A Very Fine British ‘Brown Bess’ India Pattern Infantry Musket, Of The Napoleonic Wars Period, Circa 1810. For Over One Hundred Years The British ‘Brown Bess’ Was The Most Famed and Feared Musket In The World. No Army In The World Failed To Respect Them

Facing a volley of several hundred or even thousands of them, fired in the enemies direction, repeated every few seconds, must have been a terrifying experience, never to be forgotten should they, by sheer luck, survive their awesome power. A demonstration of fire power that it could only be compared to, was British Artillery cannon fire.

In superb condition for age. The lock bears the ordnance ‘crown 2’ inspection stamp of Richard Duce {Crown Inspector from 1797 to 1818} universally seen on the muskets given over to the British ordnance for issue for line regiments in the Napoleonic Wars.
One of the India Pattern muskets likely turned over by the East India Co. army to the Board of Ordnance during the Napoleonic wars, due to the urgent need for arms to counter Napoleon's massive armament reserve. The musket was the standard weapon issued to the British soldier throughout the 18th and early-19th centuries. It would be the India Pattern musket that would play a central and pivotal role in the wars against Revolutionary and Napoleonic France.

By the end of the American Revolutionary War in 1783, the British Army was armed with the Pattern 1777 Long Land and Pattern 1779(S) Short Land musket. The ‘short land’ was a musket made to the strict quality guidelines of the Board of Ordnance, and was characterised by its 42 in barrel. After the war the expectation was for a period of peace, a time when the need for Ordnance materials would be low, so the standing contracts for the Pattern 1777 and the Pattern 1779(S) musket were cancelled. Parliament was not prepared to fund equipment it deemed unnecessary, so financial retrenchment was the order of the day. Parliament is consistent in it repeated inclination to repeat over and over again its failure to grasp the realities of the most painful of lessons from history. Never being prepared for war makes it near inevitable, and being constantly prepared for war, ironically, makes it far less likely. The fundamental tenet of invasion and conquest, like bullying in the school playground is the same; the little unarmed guy gets crushed, the big, well protected guy, respected.

The world changed in 1793, a mere 10 years after the loss of the American colonies. Britain found itself once again at war, this time with Revolutionary France. An army now reduced in size to an authorized strength of only 44,432 men had to be expanded rapidly, along with the local militia and volunteer forces. The call for muskets was huge. Indeed, in 1793 the total stock of muskets in armouries around Britain, including the central arsenal at the Tower of London, was around 60,000. The stocks held in French arsenals amounted to over 700,000.

Something needed to be done. At first the Board of Ordnance tried to ramp up production of the Short Land Pattern muskets by engaging new contractors. Yet despite producing over 31,000 muskets in 1793 the numbers were still woefully inadequate for the expanding forces.

The Board of Ordnance had to fill the gap. They did this by ordering 10,000 muskets from the Birmingham gun trade and 10,000 from their usual emergency suppliers in Liege, Belgium. However this was still not enough, especially as the private contractors in both Birmingham and London were hard at work fulfilling orders for the private trade and for the East India Company, one of the biggest private purchasers of military arms. To begin to solve this lack of supply the Master General of the Ordnance, the Duke of Richmond, suggested to the government that they persuade the East India Company to sell their stocks of muskets to the government and also to agree not to place any further orders until the Ordnance's requirements were met.

The duke wrote to the Home Secretary, Henry Dundas, on the matter. As Chairman of the Board of Control of the East India Company Dundas had earlier been instrumental in securing parliamentary approval for the renewal of the East India Company's monopoly. The duke stated that he was: 'aware how unpleasant it must be to take such a step, and to deliver out to our troops these East India Company muskets, but ... the least important must give way to the most; and you will be best able to judge whether the East India Company can admit of a delay in respect of theses arms. And altho' they might not be quite so perfect as ours, they undoubtedly must be serviceable ones, and such as the new Raised Corps must put up with on the current Emergency.'

This suggestion was met with agreement, and the idea of introducing the East India Company's arms into British Army service was conceived. By the end of 1794 the East India Company had delivered 29,920 muskets into government stores, all that they could spare. Indeed transactions for East India Company muskets would continue throughout the duration of the Revolutionary and Napoleonic wars. By 1815, the East India Company had sold the Board of Ordnance at least 142,970 small arms.

The musket that the East India Company supplied was one originally designed by General Lawrence for East India Company service, altered and simplified by Lieutenant Colonel Edward Windus in 1771. The musket in Company service became known as the 'Windus' pattern. In 1795, the Board of Ordnance began to order 'India Pattern' muskets on its own account and by 1797 it officially adopted the musket as the Model 1793 and began to place substantial orders for it with the Birmingham gun trade.

The Model 1793 India Pattern musket was standardized by the Board of Ordnance in 1797, taking account of its comparable cheapness, simplicity of design and ease of manufacture. By the end of 1797, the Birmingham gun trade was able to deliver some 72,000 muskets to the government proof house at Bagot Street. The success of this model was self evident, along with its slightly modified successor the Model 1809 India Pattern. They produced at an average price of 18 shillings and 5 pence (roughly £3,000 in today's money).

The Brown Bess musket was the standard weapon of the British infantry for more than a century. Soldiers on both sides of the War of 1812 employed it in battle, staring down its barrel at opponents across distances of less than a hundred yards.

Flintlock musket
The Brown Bess musket was the standard weapon of the British for more than a century.
British foot soldiers marched into battle with this musket—nicknamed “Brown Bess”—for more than 100 years. British redcoats used the Brown Bess to fight the War of Independence in the colonies, and many of their opponents in the Americans’ Continental army used it as well. British soldiers fighting in the Napoleonic wars carried it into battle, and it was the principal firearm used by the infantrymen who fought the War of 1812.

The Brown Bess had several distinctive features. It was a large-calibre weapon: the bullet it fired was a lead ball up to three-quarters of an inch in diameter, three times the diameter of a modern .22-caliber rifle round. The inside of its barrel was smooth: unlike more accurate “rifled” muskets used by the famous rifle regiments, the Brown Bess had a smooth bore with no grooves to make its fire more accurate. Soldiers loaded the musket through the muzzle, which meant that each bullet had to be forced down a longer than three foot barrel before firing. Even trained soldiers could only launch two or three shots per minute.

Because the weapon was slow to load and relatively inaccurate (experienced soldiers generally estimated its range between 50 and 100 yards), armies developed tactics that helped compensate for its shortcomings. The limitations of smoothbore muskets like the Brown Bess forced units employ “linear tactics,” in which a hundreds of soldiers stood in neat lines, shoulder-to-shoulder and out in the open. While such tactics appear decidedly unstealthy to twenty-first century eyes, they proved essential on the battlefields of all the conflicts which Britain was involved.
There, stealth was a low priority. Packing the men into blocs allowed officers to coordinate their troops’ fire into synchronized volleys. Firing a hundred guns in the same direction at once helped ensure that at least some, often most of the inaccurate musket balls found their targets. And grouping the men into neat lines out in the open helped commanders ensure that few of their troops gave in to the natural instinct to flee.

Of course, packing troops into blocks and fighting in the open required tremendous discipline from the individual soldiers. Infantrymen had to stand exposed to enemy fire as they loaded and fired their own muskets. And in some situations, soldiers learned the grisly dangers of fighting in lines—as at the Battle of New Orleans in the 1812 war, where American artillery attacked the exposed British formations with devastating effect.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought.

Overall in super condition, signs of combat use as to be expected, with some small carved military marking to the butt stock  read more

Code: 25208

A Phenomenally Inexpensive & Most Attractive, Edo Style Samurai Showa Period O-Tanto With Unokubi-Zukuri & Hi Blade, & An Original, Antique, Edo Period Tsuka With Original Tsukaito, Fuchi Kashira of Zarigani & Menuki, Over Samegawa {Giant Ray Skin}

Act fast as we are very confident this tanto will not be available long at this price!

A very impressive tanto with an exceptionally wide, beautiful, barbarian {not tamehagane} steel, unokubi-zukuri with hi blade form, and it is remarkably sharp. With a very attractive black lacquer saya, bound with black sageo, and mounted with original antique, Edo period tsuka with good fuchi kashira and menuki tsuka fittings, bound with original Edo tsukaito, over samegawa {giant rayskin}, and overall in nice order. Very inexpensive due to its later age, non antique blade.

Good Edo period {1600 to 1863} tsuka {hilt} with nice Higo school matching fuchi kashira, on a traditional, Higo, course ground tettsu, onlaid with finely detailed takebori crayfish in silver. Original Edo blue-black tuska-ito bound over circular menuki also on a tettsu ground with takebori silver water plants, mounted on old, original, samegawa {giant rayskin}. Tettsu ground tsuba with takebori sinchu flowering plants, onlaid onto the tettsu, with pierced kodzuka-ana.

In Japanese folklore, crayfish (zarigani) are not as prominent as other creatures like kappa or umibozu, but they do appear in some contexts, often linked to themes of the individual, the environment, and even potentially destructive forces. One interpretation links the crayfish's hard shell to the human ego and its protective nature. The stagnant water they inhabit can symbolize stagnant or melancholy emotions, while the path they take to reach the sun can represent overcoming personal struggles and finding happiness

This really is a very impressive o-tanto {large dagger} with a very wide and substantial blade, and thus it is a most fine looking sword, that for all intents and purposes 'appears' to be an entirely original, early, Shinto period example {circa 1700's} yet it is only partially old Shinto {the tsuka}. If it was, all antique and Shinto, as it appears to be, it would normally be many thousands of pounds.

For information only, 'Crayfish' woodblock print by Watanabe Seitei (Japanese, 1851–1918)

Ideal for someone seeking a very attractive and most impressive display piece, but on a limited budget.  read more

Code: 25858

A Superb, Wonderful, & Highly Amusing, Antique Edwardian, Carved Automata Bulldog's Head Gadget Cane. That Is Not Only A 'Glove Holder' Handled Walking Stick, But A Superbly Secretly Concealed Sword-Stick

Superbly carved wooden bulldog's head, that has a finger trigger operated opening & closing jaw, that is spring tensioned, and upon release of the trigger it can grip a pair of gentleman's gloves. The head is superbly hand carved wood with glass eyes, carved horn ears. Inside the bulldog's mouth, the jaw is painted red and each individual tooth painted white.

The wooden haft is beautiful dark red, with black striping decoration, to simulate rosewood, and the stick contains a secret, a superbly hidden, long, quatrefoil {four sided} long sword blade. Hallmarked London silver ferrule dated 1906,
Gadget or system canes by inventive spirits are perhaps the most fascinating and most collected canes. These quirky creations feature hidden devices such as a fan, an umbrella, a bottle and drinking glass, a perfume bottle or a sword.
Sometimes also scalpels and syringes in canes for
doctors. Also, musical instruments, fishing rods, telescopes, sewing kits and corkscrews can be
hidden in the head of a cane. More than 1500 patents were applied for during the 18th and 19th
centuries. The two essential properties of the gadget cane are something hidden and a combination
of several tools or functions. In addition to the official term gadget cane, there are also the more
romantic expressions such as canes with inner life or canes with soul.
Findings from the tomb of Tutankhamun, as well as medieval bishopric staffs, prove that specially
shaped or ornate sceptres have served as symbols of power since time immemorial. But it was Louis XIII who brought the cane to importance as a royal accessory. The king, as his portraits depict, supposedly always held one in his hands. He also gave them – along with valuable snuffboxes – as gifts of honour. Accordingly, gentlemen who wanted to be fashionable never went without this accessory from that time on. At the time, these were sort of ornate rods without a curved handle that were held in the hand or carried under the arm.

The 19th century and the beginning of the 20th century became the age of the cane. The tremendous popularity then created the desire to be seen with a cane. And so a wealth of unique
pieces with practical and strange handles and a mysterious inner life were created. The painter
Henri de Toulouse-Lautrec, for example, owned a cane containing a bottle that held a pint of absinthe.
In the mid-18th century Saxony's prime minister, Heinrich Graf von Brühl, possessed 300 sticks to go with 300 suits, together with just as many snuffboxes which he weared in turn. King Friedrich II, too, had a huge collection of luxurious walking sticks and snuffboxes. After the Seven-Years War one particular type of sticks with a handle formed like a rope, which was King Friedrich’s constant companion, became so popular, that it was dubbed the "Fritz crutch".

Also at the end of the 19th century the "gadget cane" with additional functions was discovered. Sometimes elegant, sometimes plain, but curious and unrecognisable from the exterior, and the most varied objects and gadgets were concealed in the handle or shaft - out of expediency, or just for fun, or because the owner of the stick wanted to hide something from the general public, such as a hidden sword blade. In fact this one is especially ingenious in that it has two diversely separate functions, the main, the carved bulldog's head glove holder would amuse and thoroughly entertain, but its second secret would never even be guessed at, for gadget canes never usually have another hidden side, that would turn it from a fabulous curiosity into a defender of life in times of severe threat. One could easily imagine Dr Watson's ejaculation, " My Lord Holmes, that cane is simply ingenious! "

There was no limit to the genius of the inventors. There have been canes assigned to a certain profession: like one to the locksmiths to the doctor or one to the horse trader. With this can the height of a horse could have been measured. This explains the existence and meaning of the word “Stockmaß”.
Catherine Dike described 1600 different systems and functionings of canes in her book “Cane Curiosa”. She presents a great variety which reaches from useful canes to witty ones. On the same time have been automatic sticks invented. The handle were formed as a human or an animal head made of ivory or wood. When you press a knob they turn her eyes or her ears and they open their mouth.


The first sword canes were made for nobility by leading sword cutlers. Sixteenth century sword canes were often bequeathed in wills. Sword canes became more popular as the streets became less safe. Society dictated it mandatory that gentlemen of the 18th and especially 19th centuries would wear a cane when out and about, and it was common for the well-dressed gentleman to own and sport canes in a variety of styles, including a good and sound sword cane. Although Byron was proficient in the use of pistols, his lameness and his need to defend himself in some potentially dangerous situations made a swordstick doubly useful to him. He received lessons in London from the fencing master Henry Angelo and owned a number of swordsticks, some of which were supplied by his boxing instructor Gentleman John Jackson.

Sword sticks came in all qualities, and for numerous purposes, from the simplest bamboo sword cane personal defender to stout customs officer’s ‘prod’, to offensive close quarter stiletto dagger canes and even to the other side of the world in the form of Japanese samurai’s shikome-sue, hidden swords.

We show two famous sword sticks in the gallery, one that belonged to Lord Byron, and another in a Presidential Centre Library collection, a historic sword stick is part of the Rutherford B. Hayes Presidential Centre Library collection in Fremont, Ohio from the Waggoner family, the sword-cane was said to have been presented to Mr Waggoner by General George Washington in honour of Waggoner's service in Washington's Life Guard during the American Revolutionary War.

An original antique collectors item for display purposes only.

36 inches long overall, blade 26.25 inches.  read more

Code: 25259

Intriguing New Additions For This Coming Week. Original Viking Antiquities, Japanese Samurai Tsubas, WW2 Tommy Helmets, Plus So Much More!

Due to our unique, generations long presence, visitors, in their hundreds of thousands from all around the globe travel to Brighton every year, through every season, and visit our gallery whether to buy, sell or simply view.
Consequently this means that every day, descendants of old war veterans from past wars may bring their treasures and heirlooms to sell, or even just to enquire about their potential story if they are unknown to them. If we can help we are delighted to assist, and we never, ever charge. It is entirely free and offered with the greatest of pleasure, in fact it happens often over 50 times a day, week in week out.  read more

Code: 25855

A Simply Wonderful 16th Century Koto Era Katana, Museum Quality Mounting, With Shakudo & Pure Gold Decorated Menuki of Takeda Shingen in Armour With His Tiger’s Tail Saya Mounted Sword & War Bow

Circa 1580. All original Edo period koshirae fittings and beautiful original Edo cinnabar urushi lacquer saya. The wrap is original Edo lacquered tooled leather over two wonderful pure gold decorated menuki of two armoured menuki, they are likely Takeda Shingen with his distinctive swords saya Mede from a tiger’s tail, and he wears a court cap helmet. The tsuba is a very fine nanban lobed mokko gata tsuba of wonderful dragon form also decorated with gold. The kashira is a kubutogane type, is a pure gold decorated shakudo, and the the fuchi has a takebori superb quality dragon, on a nanako ground.

Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself.

The blade has a joyful and elaborate gunome hamon and a hammered silver over copper habaki. The saya is in bulls blood red urushi lacquer, with polished buffalo horn fittings

The first mention of the word "katana" occurred during Japan's Kamakura Period (1185 to 1333). Back then, the word was used to describe a long sword with similar characteristics as the tachi but with a few nuances. The katana, for instance, generally had a longer, more curved blade than its tachi counterpart. Most importantly, however, the katana was stronger and more powerful than the tachi. The Kamakura and Muromachi periods
These two periods are considered as the most important periods of the Samurai sword's development history. Though the exact time frames for these periods is debated the period from 1185 to 1336 was known as the Kamakura while the period from 1337 to 1573 was referred to as the Muromachi period. During these periods, there were many invasions in Japan. As a result, there was need for an effective sword to fend off invaders successfully.

During battle the Japanese warriors found that it was very difficult to draw the old ken straight sword from the scabbard (saya) while fighting on a horseback. Consequently, during the Muromachi period, smiths developed the curved katana sword which was more functional during horseback fighting. Because of the design and effective cutting angles, a Samurai could easily draw their sword from the scabbard and slash their opponents in a single swing. 27.5 inch blade from tsuba to tip.  read more

Code: 21721

A Beautiful Koto Period Ancient Aikuchi Tanto Circa 1500, With An Equally Beautiful Blade

Around 500 years old.

With kodzuka utility knife decorated with deep relief takebori crabs. Unusually the saya is covered with black lacquered leather. All original Edo period mounts and fittings. Silver inlaid iron hilt mounts with patinated copper menuki of shishi liondogs. The saya has a small mount of a silver inlaid quail. The blade has now just returned from re-polishing and looks absolutely beautiful. The tanto was invented partway through the Heian period, when it was mainly used as a weapon. With the beginning of the Kamakura period, tanto were forged to be more aesthetically pleasing, and hira and uchi-sori tanto were the most popular styles for wars in the kamakura period. Near the middle of the Kamakura period, more tanto artisans were seen, increasing the abundance of the weapon, and the kanmuri-otoshi style became prevalent in the cities of Kyoto and Yamato. Because of the style introduced by the tachi in the late Kamakura period, tanto began to be forged longer and wider. The introduction of the Hachiman faith became visible in the carvings in the tanto hilts around this time. The hamon (line of temper) is similar to that of the tachi, except for the absence of choji-midare, which is nioi and utsuri. Gunomi-midare and suguha are found to have taken its place. In Nambokucho, the tanto were forged to be up to forty centimetres as opposed to the normal one shaku (about thirty centimetres) length. The tanto blades became thinner between the uri and the omote, and wider between the ha and mune. At this point in time, two styles of hamon were prevalent: the older style, which was subtle and artistic, and the newer, more popular style. Blades could be of exceptional quality. As the end of the period neared, the average blade narrowed and the sori became shallow. The aikuchi is a tanto koshirae where the fuchi is flush with the mouth of the saya. Overall 21 3/4 inches long, blade length 12 1/4 inches  read more

Code: 23142

1st Edition James Bond, On Her Majesty's Secret Service, by Ian Fleming. Part of The ‘Blofeld’ Sequence. The Most Infamous Villain In The James Bond Canon. Written By Fleming at ‘Goldeneye’ Whilst Sean Connery Was Filming His First Bond, “Dr. No” Nearby

Part of another small collection of James Bond First Editions that just arrived at the weekend, including James Bond’s Ist outing and rarest of them all, a stunning ‘Casino Royale’ 1st Edition, 1st impression. It sold within 10 minutes of going on sale!


1st Edition, 1st impression. Published by London: Jonathan Cape. 1963 original cover. (1963) On Her Majesty's Secret Service is the tenth novel in Ian Fleming's James Bond series, first published in the UK by Jonathan Cape on 1 April 1963. The initial and secondary print runs sold out, with over 60,000 books sold in the first month. Fleming wrote the book in Jamaica whilst the first film in the Eon Productions series of films, Dr. No, was being filmed nearby.

On Her Majesty's Secret Service is the second book in what is known as the "Blofeld trilogy", which begins with Thunderball and concluded with You Only Live Twice. The story centres on Bond's ongoing search to find Ernst Stavro Blofeld after the Thunderball incident; through contact with the College of Arms in London Bond finds Blofeld based in Switzerland. After meeting him and discovering his latest plans, Bond attacks the centre where he is based, although Blofeld escapes in the confusion. Bond meets and falls in love with Contessa Teresa "Tracy" di Vicenzo during the story. The pair marry at the end of the story but Blofeld kills Bond's wife, hours after the ceremony.

Fleming made a number of revelations about Bond's character within the book, including showing an emotional side that was not present in the previous stories. In common with Fleming's other Bond stories, he used the names and places of people he knew or had heard of and Blofeld's research station on Piz Gloria was based on Schloss Mittersill, which the Nazis had turned into a research establishment examining the Asiatic races.

On Her Majesty's Secret Service received broadly good reviews in the British and American press. The novel was adapted to run as a three-part story in Playboy in 1963 and then as a daily comic strip in the Daily Express newspaper in 1964–1965. In 1969 the novel was adapted as the sixth film in the Eon Productions James Bond film series and was the only film to star George Lazenby as Bond. On Her Majesty's Secret Service was written in Jamaica at Fleming's Goldeneye estate in January and February 1962, whilst the first Bond film, Dr. No was being filmed nearby. The first draft of the novel was 196 pages long and called The Belles of Hell. Fleming later changed the title after being told of a nineteenth-century sailing novel called On Her Majesty's Secret Service, seen by Fleming's friend Nicholas Henderson in Portobello Road Market.

As with his previous novels, Fleming used events from his past as elements in his novel. Whilst at Kitzbühel in the 1930s, Fleming's car, a Standard Tourer, had been struck by a train at a level crossing and he had been dragged fifty yards down the track. From that time on he had associated trains with death, which led to their use as a plot device not just in The Man with the Golden Gun, but also in Diamonds Are Forever and From Russia, with Love.
To demonstrate just how much all things original Bond are appreciated in the world of collectors, the Walther pistol used by Connery in the poster of From Russia With Love, in 1963, and also drawn in the man With The Golden Gun is in fact just an air pistol. A .177 (4.5mm) Walther 'LP MOD.53' Air Pistol, Serial No. 054159. That pseudo pistol was sold by Christies in 2010, with an estimate of £15,000 to £20,000, but for an incredible £277,000. {We dropped out of the bidding at a mere £22,000} Incredible in that it was never used in any film, it was just an air pistol, not a real automatic, and only ever used in promotional posters. It was 'said' to have been used by accident in fact as they couldn't find a correct Walther.
A full set of 1st edition Ian Fleming's 14 James Bond novels published by Jonathan Cape between 1953-1966 could now cost in the region of £90,000. plus Comprising: Casino Royale, Live and Let Die, Moonraker, Diamonds are Forever, From Russia with Love, Dr No, Goldfinger, For Your Eyes Only, Thunderball, The Spy Who Loved Me, On Her Majesty's Secret Service, You Only Live Twice, The Man with the Golden Gun and Octopussy and the Living Daylights.
The dust jacket has a few small tears, and a water stain, with first page opening at the hinge seam, but a nice rare copy considering it is over 50 years old.

Out of interest, our last example of this super Ist edition James Bond, in around the same condition, we sold as a gift for an American megastar, who is now, apparently, the most famous and biggest selling movie actor in the world.  read more

Code: 25088

A Beautiful Quality 'Commercial' Walnut Gunstock For an Imperial German Luger Semi Auto Pistol, Likely the Long Barrel Navy or Artillery Luger. These Luger Accessories Are Now Pretty Rare & Turn Up Most Infrequently.

In fact , after a reasonable effort at research we could find no other quite like it for sale anywhere worldwide, even the regular flat sided military issue tupes are not to be seen at present, unless they were with a complete pistol. A super old piece of Luger pistol kit, to transfer the pistol into an effective carbine.

Overall in excellent condition, the steel locking bracket does has some old small pitting in small areas.

A usual example, the regular military type was thin slab sided walnut. This is a traditional full butt stock form example.

We have fitted it to some of our private collection Lugers and it fitted our long barrel artillery and navy Lugers butt stock mount well, and it fitted into the slots of all the Lugers perfectly, but on some WW2 lugers the locking latch was tight. This may well be that the old WW1 lugers had had their carbine stocks fitted frequently, and our WW2 Lugers may never have used the carbine stock option in service at all so had no internal slot wear at all to make a good fit.

The Pistole Parabellum or Parabellum-Pistole (Pistol Parabellum), commonly known as just the Luger or Luger P08, is a toggle-locked recoil-operated semi-automatic pistol. The Luger was produced in several models and by several nations from 1898 to 1949.

The design was patented by Georg Luger. It was meant to be an improvement of the Borchardt C-93 pistol, and was initially produced as the Parabellum Automatic Pistol, Borchardt-Luger System by the German arms manufacturer Deutsche Waffen- und Munitionsfabriken (DWM). The first production model was known as the Modell 1900 Parabellum. It was followed by the "Marinepistole 1904" for the Imperial German Navy.

At the beginning of World War I, not all units of the German Army had been equipped with the Luger, leading to an acceleration in production. Alongside the P08, Germany also developed the LP08, a version with a stock and longer barrel that could also accept drum magazines. The LP08 was used by the Luftstreitkräfte during the early days of the war, before planes were equipped with machine guns, although due to a lack of pre-war production, the LP08 was much less commonly used than the P08. The main user of the LP08 was the Army, who used its drum magazine to deliver a high rate of fire at a close range, a concept which would lead to the development of the Stormtroopers and the MP 18. After the end of the war, Germany signed the Treaty of Versailles, which restricted the size of their army – the treaty specified that the German Army could only have 50,000 pistols, and prohibited submachine guns and pistols with stocks altogether  read more

Code: 25861

**The All New August 1st, UK Ninja Sword Ban 2025***. We Have Not, Nor Ever Have Sold Such Swords. So, All and Every Antique & Vintage Samurai Sword Well Sell, or Have Sold In The Past, Are Completed Unaffected

We have never sold fantasy, modern, Ninja type weapons in any way, so nothing we offer for sale, or have ever sold, is effected by the current legislation. We only sell completely original samurai collectors items, many of incredible rarity, which are entire legitimate to own and collect.

Technically and historically, there was never any such thing, as a so-called 'ninja sword', of the type sold frequently online. They have been an invention of the entertainment industry since WW2.  read more

Code: 25862

Deactivated Original Yugoslavian Stake Mine PMR-2A Anti-Personnel Mine. From the Bosnian War With Original UMNP-1V Fuse

Inert, empty and perfectly safe. Collectors item only.

The PMR-2A is a Yugoslavian, stake-mounted anti-personnel fragmentation mine. It is similar in design to the Russian POMZ-2 and the earlier PMR-1 mines. The mine is designed to be triggered by a tripwire, and its fragmentation sleeve scatters lethal shrapnel upon detonation. It is typically mounted on a wooden stake and positioned with the top of the mine about 11.8 inches (30 cm) above the ground, often in areas with dense vegetation. his is the Yugoslavian UMNP-1(УMНП-1), a tilt, PULL and PRESSURE-fuze used on landmines, demolition-charges and Booby-Traps (BTPs).

Once armed, PRESSURE on the prongs, or PULL on a Tripwire (TPW), tilts the prong assembly.

The lockwire and safety-pin are removed from the tilt-rod, arming the Firing-Device (FD).

A PULL force of 2.5kg (5.51lbs) on a TPW attached to the pull-ring, or PRESSURE of 4.5kg (9.92lbs) on the prong assembly, causes the tilt-rod to force the plunger downward. The plunger drives the actuating rod downward and further compresses the Firing-Pin (FP) spring.The actuating-rod also pushes the lock-ball retainer downward until the lock-balls fall inward, freeing the FP. The FP spring drives the freed FP into the detonator, initiating the explosive-train.

Anti-personnel fragmentation mine (APF).
A tripwire activated, stake-mounted mine with a cylindrical cast-iron fragmentation sleeve. Usually attached to a wooden stake, but metal stakes are also used.
Commonly placed in dense vegetation with the top of the mine at a specific height above the ground.
Often uses the UPM-1 or UPM-2AS fuze.
Fragmentation: The cast-iron sleeve breaks into shrapnel upon detonation, creating a lethal area.
Former Yugoslavian issue.
The PMR-2A is a copy version of the German "Stockmine"

Plastic copies made for the training of troops today can cost up to $1,000 dollars each

Not available for export, UK mainland sale only.  read more

Code: 25859