxford University after a trip to New York with his father. He matriculated at St Alban Hall, Oxford, in 1829, aged 19, and graduated B.A. from Magdalen Hall, Oxford, in 1835. He taught briefly at Birmingham's King Edward's Grammar School, before he gave in to his mother's idea of forming a writing partnership. They travelled to Italy, which gave rise to some of the material for the 60 volumes of travel writing, history and fiction that he wrote that decade. This was in addition to a large amount of periodical and journalistic work.

Trollope married twice: his first wife was the writer Theodosia Garrow who was staying with his mother, Fanny Trollope, in Florence. The newly married couple had one daughter, Beatrice. Their home was visited by travelling British intelligentsia as well as by leading Italian nationalist figures. They lived at the Villino Trollope on the square that was then called the Piazza Maria Antonio, now the Piazza dell'Indipendenza, in Florence. Their house was decorated with carved furniture, inlaid walls, majolica ceramics, marble floors and pillars, suits of armour and a 5,000-book library.

Their new villa was bought in part with Theodosia's inheritance. Their house was considered the centre of the expatriate society in Florence. Theodosia was known for her poetry, her translations and her articles on household matters, and she also contributed letters to the Athenaeum advocating freedom for Italy.

The Trollopes' daughter played with Pen, the son of Robert and Elizabeth Browning, when they too became part of the Anglophone society in 1847. Comparisons of the two households showed the Browning household as more intense, with the Trollopes more carefree. All of her guests were in danger of appearing, in some disguised way, in his mother's novels.

His second wife was the novelist Frances Eleanor Ternan, whom he married on 29 October 1866: they then lived at the Villa Ricorboli. From 1873 the new couple again created a house known for its hospitality, but this time in Rome. Trollope lived in Italy for most of his adult life, but retired to Devon, England, in 1890. He died at Clifton, near Bristol, on 11 November 1892. His memoirs, What I Remember, were published in three volumes between 1887 (vols. 1 & 2) and 1889 (vol. 3).  read more

Code: 25973

345.00 GBP

Trollope 1st Edition a Summer in Brittany 2 Vols. 1840 Beautifully Fully Bound in Fine Calf with Gilt Decoration 10 Etched Plates by A. Hervieu, Presented to Colonel Lord Brownlow Thomas Montagu Cecil {Colonel of the Scots Guards}

Trollope 1st Edition a Summer in Brittany 2 Vols. 1840 Beautifully Fully Bound in Fine Calf with Gilt Decoration 10 Etched Plates by A. Hervieu, Presented to Colonel Lord Brownlow Thomas Montagu Cecil {Colonel of the Scots Guards}

One of our most popular purchases from The Lanes Armoury, for gifting at Christmas, will always be our finest novels, by iconic authors. An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy of considerable beauty.

A very handsome pair of antique, fully bound 1st edition leather volumes, in super condition for age, from one of the of the most highly rated families of English authors, the Trollope's of Kepple Street, London. Frances, Thomas and Anthony

Trollope, Thomas Adolphus - A Summer in Brittany, edited by Frances Trollope, 1st edition, 2 vols., with 10 etched plates by A. Hervieu, 2 hand-coloured lithograph frontis., etched title-page vignettes, gilt-decorated calf, Henry Colburn, London,1840,

Presented to Colonel Lord Brownlow Thomas Montagu Cecil {Colonel of the Scots Guards} in 1844 upon his graduation from Eton, by Philip Crawley.

This is Thomas Adolphus Trollope's account of his experiences during a Summer spent in Brittany with detailed topographical & historical recordings as well as the interesting diversions into the folklore & mythology of this fiercely independent region of France. It has been edited by Frances Trollope, celebrated author of 'Domestic Manners of the Americans.'

Trollope was born in Bloomsbury, London on 29 April 1810, the eldest son of Thomas Anthony and Frances Milton Trollope. (A younger brother was Anthony Trollope, the novelist.) He was educated at Harrow School and Winchester College. He first started writing before he went to Oxford University after a trip to New York with his father. He matriculated at St Alban Hall, Oxford, in 1829, aged 19, and graduated B.A. from Magdalen Hall, Oxford, in 1835. He taught briefly at Birmingham's King Edward's Grammar School, before he gave in to his mother's idea of forming a writing partnership. They travelled to Italy, which gave rise to some of the material for the 60 volumes of travel writing, history and fiction that he wrote that decade. This was in addition to a large amount of periodical and journalistic work.

Trollope married twice: his first wife was the writer Theodosia Garrow who was staying with his mother, Fanny Trollope, in Florence. The newly married couple had one daughter, Beatrice. Their home was visited by travelling British intelligentsia as well as by leading Italian nationalist figures. They lived at the Villino Trollope on the square that was then called the Piazza Maria Antonio, now the Piazza dell'Indipendenza, in Florence. Their house was decorated with carved furniture, inlaid walls, majolica ceramics, marble floors and pillars, suits of armour and a 5,000-book library.

Their new villa was bought in part with Theodosia's inheritance. Their house was considered the centre of the expatriate society in Florence. Theodosia was known for her poetry, her translations and her articles on household matters, and she also contributed letters to the Athenaeum advocating freedom for Italy.

The Trollopes' daughter played with Pen, the son of Robert and Elizabeth Browning, when they too became part of the Anglophone society in 1847. Comparisons of the two households showed the Browning household as more intense, with the Trollopes more carefree. All of her guests were in danger of appearing, in some disguised way, in his mother's novels.

His second wife was the novelist Frances Eleanor Ternan, whom he married on 29 October 1866: they then lived at the Villa Ricorboli. From 1873 the new couple again created a house known for its hospitality, but this time in Rome. Trollope lived in Italy for most of his adult life, but retired to Devon, England, in 1890. He died at Clifton, near Bristol, on 11 November 1892. His memoirs, What I Remember, were published in three volumes between 1887 (vols. 1 & 2) and 1889 (vol. 3).  read more

Code: 25972

395.00 GBP

The African Queen First Edition by Cecil Louis Troughton Smith, Known As Cecil Scott

The African Queen First Edition by Cecil Louis Troughton Smith, Known As Cecil Scott "C. S." Forester,

FORESTER, C.S. The African Queen

Heinemann, 1935.

First edition. Original brown cloth with gilt titles to the spine. A nice original copy with wear to the spine ends.

One of our most popular purchases from The Lanes Armoury, for gifting at Christmas, will always be our finest novels, by iconic authors. An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy of considerable beauty.
The African Queen is a 1935 novel written by English author C. S. Forester. It was adapted into the 1951 film of the same name.

As World War I reaches the heart of the African jungle, Charlie Allnutt and Rose Sayer, a dishevelled trader, and an English spinster missionary, find themselves thrown together by circumstance in German Central Africa. Fighting time, heat, malaria, and bullets, they make their escape on the rickety steamboat The African Queen... and hatch their own outrageous military plan. Originally published in 1935, The African Queen is a tale replete with vintage Forester drama - unrelenting suspense, reckless heroism, impromptu military manoeuvres, near-death experiences - and a good old-fashioned love story to boot.


Cecil Louis Troughton Smith (27 August 1899 – 2 April 1966), known by his pen name Cecil Scott "C. S." Forester, was an English novelist known for writing tales of naval warfare. He is most remembered for his 12-book Horatio Hornblower series, depicting a Royal Navy officer during the Napoleonic wars; indeed, Hornblower has become embedded in the consciousness of generations growing up in the earlier part of the 20th century.

One of the author's most sought books, as a consequence of the classic John Huston film of 1951 starring Humphrey Bogart and Katherine Hepburn. Photo in the gallery of the early The African Queen movie poster {for information only}  read more

Code: 25971

375.00 GBP

Fabulous 6 Leather Bound Volumes By The Great Sporting Author R. S. Surtees. William Morris Considered Him

Fabulous 6 Leather Bound Volumes By The Great Sporting Author R. S. Surtees. William Morris Considered Him "A Master of Life" Ranked With Charles Dickens By Thackeray, Kipling, Arnold Bennett, Siegfried Sassoon & President Theodore Roosevelt

Hand Coloured Plates By Leech & H.K.Browne {aka Phiz}.
Dickens novel 'The Pickwick Papers', was originally intended as mere supporting matter for a series of sporting illustrations to rival Surtees iconic hunting character, Mr Jorrocks.

A fabulous set of six wonderful Victorian comedic and satirical volumes of the ever popular and iconic, British, Sporting & Country life pursuits. Absolutely perfect for those that enjoy such passions as much today as was prevalent in the 19th century.

One of our most popular purchases from The Lanes Armoury, for gifting at Christmas, will always be our finest novels, by iconic authors. An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy of considerable beauty.

A simply fabulous and beautiful, finely, full leather bound set of 6, with stunning gilt embellishments, panelled spines, and each volume brimming with fabulous engravings by Leech or 'Phiz', and wonderfully hand coloured

Surtees,R.S - Sporting Novels, subscriber's edition, full leather deluxe binding in red calf, 6 vols. hand coloured title vignettes and num. hand coloured plates (by John Leech & H.K. Browne, aka. Phiz); contemp. gilt pictorial, decorated and ruled red calf, panelled spine.

Ask Mama {or the Richest Commoner in England.},
Plain or Ringlets,
Mr. Facey Romford's Hounds,
Hawbuck Grange,
Mr. Sponge's Sporting Tour,
Handley Cross {or Mr Jorrock's Hunt}.

Printed during the reign of Queen Victoria for Subscribers from the plates of the Original Edition issued by Bradbury, Agnew & Co. Bouverie St. London.

His work lacked the self-conscious idealism, sentimentality and moralism of the Victorian era; the historian Norman Gash asserted that "His leading male characters were coarse or shady; his leading ladies dashing and far from virtuous; his outlook on society satiric to the point of cynicism."

Robert Smith Surtees (17 May 1805 – 16 March 1864) was an English editor, novelist and sporting writer, widely known as R. S. Surtees. He was the second son of Anthony Surtees of Hamsterley Hall, a member of an old County Durham family. He is remembered for his invented character of Jorrocks, a vulgar but good-natured sporting cockney grocer.


Surtees attended a school at Ovingham and then Durham School, before being articled in 1822 to Robert Purvis, a solicitor in Newcastle upon Tyne.

Surtees left for London in 1825, intending to practise law in the capital, but had difficulty making his way and began contributing to the Sporting Magazine. He launched out on his own with the New Sporting Magazine in 1831, contributing the comic papers which appeared as Jorrocks' Jaunts and Jollities in 1838. Jorrocks, the sporting cockney grocer, with his vulgarity and good-natured artfulness, was a great success with the public, and Surtees produced more Jorrocks novels in the same vein, notably Handley Cross and Hillingdon Hall, where the description of the house is very reminiscent of Hamsterley. Another hero, Soapey Sponge, appears in Mr Sponge's Sporting Tour, possibly Surtees's best work. All Surtees's novels were composed at Hamsterley Hall, where he wrote standing up at a desk, like Victor Hugo.

In 1835, Surtees abandoned his legal practice and, after inheriting Hamsterley Hall in 1838, devoted himself to hunting and shooting, meanwhile writing anonymously for his own pleasure. He was a friend and admirer of the great hunting man Ralph Lambton, who had his headquarters at Sedgefield, County Durham, the "Melton of the North". Surtees became Lord High Sheriff of Durham in 1856. He died in Brighton in 1864, and was buried in Ebchester church.

Though Surtees did not set his novels in any readily identifiable locality, he uses North East place-names like Sheepwash, Howell (How) Burn, and Winford Rig. His memorable Geordie James Pigg, in Handley Cross, is based on Joe Kirk, a Slaley huntsman. The famous incident, illustrated by Leech, when Pigg jumps into the melon frame was inspired by a similar episode involving Kirk in Corbridge.

As a creator of comic personalities, Surtees is still readable today. William Makepeace Thackeray envied him his powers of observation, while William Morris considered him "a master of life" and ranked him with Charles Dickens. The novels are engaging and vigorous, and abound with sharp social observation, with a keener eye than Dickens for the natural world. Perhaps Surtees most resembles the Dickens of The Pickwick Papers, which was originally intended as mere supporting matter for a series of sporting illustrations to rival Jorrocks.

Most of Surtees's later novels, were illustrated by John Leech. They included Mr Sponge's Sporting Tour (1853), Ask Mamma (1858), Plain or Ringlets? (1860) and Mr Facey Romford's Hounds (1865). The last of these novels appeared posthumously.

His sharp, authentic descriptions of the hunting field have retained their popularity among fox-hunters.... Among a wider public his mordant observations on men, women, and manners; his entertaining array of eccentrics, rakes, and rogues; his skill in the construction of lively dialogue (a matter over which he took great pains); his happy genius for unforgettable and quotable phrases; and above all, his supreme comic masterpiece, Jorrocks, have won him successive generations of devoted followers. Although his proper place among Victorian novelists is not easy to determine, his power as a creative artist was recognized, among professional writers, by Thackeray, Kipling, Arnold Bennett, and Siegfried Sassoon, and earned the tributes of laymen as distinguished and diverse as William Morris, Lord Rosebery, and Theodore Roosevelt.

In 1841, Surtees married Elizabeth Jane Fenwick (1818–1879), daughter of Addison Fenwick of Bishopwearmouth, by whom he had one son Anthony (1847–1871) and two daughters. His younger daughter Eleanor married John Vereker, afterwards 5th Viscount Gort. Their son was Field Marshal Lord Gort, commander of the BEF in France in 1940.  read more

Code: 25970

1995.00 GBP

Charles Dickens Ist Edition Of Dombey & Son From the Shandon Collection of Robert Napier Half Bound With Marble Leaves. With Illustrations by Hablot Knight Browne

Charles Dickens Ist Edition Of Dombey & Son From the Shandon Collection of Robert Napier Half Bound With Marble Leaves. With Illustrations by Hablot Knight Browne "Phiz." One Of The Greatest Of All His Works

Our most popular book purchases from The Lanes Armoury, for gifting at Christmas, will always be a fine Charles Dickens 1st edition! An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy.

London: Bradbury and Evans, 1848 Frontispiece, vignette title, and 38 plates by Hablot Knight Browne (Phiz); plate 35 being the first published example of a "dark plate" Normal staining and foxing to the frontispiece,with foxing as usual, to the plates, browned and stained. A very good copy. The one dark plate in Dombey and Son is "On the Dark Road," p. 547. The smooth blending of light and shadow on this illustration vividly contrasts it with the other illustrations in the novel and is a fine example of the dark plate process"

There's no writing against such power as this - one has no chance' William Makepeace Thackeray.

First edition, this novel is "now recognized as one of the greatest of all his works... It is also the first one to have an explicitly contemporary setting"

Following issue in parts from September 1846 to March 1848, Bradbury and Evans issued the novel in book form in the present cloth. In the 19th number of the part issue, a slip advertised the novel, ready for delivery on 12 April, at £1 1s. in cloth, or £1 4s. 6d in half morocco. The slip goes on to note "Subscribers desirous of having their copies bound in a similar style can have them done by Messrs. Chapman & Hall, 186, Strand, or through their Booksellers, at the following prices:– Whole bound, morocco gilt edges 6s. 6d. Half bound, marble leaves, 4s. 6d. In cloth, lettered 1s. 6d".

For Dickens's novels, the publisher kept a stock of first edition sheets, and bound up copies and issued them over time as demand required. So too, owners of the parts could make use of the binding services long after publication.


A compelling depiction of a man imprisoned by his own pride, Dombey and Son explores the devastating effects of emotional deprivation on a dysfunctional family. Paul Dombey runs his household as he runs his business: coldly, calculatingly and commercially. The only person he cares for is his little son, while his motherless daughter Florence is merely a 'base coin that couldn't be invested'. As Dombey's callousness extends to others, including his defiant second wife Edith, he sows the seeds of his own destruction.
Robert Napier, (1791-1876, second son of James Napier of Dumbarton and Jean Ewing of Rosneath was born at Dumbarton on 18th June 1791. Like his cousin David, he was educated at Dumbarton Public School. One of his teachers, a Mr Traill, recognised his aptitude for mechanical and architectural drawing and encouraged him in developing this skill. Being the eldest son (his brother having died in infancy) and in accordance with Scottish custom, the intention had been that he should enter the Church. However, he felt more forcefully drawn towards following the blacksmith’s trade and at the age of fourteen began working for his father. In 1812 he went to Edinburgh, obtaining a post at Robert Stevenson's works. He returned to Glasgow in 1815 and opened a small blacksmith’s business in Greyfriar’s Wynd. His success there led him to lease the Camlachie works from his cousin David, when David moved his own business to Lancefield. At Camlachie his main business was ironfounding and engineering, constructing marine engines for steamships.

In 1827 he moved his business to larger premises at the Vulcan Foundry in Washington Street, which was nearer the harbour, and in 1835 he took over the foundry at Lancefield when his cousin David moved to London. Combining this with the Camlachie and Vulcan works, Robert Napier thus pioneered an integrated engineering and shipbuilding firm. At Lancefield between 1836 and 1840 he supplied engines for a number of vessels, including those of the East India Company and vessels which would run between England and New York. In 1840 he first became involved in supplying engines to Samuel Cunard, for vessels carrying mail to North America. At his recommendation Cunard was persuaded to increase the size of these vessels, and to enter into partnership with others, a move which proved to be the origin of the Cunard Company. Robert Napier supplied engines for all the paddle-wheel ships operated by Cunard over the next fifteen years. Napier's business was concerned mainly with supplying engines until 1841, when he opened a shipbuilding yard at Govan, building his first ship, the Vanguard, in 1843 for the Glasgow Dublin route. In 1818 he married his cousin Isabella, daughter of John Napier and sister of David. His sons James Robert and John were taken into partnership in 1853. He owned a country estate at West Shandon, and was a prolific collector of works of art and of pottery, his collection becoming known as the Shandon Collection. He died at West Shandon, Glasgow on 23 June 1876.

A very good and beautiful copy with one small corner tear on a later plate.
One picture in the gallery is from an original newspaper showing his play Dombey and Son being advertised {for information only}  read more

Code: 25955

975.00 GBP

An Absolutely Beautiful Antiquarian Dickens 1st Edition, The Life And Adventures Of Nicholas Nickleby; With Illustrations by

An Absolutely Beautiful Antiquarian Dickens 1st Edition, The Life And Adventures Of Nicholas Nickleby; With Illustrations by "Phiz." Frontispiece After a Portrait Painted by Daniel Maclise, With Faithfully Yours, Charles Dickens Beneath

Our most popular book purchases from The Lanes Armoury, for gifting at Christmas, will always be a fine Charles Dickens 1st edition! An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy.

Dickens, Charles
Published by Chapman and Hall, London, 1839
Pages: 624 complete, list of plates, or contents - this is complete. Bound in half Morocco.
The cloth was the cheapest option for buyers of the time of printing, and then a price premium was put on the half Morocco and full Morocco. A complete suite of plates by Phiz. 624p.p. 8vo.

Two blank front endpapers, two blank rear endpapers one small corner torn. All 39 plates present, though have browning at edges; foxing to the first few pages. The interior is in good clean condition with the pages in good order bar the odd spot however some of the plates have a certain amount of minor soiling - some more than others

Adventures of Nicholas Nickleby, is the third novel by English author Charles Dickens, originally published as a serial from 1838 to 1839. The character of Nickleby is a young man who must support his mother and sister after his father dies.

Background
The Life and Adventures of Nicholas Nickleby, Containing a Faithful Account of the Fortunes, Misfortunes, Uprisings, Downfallings, and Complete Career of the Nickleby Family1 saw Dickens return to his favourite publishers and to the format that proved so successful with The Pickwick Papers. The story first appeared in monthly parts, after which it was issued in one volume. Dickens began writing Nickleby while still working on Oliver Twist.  read more

Code: 25956

895.00 GBP

1st Edition Hardback. The Third Man and The Fallen Idol by Graham Greene  Publisher Heinemann. Frequently Voted As One of The Greatest Films of All Time.

1st Edition Hardback. The Third Man and The Fallen Idol by Graham Greene Publisher Heinemann. Frequently Voted As One of The Greatest Films of All Time.

Publication date: January 1, 1950 Hardback with original dustjacket, unclipped, priced 6 shillings, 188 pages, overall in super condition, original cloth binding {under the dust-jacket} is near mint. London: William Heinemann Ltd, 1950. Original presentation recipient's name and date on the inner first leaf

Complete with a loose newspaper clipping in the book {likely from the 1960's} detailing the burial of the actual "Third Man" Nikolaus Borrisov aka Benno Blum. And, as a smuggler of cigarettes and kidnapper of Russian born fleeing emigre's, returned into the hands of Russian Intelligence over the Austro Hungarian border, Borrisov was earning an incredible sum of around £2,500,000 per year from his enterprise of smuggling and kidnapping from 1947 to 1950. This fantastic sum today would likely be, the equivalent, of over one billion pounds a year.

First hardcover edition, and the first time Greene's novelization of his famous screenplay saw print. "Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime and thus begins this legendary tale of love, deception, and murder." Basis for the Oscar-winning 1949 film directed by Carol Reed, starring Orson Welles and Joseph Cotten.

The Third Man is a 1949 British-American film noir directed by Carol Reed, written by Graham Greene, and starring Joseph Cotton as Holly Martins, Alida Valli as Anna Schmidt, Orson Welles as Harry Lime and Trevor Howard as Major Calloway. Set in post-World War II Allied-occupied Vienna, the film centres on American writer Holly Martins, who arrives in the city to accept a job with his friend Harry Lime, only to learn that he has died. Martins stays in Vienna to investigate Lime's death, becoming infatuated with Lime's girlfriend Anna Schmidt.

The use of black-and-white German expressionist-influenced cinematography by Robert Krasker, with its harsh lighting and Dutch angles, is a major feature of The Third Man. Combined with the use of ruined locations in Vienna, the style evokes exhaustion and cynicism at the start of the Cold War.

Greene wrote a novella as a treatment for the screenplay. Composer Anton Karas' title composition "The Third Man Theme" topped the international music charts in 1950, bringing international fame to the previously unknown performer. The Third Man is considered one of the greatest films of all time, celebrated for its acting, musical score, and atmospheric cinematography.

In 1999, the British Film Institute voted The Third Man the greatest British film of all time. In 2011, a poll for Time Out ranked it the second-best British film ever

Henry Graham Greene OM CH (2 October 1904 – 3 April 1991) was an English writer and journalist regarded by many as one of the leading novelists of the 20th century, and one of the The Lanes Armoury's, partner's, father's, drinking companions when he was in Brighton and imbibing in the Cricketer's Inn, Brighton's 500 year old oldest pub, and one of our neighbours here in The Lanes.

Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted for the Nobel Prize in Literature several times. Through 67 years of writing, which included over 25 novels, he explored the conflicting moral and political issues of the modern world. The Power and the Glory won the 1941 Hawthornden Prize and The Heart of the Matter won the 1948 James Tait Black Memorial Prize and was shortlisted for the Best of the James Tait Black. Greene was awarded the 1968 Shakespeare Prize and the 1981 Jerusalem Prize. Several of his stories have been filmed, some more than once, and he collaborated with filmmaker Carol Reed on The Fallen Idol (1948) and The Third Man (1949).

Presented to Richard Whittington-Egan who was a British writer and criminologist in 1950, the author of Liverpool Colonnade and Liverpool Roundabout, two colourful chronicles of Liverpool's historical characters, crimes and mysteries. And was considered in his day to the greatest living authority on Jack the Ripper.

First edition. The Third Man was written in eight weeks as "the screen treatment that Greene created as a first step in the production of the film version, which appeared in 1949 and which won first prize at the Cannes film festival" (ODNB). This is the first appearance of the story as a novel.

The Fallen Idol was based on Greene's 1935 short story "The Basement Room", which was adapted into the Oscar nominated film in 1948.

Original black boards, spine lettered in perfect silver, light brown endpapers. With dust jacket unclipped. named to presented original author owner dated 20th July 1950  read more

Code: 25961

950.00 GBP

A Unique Leaf From The Published Work of Nicolas Jenson Printed in 1472

A Unique Leaf From The Published Work of Nicolas Jenson Printed in 1472

A single original surviving leaf from one of the earliest and rarest books ever printed. A complete volume of this work, if were ever to be on the open market could be worth well over a million pounds. Nicolas Jensen, who is roundly considered one of history?s greatest printers and typographers, turned out beautiful volumes from his Venetian workshop in the 15th century. There is a similar leaf from Diogenes Laertius, Lives of the Philosophers by the Jensen Press, 1475. In resides in the Salisbury House Permanent Collection. A great and incredibly rare treasure from the very earliest days of printed text, with original handwritten annotations. This is a Folio. 6pp plus and original unique leaf from Ambrosius Aurelius Theodosius Macrobius's "In Somnium Scipionis Exposito". In Publisher's wrappers. 1 of only 73 ever published folio's that contained an original unique leaf from the master's great work of 1472. In very good condition. In The Manual Of Linotype Typography, the folio containing the rare single leaf was published in 1923, he clearly regarded him as one of the three greatest master printers of all time, alongside Gutenberg and Aldus. To own an original unique piece of Jenson's work, with annotations may be considered by some as one of the greatest privileges afforded to admirers of the printed word. An entire volume would be priceless, or at the least exceeding a million pounds or considerably more. Some hypothesize that Jenson studied under the tutelage of Gutenberg, the man who printed the rarest and most valuable book of all time, the Gutenberg or Mazarin Bible [one was apparently lost on the Titanic]. Jenson worked before the greatest English printer, the legendary William Caxton, and the very first book ever to be printed in English by Caxton was in 1473, "Recuyell of the Historyes of Troye" Jenson's story; In October 1458, while acting as Master of the French Royal Mint, Jenson was sent to Mainz, by King Charles VII, to study the art of metal movable type. Jenson then went to Mainz to study printing under Johannes Gutenberg. In 1470 he opened a printing shop in Venice, and, in the first work he produced, the printed roman lowercase letter took on the proportions, shapes, and arrangements that marked its transition from an imitation of handwriting to the style that has remained in use throughout subsequent centuries of printing. Jenson also designed Greek-style type and black-letter type. By 1472, Jenson had only been printing for two years. Even so, his roman type quickly became the model for what later came to be called Venetian oldstyle and was widely imitated. Though Jenson's type was soon superceded in popularity by those of Aldus and Garamond, it was revived again by William Morris in the late 19th century and became the model of choice for a number of private press printers.

Twentieth century commercial interpretations include Centaur and Cloister lightface, and most recently, ITC Legacy and Adobe Jenson. The books of Johann and Wendelin de Spira were printed with a new fount, a roman
type; this was a style of type that is familiar to the present day, but was at the time a radical innovation. A year later, in 1470, a new, slightly lighter and more elegant version appeared in books with a new imprint, that of Nicolas Jenson. In the colophons of books
printed from 1470 his name appears along with praise for his typographical skills. It is here that we see for the first time statements that leave no room for doubt. Jenson hasrightly become famous as the designer and cutter of the punches for the new roman typefaces as well as other founts that for a long time were the standard for legal and
theological works. Confirmation of his status as typographer is found in his last will and testament, written in 1480, where he made careful dispositions for what should be done
with his punches, the tangible results of a life?s experience and work that he wished to be protected. All these circumstances together lead to the notion that it was Jenson who improved the production of movable type by cutting excellent punches, a skill that he
had brought from the traditions of the Mint in Paris, and that he may first have applied inMainz to the long-lasting types used by Fust and Schoeffer.It is only in the last ten years of his life that Nicolas Jenson abandoned his anonymity,
and became prominent as a printer of magnificent books. Executed in sober, almost sculptural layouts they became models for centuries of printing. A famous example is the monumental edition of Pliny?s classical encyclopaedic work, his Historia naturalis, published by Jenson in 1472. An Italian translation, also published by Jenson, appeared in 1476 . The translation and printing were commissioned by the Florentine merchant Girolamo Strozzi, who also took care of the marketing.
Following in the tradition of Thomas Jefferson, whose library contained numerous works on European history, politics, and culture, the Library of Congress has many comprehensive European collections. The rarest of these works come to the Rare Book and Special Collections Division.
A special category of the division's European holdings is its collection of incunabula--books printed before 1501. Printed during the first decades of printing with movable type, these very rare and valuable books cover the whole spectrum of classical, medieval, and Renaissance knowledge and represent many of the highlights of the division's European materials. Over its nearly two-hundred-year history the Library of Congress has collected nearly 5,700 fifteenth-century books, the largest collection of incunabula in the western hemisphere. When Congress originally established its Library in 1800 and saw its collections destroyed by fire in 1814, it had no fifteenth-century books. Neither did the collection that Thomas Jefferson sold to Congress in 1815. This is not surprising because the books in the first Library served the need for general literature, and Jefferson primarily collected modern, scholarly editions in handy formats.

For the first fifty years or so after the acquisition of Jefferson's collection, the Library acquired incunabula very sparingly. The 1839 Catalogue of the Library of Congress lists only 2 incunabula: the Chronecken der Sassen (Mainz: Peter Schoeffer, 6 March 1492) and Ranulphus Hidgen's Polychronicon (Westminster: Wynkyn de Worde, 13 April 1495). The earliest incunabulum with a recorded date of acquisition is a 1478 edition of Astesanus de Ast's Summa de casibus conscientiae (Venice: Johannes de Colonia and Johannes Manthen, 18 March 1478).
The date that marks the real beginning of the incunabula collection at the Library of Congress is April 6, 1867, when the last shipment of Peter Force's library was received at the Capitol. His personal library held approximately 22,500 volumes, including 161 incunabula. The collection had some important books. The earliest imprint was Clement V's Constitutiones (Mainz: Peter Schoeffer, 8 October 1467); also included were a copy of Hartmann Schedel's Liber chronicarum (Nuremberg: Anton Koberger, 12 July 1493) and Jenson's printing of Pliny's Historia naturalis (Venice: Nicolaus Jenson, 1472).
Gutenberg, Aldus and Jenson  read more

Code: 22403

2250.00 GBP

A Large Volume of Foxe's Book of Martyrs 1570, by An Impartial Hand. Detailing the Burning at the Stake of the Protestant Martyrs Under Queen ‘Bloody’ Mary the 1st’s Rule, Published 1741, Formerly Part of the Richard Hoare Collection.

A Large Volume of Foxe's Book of Martyrs 1570, by An Impartial Hand. Detailing the Burning at the Stake of the Protestant Martyrs Under Queen ‘Bloody’ Mary the 1st’s Rule, Published 1741, Formerly Part of the Richard Hoare Collection.

This would make a superb gift, or addition to a collection for a devoted antiquarian bibliophile.

Bearing original Richard Hoare’s Ex-Libris bookplate. One of the most foremost and important books of the 16th century, and a fabulous book for those that wish to have a most impressive rare book as a statement piece for an eclectic collection of unusual artefacts covering a broad spectrum. An absolute beauty. The Book of Martyrs: Containing an Account of the Sufferings and Death of the Protestants in the Reign of Queen Mary. ... Illustrated with Copper-plates. Originally Written by Mr. J. F., and Now Revised and Corrected by an Impartial Hand. One of the martyrs was Derek Carver, owner of a Brighton brewery barely 150 yards from our Brighton gallery. He was burnt at the stake in 1555, in our local Sussex market town of Lewes, while stood in a beer barrel, around 12 miles distant from us. A most fine example formerly from the library and private collection [with family crest and library plate] of Richard Hoare descendant of famous abolitionist and 'Sign of the Black Horse' founding banker, Samuel Hoare Jr. Richard, of Marden Hill Hertfordshire, was born in 1824, son of the banker Samuel Hoare (1783-1847) who was grandson of Quaker and abolitionist Samuel Hoare Jr. whose bank, Barnetts, Hoares, Hanbury & Lloyd, first used The Sign of the Black Horse as it's symbol, that was taken over and used by Lloyds Bank as it's logo in 1884. We show a portrait of young Richard Hoare painted by Royal Academician George Richmond
The book was originally produced in 1563 and illustrated with over sixty distinctive woodcut impressions and was to that time the largest publishing project ever undertaken in England. Their product was a single volume book, a bit over a foot long, two palms-span wide, too deep to lift with only one hand, and weighed about the same as a small infant. Foxe's own title for the first edition (as scripted and spelled), is Actes and Monuments of these Latter and Perillous Days, Touching Matters of the Church. Long titles being conventionally expected, so this title continues and claims that the book describes "persecutions and horrible troubles" that had been "wrought and practiced by the Roman Prelates, speciallye in this realm of England and Scotland". Foxe's temporal range was "from the yeare of our Lorde a thousand unto the tyme nowe present"

Following closely on the heels of the first edition (Foxe complained that the text was produced at "a breakneck speed"), the 1570 edition was in two volumes and had expanded considerably. The page count went from approximately 1,800 pages in 1563 to over 2,300 folio pages. The number of woodcuts increased from 60 to 150. As Foxe wrote about his own living (or executed) contemporaries, the illustrations could not be borrowed from existing texts, as was commonly practiced. The illustrations were newly cut to depict particular details, linking England's suffering back to "the primitive tyme" until, in volume I, "the reigne of King Henry VIII"; in volume two, from Henry's time to "Queen Elizabeth our gracious Lady now reygnyng..The title plate bears a hand penned note dating the entry in 1847 at Marden Hill. n the 1540s the Black Lion brewery was purchased by a Flemish man named Deryk Carver. A Protestant, Carver had fled religious persecution in his home country and had settled in England. At this time, England was a Protestant country following Henry VIII’s break with Rome and the establishment of the Church of England in the early 1530s. Unfortunately for Carver, this policy was reversed in 1553 when Queen Mary I succeeded to the throne. Mary restored Catholicism as the state religion, and revived a series of heresy laws that outlawed Protestant practices. In late 1554 a series of persecutions began, which have left Mary with the nickname of ‘Bloody Mary’.

Carver, who acted as lay preacher in his house in Brighton, was an early victim. He was arrested in October 1554, and tried in London the following year. When questioned by Bishop Bonner on his beliefs, Carver refused to recant his Protestant practices. Sealing his fate, Carver made a fierce attack on the Catholic faith:

‘..your doctrine is poison and sorcery. If Christ were here you would put Him to a worse death than He was put to before. You say that you can make a God: ye can make a pudding as well. Your ceremonies in the Church be beggary and poison.’ (Quoted in John Ackerson Erredge, History of Brighthelmstone 2005, p.120).

Carver was found guilty and burnt at the stake in Lewes on 22 July 1555. In order to mock his profession, he was placed in a barrel prior to his execution.

Carver is one of several Protestant martyrs whose death is marked by the bonfire celebrations in Lewes. But he has never been forgotten in Brighton. John Ackerson Erredge, the first historian of Brighton, dedicated an entire chapter of his History of Brighthelmstone to his execution. The Black Lion brewery was regarded as one of the oldest buildings in Brighton until it was demolished in about 1970. It was partially rebuilt in 1974 as a near-replica of the original building. David Hawkins [senior] attempted to buy the original former brewery, in order to save it for posterity, and donate it to the town, but his offer was sadly rejected, and an office block architecturally inspired by a shoebox, was built on its main site. In 1970 building regulations in Brighton were woefully inconsiderate to historically important buildings. Book dimensions; 9.75 inches x 15 inches x 2.25 inches 713 pages , plus index of the victims up to 'H'.  read more

Code: 19180

1895.00 GBP

Owned by the Earl of Portsmouth, Two Large and Beautifully Bound Antique Volumes,The History of the Life of King Henry IInd. by George Lord Lyttelton Printed for W. Sandby and J. Dodsley, 1767

Owned by the Earl of Portsmouth, Two Large and Beautifully Bound Antique Volumes,The History of the Life of King Henry IInd. by George Lord Lyttelton Printed for W. Sandby and J. Dodsley, 1767

And of the age in which he lived, in five books,: to which is prefixed, a history of the revolutions of England from the death of Edward the Confessor to the birth of Henry the Second / by George Lord Lyttelton Printed for W. Sandby and J. Dodsley, 1767 second printing 2 impressive and original leather bound volumes, from the personal library of the Earl of Portsmouth. Three books of the set are contained in these two, beautiful, large volumes. George Lyttelton, studied at Eton (1725) and Oxford (1726) before touring the Continent (1728-31) before becoming intimate with Pope's circle at Twickenham. He was secretary to the Prince of Wales (1732-44), member of Parliament from Okehampton (1735-56); succeeded as 5th baron Lyttleton 1751, and was lord of the treasury (1744-54) and Chancellor of the Exchequer (1755-56). As an opposition politician, Lyttleton was allied to the Prince of Wales; as a poet he was associated with his near-neighbor at Hagley Park, William Shenstone.

His life was detailed by Samuel Johnson's Lives of the Poets series, published in 3 volumes between 1779 and 1781. In it Dr Johnson states 'His last literary production was his "History of Henry the Second," elaborated by the searches and deliberations of twenty years, and published with such anxiety as only vanity can dictate. The story of this publication is remarkable. The whole work was printed twice over, a great part of it three times, and many sheets four or five times. The booksellers paid for the first impression; but the changes and repeated operations of the press were at the expense of the author, whose ambitious accuracy is known to have cost him at least a thousand pounds. He began to print in 1755. Three volumes appeared in 1764, a second edition of them in 1767, a third edition in 1768, and the conclusion in 1771.

Andrew Reid, a man not without considerable abilities and not unacquainted with letters or with life, undertook to persuade Lyttelton, as he had persuaded himself, that he was master of the secret of punctuation; and, as fear begets credulity, he was employed, I know not at what price, to point the pages of "Henry the Second." The book was at last pointed and printed, and sent into the world. Lyttelton took money for his copy, of which, when he had paid the pointer, he probably gave the rest away; for he was very liberal to the indigent. When time brought the History to a third edition, Reid was either dead or discarded; and the superintendence of typography and punctuation was committed to a man originally a comb-maker, but then known by the style of Doctor. Something uncommon was probably expected, and something uncommon was at last done; for to the Doctor's edition is appended, what the world had hardly seen before, a list of errors in nineteen pages. Each volume is 11.5 inches x 9.25 inches x 2 inches  read more

Code: 22555

475.00 GBP