A Most Rare, 'Trench Art', .55 Boys Anti Tank Rifle Round 1942, Converted Into a Soldier's Desert Rat Period Campaign Cigarette Lighter

As you might be aware, being a militaria and specialist bookshop for over 100 years we have had all manner of examples of ‘trench art’. It is known principally for artefacts and souvenirs made by our boys in the trenches of the first world war, and later in the second. Small pieces of military, discharged kit, artillery shell cases, bullet shell cases, and simply pieces of brass metal that were ‘hanging around, could be converted, with a little skill and effort, into useful or decorative items, for the folks back home. The creation all manner of curious pieces were constructed, from paperknives, butter knives, miniature tanks, to planes, miniature hats, dinner gongs, or armoured cars. in fact all manner of souvenirs for their loved ones. A relatively popular item was the petrol cigarette lighter, which was mostly made for their own immediate use, usually created from discharged bullets, or very small shellcases. They were no doubt extremely useful, in fact pretty much vital, especially during the privations of life in the wet and intolerable confines of a trench, in the days where smoking was nigh on compulsory.
Trench art continued to be made into the Second World War, but was not made in the same quantities as it was in WW1. The Second World War war was far more mobile, and not static as it was in the first world war, with little or no ‘down time’, unlike WW1, what with areas of trenches being maintained and occupied by soldiers of both sides, sometimes for months or even years on end.
Over the years we have seen many types of lighter but a Boys tank bullet converted to a lighter has to be one of the rarest we’ve seen, in fact I can’t remember the last one, it has possibly even as long as 40 to 50 years ago.
A .55 Boys Mark 2 Anti-Tank Rifle.55 Boys Mark 2 1942 Dated Anti-Tank Rifle Round, converted to use as a piece of functional, servicemen's, 'trench art', a useful lighter on campaign. The rifle developed by Captain H C Boys, a designer at the Royal Small Arms Factory, Enfield resulting in the .55 Boys anti-tank rifle being adopted in 1937. Although the round was adequate against light tanks in the early part of the war, the Boys was ineffective against heavier armour and was phased out in favour of the PIAT mid-war. During the early campaigns, like Norway and France, the Boys performed adequately against the thinly armored Panzer I, II and IIIs. The first German tanks knocked out by British troops were by a Boys during the Norwegian campaign. Sergeant Major John Sheppard of the 1/5th Battalion, Leicestershire Regiment (TA) was deployed near the village of Tretten to help protect the right flank when three German Panzers approached his position. Taking up the Platoon’s Boys, which he had never used before, Sheppard fired three rounds into each tank, knocking out two of them and making the rest third retreat. For his actions that day, which helped keep the right flank of the British position solid, he was awarded the Distinguished Conduct Medal.The Boys anti-tank rifle was a bolt action rifle fed from a five-shot magazine, loaded by means of a 5 round stripper clip. The rifle was large, heavy with a bipod at the front and a separate grip below the padded butt. The Boys anti tank gun was also made in Canada and sold to America, we sold it to Russia, and Finland, and many thousands were captured at Dunkirk by the German's and issued by their special anti tank units. See photos in the gallery of the British Desert Rats using in against Rommel in Africa, the Finns using it against the Russians in the Finish Russian Winter War, and by the Germans in WW2. Not suitable top export due to bullet shape.  read more

Code: 24019

German WW2 Combat Engineer's Short Wire Cutter's

Combat Pioneer personnel, (Engineers), were issued assorted specialized equipment designed to meet their needs as the spearhead troops tasked with destroying enemy obstacles and creating forward defensive positions for their own troops in the face of the enemy. Each Division in the German Army and the Waffen-SS, (Armed-SS), had an organic Pionier, (Combat Engineer), battalion that consisted of personnel specially trained in destroying enemy obstacles, creating forward defensive positions, bridging and assault tactics.
As the spearhead troops the Engineers were issued with assorted specialized equipment including assault packs, pick axes, saws, long handle shovels, wire cutters, explosive tool kits and other construction and demolition equipment. The Combat Engineer's equipment also included a wide variety of assorted demolition charges, anti-personnel and anti-vehicles mines along with the appropriate detonators, igniters and timers. The Combat Engineers were utilized two, different models of wire cutters enabling personnel to cut through barbwire entanglements. The wire cutters came in both a short and a long model and both were issue with a specific carrying case that was to be worn on the load carrying waist belt.  read more

Code: 23360

A Superb, Antique, Meteoric Steel Kris With Singularly Beautiful Blade of Meteorite Steel. The Metalurgical Graining in The Blade Is Absolutely Spectacular

Made with laminate steel and pamor and likely with metal from a meteorite. An old, 18th century Bali Keris [or Kris] with a superbly sculpted serpentine seven wave blade bearing pamor wos wutah. The old wrongko is the batun form in the South Bali style, it is made from an outstanding piece of timoho. The old bondolan hilt is from well patterned timoho wood and is fitted with an old wewer set with pastes.
This keris displays impeccable blade quality in a scabbard of beautifully marked timoho wood and is an outstanding example of the Balinese keris. Pamor is the pattern of white lines appearing on the blade. Kris blades are forged by a technique known as pattern welding, one in which layers of different metals are pounded and fused together while red hot, folded or twisted, adding more different metals, pounded more and folded more until the desired number of layers are obtained. The rough blade is then shaped, filed and sometimes polished smooth before finally acid etched to bring out the contrasting colors of the low and high carbon metals. The traditional Indonesian weapon allegedly endowed with religious and mystical powers. With probably a traditional Meteorite laminated iron blade with hammered nickel for the contrasting pattern. Traditionally the pamor material for the kris smiths connected with the courts of Yogyakarta and Surakarta originates from an iron meteorite that fell to earth at the end of 18th century in the neighborhood of the Prambanan temple complex. The meteorite was excavated and transported to the keraton of Surakarta; from that time on the smiths of Vorstenlanden (the Royal territories) used small pieces of meteoric iron to produce pamor patterns in their kris, pikes, and other status weapons. After etching the blade with acidic substances, it is the small percentage of nickel present in meteoric iron that creates the distinctive silvery patterns that faintly light up against the dark background of iron or steel that become darkened by the effect of the acids.  read more

Code: 22611

A King George IVth Police Tipstaff The Very First Truncheon Issued To Metropolitan Police In The Year of Formation in 1829.

With areas of painted finish lacking. Traditional of uppermost cylindrical form with a turned grip.

The 18th century had been a rough and disorderly age, with mob violence, violent crimes, highwaymen, smugglers and the new temptations to disorder brought about by the Industrial Revolution.

Clearly something had to be done.
In 1829 the Metropolitan Police Force, organised by Sir Robert Peel, was established to keep the order in London.
The force, under a Commissioner of the Police with headquarters at Scotland Yard, was essentially a civilian one: its members were armed only with wooden truncheons and at first wore top-hats and blue frock-coats. The "Peelers" or "Bobbies" were greeted largely with derision by Londoners, but they did become accepted fairly quickly. Their primary purpose, in those days, was to prevent crime, and some London criminals left their haunting grounds of London for the larger provincial towns, which in turn established their own forces on the Metropolitan model. The pattern followed through to the small villages and countryside. To secure co-operation between the spreading network and establish further forces,

Parliament passed an act in 1856 to co-ordinate the work of the various forces and gave the Home Secretary the power to inspect them. In the counties, under the Police Act of 1890, the police became the combined responsibility of the local authorities - the County Councils - and the Justice of the Peace, while in London, the Metropolitan Police at Scotland Yard remained under the Commissioner appointed by the Home Office. At the turn of the century, the British police force established a reputation for humane and kindly efficiency.
Their mere existence undoubtedly did a lot to prevent crime, and they built up what was on the whole a highly effective system of investigation and arrest, that lasted for just over 120 years. However, as Heraclitus, a Greek philosopher, expressing the idea of impermanence around 500 BC once remarked
"Nothing is permanent except change".  read more

Code: 16913

South American 19th Century Brazilian ‘Faca De Ponta’ Fighting Knife Rare Antique Brazilian Cangaceiros Faca De Ponta Lampiao Bandit Dagger Knife.

Intersperced discs of carved bone and horn handle. Good maker mark logo of a prancing pony. Although made earlier they are now called after the early 20th century bandit leader. Lampiao became associated with an established bandit leader, Sebastiao Pereira. After only a few months of operating together, in 1922, Pereira decided to retire from banditry; he moved to the State of Goias and lived there peacefully into advanced old age. Lampiao then took over leadership of the remnants of Pereira's band. For the next 16 years, he led his band of cangaceiros, which varied greatly in number from around a dozen to up to a hundred, in a career of large-scale banditry through seven states of the Brazilian Northeast.

Depending on the terrain and other conditions, the bandits operated either on horseback or on foot. They were heavily armed, and wore leather outfits, including hats, jackets, sandals, ammunition belts, and trousers, to protect them from the thorns of the caatinga, the dry shrub and brushwood typical of the dry hinterland of Brazil's Northeast. The police and soldiers stationed in the backlands often dressed in an identical manner; on more than one occasion Lampiao impersonated a police officer, especially when moving into a new area of operations, in order to gain information.

The firearms and ammunition of the cangaceiros were mostly stolen, or acquired by bribery, from the police and paramilitary units and consisted of Mauser military rifles and a variety of small arms including Winchester rifles, revolvers and the prized Luger and Mauser semi-automatic pistols.

A strange and contradictory piety ran through Lampiao's psyche: while robbing and killing people, he also prayed regularly and reverenced the Church and priests. He wore many religious symbols on his person; presumably, he invested them with talismanic qualities. Like many others in the region he particularly revered Padre Cicero, the charismatic priest of Juazeiro. He was noted for his loyalty to those he befriended or to whom he owed a debt of gratitude. He generously rewarded his followers and those of the population who shielded or materially helped him (coiteros), and he was entirely reliable if he gave his word of honour. Lampiao was capable of acts of mercy and even charity, however, he systematically used terror to achieve his own survival. His enmity, once aroused, was implacable and he killed many people merely because they had an association with someone who had displeased him. He is recorded as having said "If you have to kill, kill quickly. But for me killing a thousand is just like killing one". For the cangaceiros murder was not only casual, they took pride in their efficiency in killing. They were excellent shots and were skilled in the use of long, narrow knives (nicknamed peixeiras - "fish-filleters") which could be used to dispatch a man quickly.

Lampiao's band attacked small towns and farms in seven states, took hostages for ransom, extorted money by threats of violence, tortured, fire-branded, and maimed; it has been claimed that they killed over 1,000 people and 5,000 head of cattle and raped over 200 women. The band fought the police over 200 times and Lampiao was wounded six times. 11 inches long overall
No scabbard  read more

Code: 20875

Set of German WW2 Revierforster Rank Collar Tabs

This is a set of third reich period German Revierforster rank shoulder boards in the Forestry Service, a favourite of Reich Marshal Goring. The tabs are constructed forest-green woolen backer. The obverse of the tabs are ordained with extremely fine, high quality, silver aluminum twisted wire in the shape of two vertically positioned oak leaves in the centre of the tab, with a twig of three leafs in the bottom left and right corners. Both tabs are edged on all four sides with fine quality twisted wire fastened to the sides using invisible green threads.  read more

Code: 20884

A ERII Royal Naval Officers Sword & Scabbard. Queen Elizabeth Cypher Blade & Traditional Queen's Crown Fouled Anchor Naval Pattern Hilt

Beatifully etched mirror bright with counter frosted design of ERII cypher, Royal naval devices design of oak leaf with acorn and rope design, fouled anchor. Traditional triple wire bound faux shagreen grip, brass mounted leather scabbard.

Overall in excellent condition. Ideal for a current or future serving Royal naval officer.

The two most frequently encountered designs within the hilt are the St Edward’s Crown and the Tudor Crown. In the former of these, the arches supporting the orb and Cross are depressed towards the centre. This design, often termed a Queen’s Crown by collector, has been used as the regal crown by Queen Elizabeth II, Queen Victoria and the monarchs preceding her. The arches of the Tudor Crown rise towards the centre to support the orb and crown. This design was used by Edward VII, George V, Edward VIII and George VI. Collectors often refer to this as a King’s Crown. The Sovereign chooses the regal crown pattern as it was chosen by Prince Charles on his accession to king.

The sword was possibly retailed by Crisp and Son before their closure around 7 years past  read more

Code: 25851

A Shinto Aikuchi Tanto, Unokubi-Zukuri With Hi Blade & Stunning Bi-Colour Shakudo Fittings Katakiri-bori Carving, on Migaki-ji of Insects, a Cricket a Hornet and a Praying Mantis

Circa 1700. A very attractive Samurai tanto that has lain untouched for likely 140 odd years or more. All matching and most attractive Edo period bi-colour hand carved shakudo fittings katakiri-bori carving, on migaki-ji including a kozuka, engraved with a preying mantis, a wasp on the kashira and a grasshopper on the sayajiri. The menuki are of fine gold overlay of dragon, and the tsuka has imperial off-white silk binding. The blade is in a unokubi-zukuri form similar to naga nata in stunning polish. The original Edo lacquer saya is uniformly ribbed along it's length with age cracking below the kozuka pocket, and small bruises at the base. Very fine hammered silver foil covered habaki.

The tanto is commonly referred to as a knife or dagger. The blade can be single or double edged with a length between 15 and 30 cm (6-12 inches, in Japanese 1 shaku).

The tanto was designed primarily as a stabbing weapon, but the edge can be used for slashing as well. Tanto are generally forged in hira-zukuri style (without ridgeline), meaning that their sides have no ridge line and are nearly flat, unlike the shinogi-zukuri structure of a katana.

Some tanto have particularly thick cross-sections for armour-piercing duty, and are called yoroi toshi.  read more

Code: 25141

A Stunning, Fearsome Yet Beautiful, Edo Period Shirohige Ressei-Menpo "Mask With Fierce Expression" Samurai Face Armour,, Probably Myochin School, 18th century

Men-yoroi (面鎧), also called menpō (面頬) or mengu (面具), are various types of facial armour that were worn by the samurai class and their retainers in feudal Japan. These include the sōmen, menpō, hanbō or hanpō, and happuri.

A resseimon cheek is a form of cheek below the eyes, and is a mask with a very fierce, angry, and threatening expression. He is characterized by wrinkles on his nose and cheeks, wide open mouth, moustache and gold teeth. This work is a typical ressei mask made of iron and covered with black lacquer over the entire surface, and is attached with a collar called a kuruwa, which was commonly used in the Edo period.

This is a wonderful piece of Japanese Samurai 'art' made for warfare, which features a kuchi hige (mustache), shiwa (facial wrinkles). Extremely collectable art that is most desirable in its own right, often stunningly used for interior decoration as an individual work of samurai art in its own right. A very good urushi lacqured embossed iron mask of 'Me no Shita Men' (half face) type. Mid Edo period 18th century. Typical Myochin school craftmanship with very sharp embossing. A multi coloured silk bound yodarekake, neck defence with hooked standing cord pegs for attaching with cords to the samurai. A doeskin top to the neck defences decorated in a black inked pattern of Shishi lion dogs on a leaf pattern background. The inner face is decorated with vermillion lacquer, and the neck lames are covered in black urushi lacquer under the cords. Face armour, menpo, is samurai armour, and this is called 'with a fierce expression' masks They were worn with the Samurai's armours to serve as a protection for the head and the face from sword cuts. Even if the mask in unsigned, the type, and its the features suggest this fabulous face armour menpo was made by a smith from the Myochin school.

There are 4 types of mask designs that came into general use in Japan: happuri (which covers the forehead and cheeks), hanbō (covers the lower face, from below the nose all the way to the chin), sōmen (covers the entire face) and the me-no-shita-men (covers the face from nose to chin). We can also classify those mask depending on their facial expressions, most of which derive from the theatre masks. It has an asenagashino ana a hole under the chin to drain off perspiration and orikugi two projecting studs above the chin to provide a secure fastening to the wearer. In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku (new armours). Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms.
The era of warfare called the Sengoku period ended around 1600, Japan was united and entered a relatively peaceful Edo period. However, the Shoguns of the Tokugawa period were most adept at encouraging clan rivalries and conflicts and battles were engaged throughout the empire. This of course suited the Shogun very well, while all his subordinate daimyo fought each other they were unlikely to conspire against him. Samurai use continued to use both plate and lamellar armour as a symbol of their status but traditional armours were no longer necessary for war, but still for battle. The most important branch of the Myochin school is probably that of the Ki region. Founded by Kunimichi, it became popular between 17th and 18th century for the works of Munesuke, who had the technical ability and the artistic capacity to create samurai armour of great beauty, In fact, this is the period when Japanese armor makers became aware that they were living in a peaceful time and their works begun looking back at the mediaval samurai armour as an inspiration: kabuto started again to be of circular shape and decorations became again large and rich, as in the old o-yoroi armor.

The best ability of Munesuke was the hammering technique (uchidashi): his menpo look almost exagerated in their shapes, with a very long chin, sharp and deep wrinkles on the cheeks and theatrical mouth. Moustaches are often inlaid in silver or gold, instead of being in fur as on Nara style menpo.

But the armor maker who really brough the uchidashi technique to the highest level is Muneakira, pupil and adopted son of Munesuke, which we can consider the best maker for samurai armour of modern times: his hammeried works are extraordinary, with precise and sharp lines of a quality that nobody else achieved.

The men-yoroi, which covered all or part of the face, provided a way to secure the top-heavy kabuto (helmet). The Shinobi-no-o (chin cord) of the kabuto would be tied under the chin. Small hooks called ori-kugi or posts called odome located on various places would help secure the chin cord. The men-yoroi was constructed from iron, leather, or a combination of both. It had a lacquered or rusted type of finish and included a variety of facial details, such as a moustache, fierce teeth and a detachable nose. With the exception of the happuri, a men-yoroi had a small hole underneath the chin for sweat drainage.

Face armour in Japan begins with the happuri, which is depicted in Heian- and Kamakura-era yamato-e paintings and is thought to have appeared during the 10th or 11th centuries. It is depicted as being worn with or without a helmet by both mounted warriors and foot retainers. By the 14th century, the hōate appears, and according to Tom Conlan, this development is behind decreased facial wound statistics. However, others, such as Yamagishi Sumio, believe that the hōate was not widespread at that time, as it—and the later menpō—restricted the vision of the wearer. Hōate are also portrayed in art and literature of the period, most notably the Aki no yo no Nagamonogatari scroll and Taiheiki. The menpō (half-mask with detachable nosepiece) and the sōmen (full face mask) are believed to have been introduced around the mid to late 15th century, and the hanbō (chin guard) in the second half of the 16th century
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Code: 25241

Very Fine & Beautiful, Victorian, ‘Scottish’ Officer's Sword of Presentation Grade, 29th Lanarkshire Regt. Volunteers. Presented By His Company to Captain Hincksman in 1875.Identical to The Sword Used by Lt Bromhead at Rorke's Drift

The 29th Lanarkshire Rifle Volunteers were created in February 1860 in Coatbridge. The corps absorbed several other Lanarkshire Rifle Volunteer companies before becoming the 7th Lanarkshire Rifle Volunteer Corps in June 1880. The following year this became part of the Cameronian (Scottish Rifles) as part of the army reforms of that year.

Just returned from over 20 hours of expert hand polishing and conservation in the workshop to return it to as close to how it was when presented to Capt. Hincksman in 1875. It now look breathtaking. It also still has its original patent leather inner half basket lining, This was stitched in but had to be removed to enable conservation and photographed seperate. It has now been re-stitched back in place, and we have photographed it accordingly. It’s finest grade mercurial gilt finish hilt has over 95% of all of it original mint bright gilt finish remaining.

An absolute beauty of an original historical sword. Overall in superb condition. A sword that would compliment any form of background decor. Exactly the form of sword used by Lt Bromhead in the Zulu war, as was portrayed and carried in the film 'Zulu' by Sir Michael Caine. One may find it impossible indeed to see another as fine and beautiful and as original as this sword. With its original, mirror bright polished and counter-frosted ground, bespoke fully etched blade, bearing the cypher and crest of H.M. Queen Victoria, and named and dated presentation panels.
Gothic pieced half basket hilt, combined, combat-dress scabbard, fine wire bound sharkskin grip.

Photo in the gallery from the film "Zulu" and Michael Caine as Bromhead with his sword for information only not included.
The 1822/45 pattern of sword has a Gothic hilt and Queen Victoria's cypher within the pierced oval centre. This sabre would have seen service by an officer at the very cusp of England's Glory of Empire. A sabre fit to represent the age and used throughout the Zulu War and numerous other great and famous conflicts of the Victorian era. The 1822 pattern infantry with it's elegant pierced Gothic style hilt, and the graceful monogram of Queen Victoria make it one of the most attractive patterns of sword ever used by British Army officers, and it was a pattern that saw service for almost 80 years. The blade is by Henry Wilkinson, who developed in 1845 pattern blade. Many swords of British officers were continually used for many decades, until the 1890's in fact, as swords were quite often passed on from father to son, down the generations, in many military families. During the period of this sword's use, two of most famous pair of engagements in the British army's history, during the last quarter of the 19th century, happened over two consecutive days. Curiously, it is fair to say that these two engagements, by the 24th Foot, against the mighty Zulu Impi, are iconic examples of how successful or unsuccessful leadership can result, in either the very best conclusion, or the very worst. And amazingly, within only one day of each other. The 1879 Zulu War, for the 24th Foot, will, for many, only mean two significant events, Isandlhwana and Rorke's Drift. This is the brief story of the 24th Foot in South Africa; In 1875 the 1st Battalion arrived in Southern Africa and subsequently saw service, along with the 2nd Battalion, in the 9th Xhosa War in 1878. In 1879 both battalions took part in the Zulu War, begun after a British invasion of Zululand, ruled by Cetshwayo. The 24th Foot took part in the crossing of the Buffalo River on 11 January, entering Zululand. The first engagement (and the most disastrous for the British) came at Isandhlwana. The British had pitched camp at Isandhlwana and not established any fortifications due to the sheer size of the force, the hard ground and a shortage of entrenching tools. The 24th Foot provided most of the British force and when the overall commander, Lord Chelmsford, split his forces on 22 January to search for the Zulus, the 1st Battalion (5 companies) and a company of the 2nd Battalion were left behind to guard the camp, under the command of Lieutenant-Colonel Henry Pulleine (CO of the 1/24th Foot).

The Zulus, 22,000 strong, attacked the camp and their sheer numbers overwhelmed the British. As the officers paced their men far too far apart to face the coming onslaught. During the battle Lieutenant-Colonel Pulleine ordered Lieutenants Coghill and Melvill to save the Queen's Colour—the Regimental Colour was located at Helpmakaar with G Company. The two Lieutenants attempted to escape by crossing the Buffalo River where the Colour fell and was lost downstream, later being recovered. Both officers were killed. At this time the Victoria Cross (VC) was not awarded posthumously. This changed in the early 1900s when both Lieutenants were awarded posthumous Victoria Crosses for their bravery. The 2nd Battalion lost both its Colours at Isandhlwana though parts of the Colours—the crown, the pike and a colour case—were retrieved and trooped when the battalion was presented with new Colours in 1880.

The 24th had performed with distinction during the battle. The last survivors made their way to the foot of a mountain where they fought until they expended all their ammunition and were killed. The 24th Foot suffered 540 dead, including the 1st Battalion's commanding officer.

After the battle, some 4,000 to 5,000 Zulus headed for Rorke's Drift, a small missionary post garrisoned by a company of the 2/24th Foot, native levies and others under the command of Lieutenant Chard, Royal Engineers, the most senior officer of the 24th present being Lieutenant Gonville Bromhead. Two Boer cavalry officers, Lieutenants Adendorff and Vane, arrived to inform the garrison of the defeat at Isandhlwana. The Acting Assistant Commissary James Langley Dalton persuaded Bromhead and Chard to stay and the small garrison frantically prepared rudimentary fortifications.

The Zulus first attacked at 4:30 pm. Throughout the day the garrison was attacked from all sides, including rifle fire from the heights above the garrison, and bitter hand-to-hand fighting often ensued. At one point the Zulus entered the hospital, which was stoutly defended by the wounded inside until it was set alight and eventually burnt down. The battle raged on into the early hours of 23 January but by dawn the Zulu Army had withdrawn. Lord Chelmsford and a column of British troops arrived soon afterwards. The garrison had suffered 15 killed during the battle (two died later) and 11 defenders were awarded the Victoria Cross for their distinguished defense of the post, 7 going to soldiers of the 24th Foot.

The stand at Rorke's Drift was immortalised in the 1964 movie 'Zulu', and Sir Michael Caine is carrying this very same pattern of sword.

Overall in excellent plus condition. Very nice and snug fit to the very brightly polished scabbard, with all its original wood liner present. The combat scabbard its the only part of the sword that bears any natural age wear with traces of old light surface pitting {now hand polished out}  read more

Code: 25848