A Superb & Rare 'New York City' 1851 Colt Navy Revolver, British Royal Naval Contract Pistol For The British War Department's Supply of Arms For The Crimean War in Russia

With matching numbers, and very good patinated colour and finish overall, with clear and crisp stampings, and good tight action. A truly super and most rare US Colt British Contract collector's pistol. With fine roll engraved cylinder depicting the sailing ship sea battle. Nicely coloured varnished grips. With the advent of the Crimean War and the sudden need for handguns in the field, the British Ordnance Department placed orders for a total of 23,700 Colt’s “Navy” pistols. The .36 calibre revolver was a departure from British military handgun doctrine in many ways, as it was both a very small caliber (.36) when compared to the traditional British military pistols that were typically between .58 and .65 calibre, and it was a multi-shot weapon. The general acceptance of modern repeating handguns was still very much up in the air with the British military at that time, but they proceeded with the order anyway. These revolvers were delivered between March of 1854 and February of 1856. While many of these guns were delivered from Colt’s London production facility, additional revolvers were delivered from his US based Hartford manufactory as well. Of these revolvers, 9,600 were issued to the Royal Navy, 5,000 were issued to the army in the Crimea, such as to the Guards regiment officers.

The majority of the British purchased military guns were standard London production Colt Model 1851 Revolvers. These guns featured iron backstraps, large iron rounded triggerguards, the standard Colt London address, small “severe” London style serial numbers, rounded head frame screws and “Slim Jim” grips. Some American-made revolvers were delivered to complete the order, with the usual brass backstraps and triggerguards. This example is one of those few very rare American made examples.
Eventually nearly all of the British military acquired Colt Navy revolvers were marked with the usual London proof marks, as well as the government ownership mark of a small {Broad Arrow} and WD (War Department) mark. Due to their acquisition of the American revolvers, and the speed with which the revolvers were issued, some went into the field during the Crimean War without added British proof markings {as this one doesn't}, but, with the War Department stamp and Broad Arrow, that this revolver does have.

Period accounts indicate that the Royal Navy found the revolvers very popular and useful, particularly for boarding parties. In fact, after the conclusion of the Crimean conflict, the Royal Navy continued to utilize the Colt revolvers {alongside the 1839 Pattern Sea Service Single Shot Pistol} in Chinese waters during the Second Opium War that broke out in the fall of 1856. Such as aboard HMS Tribune, which brought the Royal Marines to English Camp, and was a participant in the battle of Guangzhou, during which it had successfully destroyed a fleet of Chinese warships in the Pearl River Delta. Members of the Royal Marines had seen combat across China during the Second Opium War, including fighting in sieges of Chinese forts and naval battles also using the WD Colt revolvers.

The Second Opium War, which brought English Camp's Royal Marines to Guangzhou, started after the Chinese seized a suspected pirate ship that was registered as a British merchant vessel. In retaliation, Britain began destroying Chinese forts and eventually gathered an international force that would include British, French, and American combatants. This war would last for four years and climaxed with the burning and looting of the Summer Palace in Beijing, shortly after the Royal Marines arrived at English Camp.

Interestingly, Colt’s 1851 Navy revolver, their 1860 Army Model and the 1861 Navy Model, all sport cylinder scenes of a naval conflict. If you look closely at the cylinders, you’ll find the legend “Engaged 16 May 1843,” along with the flags of the young Texas Republic and the early Mexican colours flying from the ships’ masts. This date, along with the nautical imagery, represents a seaborne battle in which Texas’s Commodore Edwin Ward Moore defeated a superior (in both number of ships and their size) fleet of Mexican warships—a crucial event in Texas’s struggle for independence. This naval scene was another shrewd move on the part of Colonel Sam Colt, since he was purposely catering to the Texas market that had been so prosperous for him in the past.

The Crimean War was the first major European conflict since Samuel Colt’s revolvers took the world by storm at the Great Exhibition of the Works of Industry of All Nations in 1851, the first World’s Fair. Colt debuted his new revolvers in a large display at the fair, including the Model 1851 Navy which was known originally as Colt’s Belt Model. This was to be Colt’s most significant revolver on the international market.

The Observer of London on November 23, 1851, under the heading “Colt’s Revolvers” noted, “No weapon has attracted more attention than the American revolvers of which several specimens were exhibited during the recent Exhibition…” They stated that U.S. Ordnance tests that showed the ‘51 Navy could be fired 1,500 times a day with only one cleaning. It also reported that they had been used in the Mexican-American War, referencing Colt’s earlier Paterson revolvers, and that the British government had approved the Colt for officers in Africa and India and that this sanctioning had, “not only served to clear the shelves and counters of the American department of the Exhibition, but has been the means of obtaining a large number of orders to be executed for persons in this country.”  read more

Code: 25229

A Very Fine & Very Beautiful 'Samurai Pony' Fitted Katana, Signed and Attributed to Hizen Kuni ju Tadayoshi, Circa 1640

The whole sword is an fine beauty, fitted with excellent quality and finest gold enhanced mounts, Its fittings are stunning, Edo Period, koshirae mounts of depictions of galloping and grazing samurai ponies throughout. This fine samurai sword has been completely untouched since it arrived from Japan as an esteemed antique gift some 145 years ago, but has now just returned from a blade polish conservation that took four months and looks amazing, photos to add by the weekend. The blade photos shown at present are pre-conservation

The signed blade bears a stunning and most beautiful hamon temper line.
The fushi is sublime, premier quality, with a pure hammered gold pony over a shakudo nanako ground, and it is signed by the fitting maker. The menuki are shakudo ponies, and the tsuba of a grazing pony enhanced with gold, beneath a gilt flowered cherry blossom tree, on a mokko form iron plate ground.

It has excellent hand applied Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself.
The tsuba also bears a gilt pony, and there are a pair of shakudo menuki underneath the Edo silk tsuka-ito wrap. The gold horse or pony has an ancient place in Japanese culture, the Ainus of Japan are the first indigenous Japanese, believed a belief in a world with three levels, and that one may travel from one world to the next via the golden horse. It may be from the following story that the significant place of ponies in Japanese culture and status began. The Ainus tale 'The Man who lost his Wife'. A man had lost his wife, and was searching for her everywhere, over hill and dale, forest and sea-shore. At last he came to a wide plain, on which stood an oak-tree. Going up to it he found it to be not so much an oak-tree as a house, in which dwelt a kind-looking old man. Said the old man: "'I am the god of the oak-tree. I know of your loss, and have seen your faithful search. Rest here awhile, and refresh yourself by eating and smoking. After that, if you hope to find your wife again, you must obey my orders, which are as follows: Take this golden horse, get on his back, fly up on him to the sky, and, when you get there, ride about the streets, constantly singing."

So the man mounted the horse, which was of pure gold. The saddle and all the trappings were of gold also. As soon as he was in the saddle, the horse flew up to the sky. There the man found a world like ours, but more beautiful. There was an immense city in it; and up and down the streets of that city, day after day, he rode, singing all the while. Every one in the sky stared at him, and all the people put their hands to their noses, saying: "How that creature from the lower world stinks!" At last the stench became so intolerable to them that the chief god of the sky came and told him that he should be made to find his wife if only he would go away. Thereupon the man flew back to earth on his golden horse. Alighting at the foot of the oak-tree, he said to the oak-god: "Here am I. I did as you bade me. But I did not find my wife." "Wait a moment," said the oak-god; "you do not know what a tumult has been caused by your visit to the sky, neither have I yet told you that it was a demon who stole your wife. This demon, looking up from hell below, was so much astonished to see and hear you riding up and down the streets of heaven singing, that his gaze is still fixed in that direction. I will profit hereby to go round quietly, while his attention is absorbed, and let your wife out of the box in which he keeps her shut up."

The oak-god did as he had promised. He brought back the woman, and handed over both her and the gold horse to the man, saying: "Do not use this horse to make any more journeys to the sky. Stay on earth, and breed from it." The couple obeyed his commands, and became very rich. The gold horse gave birth to two horses, and these two bred likewise, till at last horses filled all the land of the Ainos. The Ainu people are historically residents of parts of Hokkaido (the Northern island of Japan) the Kuril Islands, and Sakhalin. According to the government, there are currently 25,000 Ainu living in Japan, but other sources claim there are up to 200,000. The origin of the Ainu people and language is, for the most part, unknown. However, there have been many theories on the subject.

One theory suggests that the Ainu people are remnants of the Jomon-jin, or the hunter-gathers who inhabited Japan during the Jomon Period (14,500 BC ? 300 AD) and perhaps even before. Around the year 300 AD, another group of immigrants known as the Yayoi people made their way to the islands of Japan, introducing new agricultural techniques and technology and integrating with the Jomon people. It is believed that the Yayoi group may not have reached as far as the Northern island of Hokkaido, allowing the Jomon hunter-gatherer way of life to survive in that area.


Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 21729

A Rare & Beautiful, Early 19th Century, Scottish Rams Horn Butt, All Steel, Highlander's Flintlock Pistol Made by Macleod. In Super Condition, With All The Features As to Be Expected For a Fine, Original, Highland Officer's Regimental Pistol

A most fine and stunning, early 19th century, Scottish all steel highlander's flintlock belt pistol by MacLeod, with flared octagonal muzzle and proved barrel, a signed lock of "highland" type and finely engraved with typical scrolls and a fern border, the entire stock finely and lightly etched overall with iconic thistles, scrolls and trophies. With fine highland ramshorn butt, with removable ball pricker between, and round ball trigger, side belt hook, and a fancy turned steel ramrod. A typical example of the "highland" type lock, but with a fine, automatic hook-cock, half-cock safety to stop accidental missfire. It ejects from the lock plate when cocking the hammer to safely and firmly hold it in place until full-cock is engaged. Beautifully tight and crisp action.

Highland regiment officer's and sergeants wore one steel pistol under the left arm, hung through the pistol's belt hook on a thin buff leather belt. See the original 18th century portrait painting of Captain Gorry of the Highland Volunteer Regiment, with his pistol belt-hook mounted under his left arm. {For illustrative purposes only}

Pistols were considered requisite items for the Highland soldier as early as the 1730s. By the 1740s the elegant pistol styles of Christie & Murdoch (armourers of Doune, Stirlingshire) had became the most sought after amongst Highland officers. The unique elements of the Doune pistols were the scroll or rams horn butt, fluted barrels at the breech and the octagonal flared muzzles. Soon pistol makers all across Scotland (and in England) began to copy the styles of Doune.

Another same form and age pistol by the same maker, signed MacLeod, with the highlanders scroll butt of an 18th century form, with flintlock and rainproof pan, stock, lock and barrel of decorated steel, silver butt escutcheons engraved with the crest of Scott of Abbotsford, sold for £18750 three years ago, in Edinburgh at auction.

A pair of pistols by the same maker which are still within the collection of Sir Walter Scott and on display at Abbotsford. The pistols on display are not only by the same maker but bear a similar armorial engraving as on the pistol sold in Edinburgh. More remarkably, the pistols are recorded in correspondence between Scott and the gunsmith, Mr.MacLeod, being commissioned by him for King George IV’s visit to Scotland in 1822.

Sir Walter Scott’s personal interest in Scottish history and life is well recorded and his collection of historical arms and armour is famous, much of which still decorates his remarkable Borders home, Abbotsford.

Sir Walter Scott, 1st Baronet FRSE FSAScot (15 August 1771 – 21 September 1832), was a Scottish novelist, poet and historian. Many of his works remain classics of European and Scottish literature, notably the novels Ivanhoe (1819), Rob Roy (1817), Waverley (1814), Old Mortality (1816), The Heart of Mid-Lothian (1818), and The Bride of Lammermoor (1819), along with the narrative poems Marmion (1808) and The Lady of the Lake (1810). He had a major impact on European and American literature.

Barrel length 7½", 13" overall length,  read more

Code: 25228

Another Fabulous Selection Arrived Here, Soon to Be Added On To The Lanes Armoury Website, Fresh From Our Conservation Workshop

A wonderful selection of Flintlocks, Scottish, British Crimean War Sea Service Pistol, and a War Dept. Colt Navy, Crimean contract purchase, and as per the HMS Warrior armoury contract. Napoleonic, French, and British Swords, and American Civil War Swords. Antique Japanese Samurai Katanas, and WW2 Japanese Shin Gunto officer's swords, several 1st Editions of P.G.Wodehouse's, Bertie Wooster, plus, lots more as usual

The Lanes Armoury is many things, including, but not exclusively, Europe’s Leading Original Samurai Sword & Armoury Antiques Gallery.

After over 50 years personal experience as a partner and director by Mark, since 1971, and over 40 years by David, we are Europe’s leading original samurai sword gallery, with hundreds of swords to view and buy online 24/7, or in our gallery in Brighton on a personal visit, 6 days a week.

It has been said that the Hawkins family have, in their sword dealing history, handled, bought and sold more original Japanese swords than any other sword dealers outside of Japan since World War I, numbering well into the tens of thousands of samurai weapons. In fact we still know of no better and varied original samurai sword selection, for sale under one roof, anywhere in the world today outside of Japan, or possibly, even within it. Hundreds of antique pieces for sale to choose from, and some up to 800 years old. We have had personal dealings {both buying and selling} with curators, experts and collectors from numerous leading museums around the world, {including Japan}. Such as The Tower of London, and the Metropolitan Museum in New York. And Mark’s personal antiques mentor in the 1970’s was Edward ‘Ted’ Dale, when he was Managing Director and chief auctioneer of one of the worlds leading auction houses, Bonhams of Knightsbridge, London.

Both Mark and David can usually be found here at the gallery and shop, most days, often buried under a pile of swords, pistols, books and bayonets. It is always the case of ‘take us as you find us’ as they say, but they are both always delighted to chat about everything swords, guns, books and history, with no purchase necessary!

In memoriam
For over 30 years we had the enjoyment of the company of the late Christopher Fox as our consultant on Nihonto. A great friend to us all, and one of the most modest and knowledgable experts on Japanese swords in England. Also he was a member of the leading European sword appreciation society for several decades, and a student and instructor of the martial art of Iaido for four decades. The second in command so to speak of sensei Roald Knutsen, one of the worlds greatest experts and author on samurai polearms. {Chris was also a whizz on all things of a military nature from 20th century Germany.}


Did you know? the most valuable sword in the world today is a samurai sword, it belongs to an investment fund and has appeared illustrated in the Forbes 400 magazine. It is valued by them at $100 million, it is a tachi from the late Koto period 16th century and unsigned. Its blade is grey and now has no original polish remaining.  read more

Code: 25201

A Superb 15th Century, Ancient, Signed Samurai Sword, From the Famous Sukesada Line of Early Samurai Sword Smiths

This sword is an absolute ancient beauty, in fabulous condition for its age.

As with all fine samurai swords that have been owned, cared for correctly, and appreciated for centuries, it’s blade condition belies its great age.

John Keats once wrote that ‘a thing of beauty is a joy forever’, well this sword has certainly been a joy for almost 600 years.

Made and signed by one of the early Sukesada school of master swordsmiths, in around 1450, between 570 to 600 years ago. The blade has a spectacular curvature and a typical, early, Koto period narrow suguha hamon [super hardened edge temper line]. The saya is in superb condition, with pristine and perfect bright black urushi lacquer. It is a great historical ancient sword with its last all original Edo period mounts. Edo iron sukashi pierced mokko tsuba, sinchu fushi kashira, and the fuchi is decorated with takebori dragon. It has a pair of dragon menuki under the original Edo period lacquered cotton tsuka-ito binding.

The Sukesada line of swordsmiths descended in the Osafune school and are recorded as far back as the end of the Nambokucho period (around 1394). This blade here is from around 1450, placing it in the pre Sue-Koto Period (1469-1596).

It is known that some Sue-Koto Sukesada swordsmith’s produced many swords (Kazu-uchi mono) in order to keep up with the demand of battlefield swords. Mainly for the samurai foot soldier where were the combat factor was far more important than the artistic beauty.

The early Sukesada smiths however produced swords of outstanding quality. This is from one of the early pre Sue-Koto period Sukesada smiths. The Sukesada line of swordsmiths extend into the Bizen tradition with its roots coming from the Ichimonji line. (For those unaware, The Ichimonji swords of the Kamakura period are perhaps some of the finest swords to have ever been made, many would say these far exceed even Masamune in terms of quality and artistic beauty). The Bizen sword making tradition has long been considered the largest of sword making traditions, this has much to do with the Sukesada swordsmiths. Bizen Province was a province of Japan on the Inland Sea side of Honshu, in what is today the southeastern part of Okayama Prefecture. It would become home to what would be the biggest of the 5 mainline sword making traditions ( Yamato, Yamashiro, Bizen, Soshu, Mino). The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behavior on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means “one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they could be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. They were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

As part of their military training, it has been said, but possibly as part of the myth of samurai training, that samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. It is further said that Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
An individual, in certain circumstances, apparently didn't become a full-fledged samurai until, some say, he wandered around the countryside as begging pilgrim for a couple of years to learn humility. Again this may be part of the myth. However, when all his training was completed a samurai trainee that achieved samurai status and received a salary from his daimyo, paid from taxes (usually rice) raised from the local populace, he truly became the very best at his art in the world of sword combat

Swords in Japan have long been symbols of power and honour and seen as works of art.

Note on the photograph of the tang, around the signature can be seen five mekugi ana peg mounting holes, it appears to be four but on close examination one ana is actually two that overlap. This is one the desirable traditional indicators of a sword’s great antiquity, as each one represents a bespoke mounting and adaption, over the many centuries, of the blade for its various samurai owner's needs. It has remarkably already been a thing of great beauty, and universally admired for around 600 years, and we would like to think there is no reason it shouldn’t continue to do so for another 600 years.

25.70 inch blade tsuba to tip  read more

Code: 24472

A Pair of late Ming to Early Ching Dynasty 16th to 17th Century Cavalry Stirrups

In antiquity, the earliest foot supports consisted of riders placing their feet under a girth or using a simple toe loop. Later, a single stirrup was used as a mounting aid, and paired stirrups appeared after the invention of the treed saddle. The stirrup was invented in China in the first few centuries AD and spread westward through the nomadic peoples of Central Eurasia. The use of paired stirrups is credited to the Chinese Jin Dynasty and came to Europe during the Middle Ages. Some argue that the stirrup was one of the basic tools used to create and spread modern civilization, possibly as important as the wheel or printing press. The stirrup, which gives greater stability to a rider, has been described as one of the most significant inventions in the history of warfare, prior to gunpowder. As a tool allowing expanded use of horses in warfare, the stirrup is often called the third revolutionary step in equipment, after the chariot and the saddle. The basic tactics of mounted warfare were significantly altered by the stirrup. A rider supported by stirrups was less likely to fall off while fighting, and could deliver a blow with a weapon that more fully employed the weight and momentum of horse and rider. Among other advantages, stirrups provided greater balance and support to the rider, which allowed the knight to use a sword more efficiently without falling, especially against infantry adversaries. The Ming Dynasty ruled China from 1368 to 1644 A.D., during which China’s population would double. Known for its trade expansion to the outside world that established cultural ties with the West, the Ming Dynasty is also remembered for its drama, literature and world-renowned porcelain.

RISE OF THE MING DYNASTY

The Ming Dynasty ruled China from 1368 to 1644 A.D., during which China’s population would double. Known for its trade expansion to the outside world that established cultural ties with the West, the Ming Dynasty is also remembered for its drama, literature and world-renowned porcelain.

Ming dynasty founder Emperor Taizu, or Zhu Yuanzhang, was born into poverty, and spent part of his youth wandering the country after his parents died following a series of natural disasters centered around the Yellow River.

The Qing [or Ching] dynasty, officially the Great Qing, also called the Qing Empire by itself or the Manchu dynasty by foreigners, was the last imperial dynasty of China, established in 1636 and ruling China from 1644 to 1912 with a brief, abortive restoration in 1917. It was preceded by the Ming dynasty and succeeded by the Republic of China. The Qing multi-cultural empire lasted almost three centuries and formed the territorial base for the modern Chinese state. After conquering "China proper", the Manchus identified their state as "China", and referred to it as Dulimbai Gurun in Manchu (Dulimbai means "central" or "middle," gurun means "nation" or "state"). The emperors equated the lands of the Qing state (including present-day Northeast China, Xinjiang, Mongolia, Tibet and other areas) as "China" in both the Chinese and Manchu languages, defining China as a multi-ethnic state, and rejecting the idea that "China" only meant Han areas. The Qing emperors proclaimed that both Han and non-Han peoples were part of "China". They used both "China" and "Qing" to refer to their state in official documents, international treaties (as the Qing was known internationally as "China" or the "Chinese Empire") and foreign affairs, and "Chinese language" (Dulimbai gurun I bithe) included Chinese, Manchu, and Mongol languages, and "Chinese people" referred to all subjects of the empire. In the Chinese-language versions of its treaties and its maps of the world, the Qing government used "Qing" and "China" interchangeably.  read more

Code: 20708

A Really Fine and Interesting Late 18th Century Early Sikh Empire Lahore Talwar, With Possibly a Wootz Blade

The hilt [also known as tulwar] comprises langets with lotus-head outlines, domed quillons, and a centrally swollen grip. A knuckle guard with a terminal that recurves toward the disc-pommel which has been attached with a pointed sunburst plaque, a decorative feature further fitted at its centre with a dome and lotus bud finial. The surface has square sectional patterned engraving that once contained silver inlay.

There are clear indications that this particular hilt is of Punjab manufacture: the fat vase shape of the grip section, the slightly forward angle of the quillons and the former geometric pattern of silver koftgari. The hilt is of slightly larger than average proportions and fits comfortably in the hand.

The blade of considerable size, yet slender, and good quality is fitted to the hilt and could possibly be of wootz - this can only be revealed through a professional etch, polish and cleaning of the blade. We have chosen not to do this to keep the historical integrity of the sword and its age.

The blade shape is purely Persian, of shamshīr (شمشیر‎) form with a narrow, pointy blade of deep curvature. Such blades are ideal for close-quarters cutters, with the deep curve helping it target specific places that normal swords could not attach. The type of blade is a referred to as a ‘goliya’ (meaning round) in India. The blade is a highly practical one, with several indications [impacts etc. ] that show that it was clearly used in battle.

The blade has an early engraved armoury storage number MN42. What this most beautiful sword lacks somewhat in condition due to combat. It most easily more than makes up for it in historical interest, quality and beauty.

30 inch blade  read more

Code: 24484

A Very Fine Antique Longsword, Likely German, 16th-17th Century Style, With Double Edged Graduating Diamond Shaped Blade, Bearing Armourers Mark, Crossguard With Single Oval Side Ring

The longsword might have had longer blades than the arming sword, also called the knightly sword which was designed purely for single-handed use, but not necessarily. The difference was the longsword’s longer grip that allowed hand-and-a-half or two-handed use. However, these swords were generally shorter than the German two-hander or zweihander, which was not light enough for single-handed use.

For hilt type see; hilt 10, page 72, A.B.V Norman around 1510 to 1650, The Rapier and Small Sword 1460-1820

Blade Type, Ewart Oakshott XVIIIb and XVIIIc that represent the later longswords of the mid-15th to early 16th centuries. They have a flattened diamond cross-section, often with pronounced mid-rib, some being hollow-ground.

Combining an Oakshott type XVIiic, with the shorter than usual AVB Norman hilt type 10 indicates a hybrid form with the blade of a more usual two handed sword, and the more practical hilt of the shorter bastard style. A most impressive long sword ideal for sword combat competition in many ways.

107 cm blade, cm hilt and 19cm grip

The German school of fencing (Deutsche Schule; Kunst des Fechtensa) is a system of combat taught in the Holy Roman Empire during the Late Medieval, German Renaissance, and early modern periods. It is described in the contemporary Fechtbücher ("fencing books") written at the time. The geographical center of this tradition was in what is now Southern Germany including Augsburg, Frankfurt, and Nuremberg. During the period in which it was taught, it was known as the Kunst des Fechtens, or the "Art of Fighting".b The German school of fencing focuses primarily on the use of the two-handed longsword; it also describes the use of many other weapons, including polearms, medieval daggers, messers (with or without a buckler), and the staff, as well as describing mounted combat and unarmed grappling (ringen).
Most authors of writings on the system are, or claim to be, in the tradition of the 14th-century master Johannes Liechtenauer. The earliest surviving treatise on Liechtenauer's system is a manuscript dated to possibly the late 14th, or early 15th century, known as Ms. 3227a. More manuscripts survive from the 15th century, and during the 16th century the system was also presented in print, most notably by Joachim Meyer in 1570.
The German tradition was largely eclipsed by the Italian school of rapier fencing by the early 17th century. Practitioners of the German school persisted at least until the end of the 18th century, though.

The "longsword" type exists in a morphological continuum with the medieval knightly sword and the Renaissance-era Zweihänder. It was prevalent during the late medieval and Renaissance periods (approximately 1350 to 1550), with early and late use reaching into the 12th and 17th centuries.  read more

Code: 25226

A Magnificent Antique, Original, French Dragoon Helmet 1872. Possibly The Best Example You May Ever See

With liner, black horsehair tail and red feather plume original chinscales with strap and buckle, virtually dent free throughout, and in fabulous overall condition. Maker marked on the steel skull, behind the tail, Alexis Godillot.

A magnificent French Dragoon helmet of the M1872/1874 pattern. Designed immediately after the defeat of France at the Franco Prussian War. These were still in combat wear in August 1914 by the troops of the French Dragoons who were in that early period engaged in reconnaissance, guarding the flanks & covering the infantry as well as liaison & escort.

The Dragoon helmet is identical to that worn by the Cuiraissiers with the minor difference of no plume socket (marmouset) to the top of the crest. The skull, peak & neckguard are made from cast sheet steel which from a lobster tail to the rear with Medusas head to the front of the crest & thirteen palmettes separated by water lillies. All of the fittings & the badge are of brass this including the chin scales which are adjusted by use of a partially concealed strap inner buckle system. The plume socket is set into the side of the helmet with it's red plume. The front plate has a grenade set into two laurel branches this integrating with the bottom edge of the crest as the top grenade flame reaches upwards. To the crest is mounted black horsehair with a pleat which allowed it to be tied up so it did not flutter in the face of the cavalryman. Interior of the helmet has survived in very good order. The leather liner tongues are all good with no damage to holes.

Looking back at the pre-war 1870 landscape, there are parallels that can be drawn today, including notably the role of populist disruptors in triggering international conflict. Emperor Napoleon III of France and Prussia's Otto von Bismarck were both products of the 1848 revolutions and master media manipulators who exploited the power of nationalism. Napoleon did so first, sweeping to power in the December 1848 presidential elections on the promise of ‘making France great again’, as it had been under his uncle, the first Napoleon. Four years later, just before his original term should have expired, he made himself emperor, and quickly reasserted French prestige by launching a succession of wars, including against Russia in the Crimea (1853-56).

Napoleon III's wars had unintended outcomes. One of these was that they turned Russia from being a bastion of the international order into a revisionist power. This in turn gave space to Bismarck to wreck what remained of the European system in a way that was definitely not to France's advantage. Austria was the main victim initially in the shake-up that followed, losing its position in Italy following military defeat at the hands of France in 1859, and more spectacularly forfeiting its prime role in Germany to Prussia after defeat in 1866.

This set the scene for the 1870 Franco-Prussian war. France, determined to thwart Prussia’s further rise, sought to block the candidacy of a Prussian prince to the Spanish throne in what looked like a good, old-fashioned, dynastic succession crisis. What made things different from earlier centuries was the weight of public opinion, in an age of universal male suffrage. Policy makers in Berlin and Paris sought to exploit the rising tide of nationalism on both sides of the Rhine, and this increased the risk of an explosion. That explosion came on 19 July.

A rapid French rout

Experts at the time expected the French to win. They overlooked serious weaknesses on the French side, which Sir Michael Howard's analysis shows extended far beyond the narrow military field, to wider political and societal disadvantages. These were reflected above all in the French conscription system, inherited in its essentials from the first Napoleon. This imposed upon the male population an obligation to serve, but in practice, only a small fraction was ever called up, who then served for seven years and often more. In consequence, the French army lacked the ability to 'scale-up' by calling on a mass of reservists.



The Prussian army, in contrast, drew upon the entire male population, producing a substantial body of trained reservists upon mobilisation. Prussian military planning, conducted by the famed General Staff headed by Helmuth von Moltke, made best use of the resulting numerical advantage, not least through the clever exploitation of railways.

Many military observers nonetheless preferred the French system, which produced an essentially professional force that was far better-suited to the near-continuous overseas deployments that Napoleon III's global ambitions demanded. Most damaging of all, despite its elitist pretensions, the French army was socially rather low-status. This was because the rich were allowed to pay for replacements to serve instead of their sons, should they be unlucky enough to be called up. No such facility existed in Prussia, with the result that its army more fairly approximated the nation-in-arms.

The consequence in 1870 was a French rout. General Philip Sheridan, American Civil War veteran, observed the Franco-German conflict at first hand, and his summary of the reasons for the outcome can hardly be bettered:

"The earlier advantages gained by the Germans may be ascribed to the strikingly prompt mobilization of their armies, one of the most noticeable features of their perfect military system, devised by almost autocratic power; their later successes were greatly aided by the blunders of the French, whose stupendous errors materially shortened the war, though even if prolonged it could, in my opinion, have had ultimately no other termination."  read more

Code: 25225

A Fabulous & Rare US Civil War General's Sabre With Its Original Civil War General Officer's Pattern 'Acorn' Sword Knot, & Steel Combat Scabbard. Superb Deluxe Etched Blade

A near pair to two other Civil War General's swords, currently in American museums, of Major General J.E.B. Stuart, and Lt General John Bell Hood. The sword knot is also a near pair to one {with its sword} of Civil War Brigadier General Champlin. We also show in the gallery General JEB Stuarts hat, that has a pair of interlinked Civil War General's pattern acorn sword knots around the brim.

Our sword has superb quality elaborate hilt embellished decor for a general, and a stunning, deluxe etched blade with maker's name, and the original wirebound sharkskin grip. In its steel, blackened, combat scabbard. All in superb condition. the General’s knot is also in very good condition for age.

An American Civil War import, commissioned from either French or German swordsmiths, and interestingly, almost all the other General's swords within the various US museums were either commissioned in France or Germany, and not domestically produced.
One of the most famous Colonel’s of the Civil War was Robert Gould Shaw of the 54th Massachusetts Infantry Regiment. Robert Gould Shaw (1837-1863) carried his British import sword at the assault on Fort Wagner, Folly Island, S.C. on 18 July 1863. Where sadly he was KIA. The sword was a gift from his uncle George R. Russell, and in a letter to his father, dated 1 July 1863, Shaw acknowledges receiving “a box of Uncle George’s containing a beautiful English sword...” With sword in-hand, Colonel Shaw, of the 54th Massachusetts Infantry Regiment, was shot in the chest and killed while mounting the parapet of Ft. Wagner. The sword and other personal effects were taken from his body during the night and presumed lost. In June of 1865, the U.S. Colored Troops, under the command of Gen. Charles Jackson Paine, U.S.V., found the sword "in the possession of a rebel officer" near Goldsboro, N.C. The sword was returned to the Shaw family in 1865 by Capt. Solon A. Carter, U.S.V. but was misplaced after 1900 until it's recent discovery in 2017. That sword is now within the collections of the Massachuetts Historical Society, donated to them by the Shaw family.

James Ewell Brown "Jeb" Stuart (February 6, 1833 – May 12, 1864) was a Confederate States Army general during the American Civil War. He was known to his friends as "Jeb,” from the initials of his given names. Stuart was a cavalry commander known for his mastery of reconnaissance and the use of cavalry in support of offensive operations. While he cultivated a cavalier image (red-lined gray cape, the yellow waist sash of a regular cavalry officer, hat cocked to the side with an ostrich plume, red flower in his lapel, often sporting cologne), his serious work made him the trusted eyes and ears of Robert E. Lee's army and inspired Southern morale.3

Stuart graduated from West Point in 1854 and served in Texas and Kansas with the U.S. Army. Stuart was a veteran of the frontier conflicts with Native Americans and the violence of Bleeding Kansas, and he participated in the capture of John Brown at Harpers Ferry. He resigned his commission when his home state of Virginia seceded, to serve in the Confederate Army, first under Stonewall Jackson in the Shenandoah Valley, but then in increasingly important cavalry commands of the Army of Northern Virginia, playing a role in all of that army's campaigns until his death.

He established a reputation as an audacious cavalry commander and on two occasions (during the Peninsula Campaign and the Maryland Campaign) circumnavigated the Union Army of the Potomac, bringing fame to himself and embarrassment to the North. At the Battle of Chancellorsville, he distinguished himself as a temporary commander of the wounded Stonewall Jackson's infantry corps.

Stuart's most famous campaign, the Gettysburg Campaign, was flawed when his long separation from Lee's army left Lee unaware of Union troop movements so that Lee was surprised and almost trapped at the Battle of Gettysburg. Stuart received criticism from the Southern press as well as the proponents of the Lost Cause movement after the war. During the 1864 Overland Campaign, Union Maj. Gen. Philip Sheridan's cavalry launched an offensive to defeat Stuart, who was mortally wounded at the Battle of Yellow Tavern.

J.E.B Stuart’s sword was made in Paris. U.S. Army officers were responsible for providing their own side arms, so Stuart either ordered it himself or was given it as a gift. It now resides with his hat, in the American Civil War Museum

John Bell Hood (June 12 or June 29,3 1831 – August 30, 1879) was a Confederate general during the American Civil War. Hood's impetuosity led to high losses among his troops as he moved up in rank. Bruce Catton wrote that "the decision to replace Johnston with Hood was probably the single largest mistake that either government made during the war." Hood's education at the United States Military Academy led to a career as a junior officer in the infantry and cavalry of the antebellum U.S. Army in California and Texas. At the start of the Civil War, he offered his services to his adopted state of Texas. He achieved his reputation for aggressive leadership as a brigade commander in the army of Robert E. Lee during the Seven Days Battles in 1862, after which he was promoted to division command. He led a division under James Longstreet in the campaigns of 1862–63. At the Battle of Gettysburg, he was severely wounded, rendering his left arm mostly useless for the rest of his life.4 Transferred with many of Longstreet's troops to the Western Theater, Hood led a massive assault into a gap in the U.S. line at the Battle of Chickamauga but was wounded again, requiring the amputation of his right leg.

Hood returned to field service during the Atlanta Campaign of 1864 and, at the age of 33, was promoted to temporary full general and command of the Army of Tennessee at the outskirts of Atlanta, making him the youngest soldier on either side of the war to be given command of an army. There, he dissipated his army in a series of unsuccessful assaults and was forced to evacuate the besieged city. Leading his men through Alabama and into Tennessee, his army was severely damaged in a massive frontal assault at the Battle of Franklin. The Battle of Franklin was fought on November 30, 1864 in Franklin, Tennessee; in Williamson County. John Bell Hood's Army of Tennessee (around 33,000 men) faced off with John M. Schofield's Army of the Ohio and the Cumberland (around 30,000 men). Often cited as "the bloodiest five hours" during the American Civil War, the Confederates lost between 6,500 - 7,500 men, with 1,750 dead. The Federals lost around 2,000 - 2,500 men, with just 250 or less killed. Hood lost 30,000 men in just six months (from July 1864 until December 15). The Battle of Franklin was fought mostly at night. Several Confederate Generals were killed, including Patrick Cleburne, and the Rebels also lost 50% of their field commanders. Hood would limp into Nashville two weeks later before suffering his final defeat before retreating to Pulaski in mid December. Hundreds of wounded Confederate soldiers were taken to the John and Carrie McGavock home - Carnton - after the battle. She became known as the Widow of the South. The McGavock's eventually donated two acres to inter the Confederate dead. Almost 1,500 Rebel soldiers are buried in McGavock Confederate Cemetery, just in view of the Carnton house.

Hood’s sword was purchased from Coulaux & Cie, Klingenthal, France. Lt. Gen. John Bell Hood used his cavalry saber during his service in the Confederate Army. It now resides in the Museum of the Confederacy in Richmond Va. Hood also had another sword an infantry Militia pattern dress sword, imported from Germany made by P.D.Lunschloss & Companie, that now resides in the American Civil War Museum.

Sadly, we do not know the name of the general officer to whom our sabre once originally belonged.  read more

Code: 25224