Some Fantastic & Superb Pieces Just Arrived & Shall Be Added Soon. Including A Stunning Kunitake Early Shinto Katana With Kagonami Tsuba , & A Fine Kugyō Daisho, A Daito & Shoto, Some Of The Most Beautiful Samurai Swords We Have Seen

Just one of the beautiful aspects of the Kunitake 国武 katana is its beautiful blade with a captivating hamon, in beautiful polish. All its stunning fittings are original early Edo including the original urushi lacquer saya with an irridescent green ground of crushed abilone shell decor. Kabuto gane kashira, and its Kiyou-Tojin Nanban Tsuba, a large rectangular sword guard.
It is tettsu {iron} with gold wire inlay. The manner of execution of the tsuba represents a high degree of artistic hybridity, suggesting that the tsuba was made along maritime trade-routes, where artisans had access to decorative arts from around the globe. The indented corners, pointed Shitogi-gata seppa-dai, smooth-skinned dragons and almost caricature drawing- style points to Indochina, perhaps Tonkin. There is a similar piece in the 1973 W.M. Hawley book Tsubas (sic) in Southern California. One can see a number of similar pieces with NBTHK attribution to "Nagasaki". Although some believe it more likely is that these were imported to Japan through the VOC factory in Deshima.

Cultural exchanges between China and Nagasaki became quite frequent after the Kangxi emperor reopened Qing seaports to foreign trade in 1684, and issued trading licenses to private concerns.In the 1640s a number of refugees from the collapse of the Ming Dynasty emigrated to Nagasaki. One of them—Shoyu Itsunen became the abbot of Kofukuji temple in Nagasaki. Itsunen is also known to have taught painting to Kawamura Fukuyoshi, a samurai and customs official who is better known as Jakushi I. Another Chinese priest, Yinyuan Lonqi, was the abbot of Wanfu temple on Mount Huangbo in Fujian. He came to Nagasaki at the invitation of Itsunen. Lonqi, known in Japan as Ingen Ryuki, became the founder of Obaku Zen Buddhism. The Nagasaki school of painting was deeply influenced by the Chinese painter Shen Nanpin, who lived and taught painting in Nagasaki for several years. Nanpin’s work was heavily influenced by European scientific and botanical painting, which resonated with the intellectual community at Nagasaki, which in Japan was the centre of Chinese medical studies, and Rangaku (the study of European science).

Swordsmith; KUNITAKE (国武), Kan ́ei (寛永, 1624-1644), Yamashiro – “Heianjō-jū Fujiwara Kunitake” (平安城住藤原国武), “Kunitake” (国武), “Sanjō Kunitake” (三条国武), student of Horikawa Kunihiro (堀川国広), later smith from the line of Sanjō Yoshinori (三条吉則), a tradition says that he was the father of Izumo no Daijō Yoshitake (出雲大掾吉武), itame-nagare with ji-nie, suguha, notare mixed with gunome-ashi in ko-nie-deki, sugu-bōshi with a ko-maru-kaeri, wazamono, Rated as jō-saku {superior smith}
Nanban-style tsubas (Japanese sword guards) often feature intricate designs incorporating dragons and phoenixes. These designs, commonly found in Hizen ware during the Edo period, represent the harmonious union of opposites – the masculine dragon and the feminine phoenix. This symbolic representation reflects the balance between power and grace, often associated with the Emperor and Empress in Japanese culture.
Key aspects of Nanban tsubas with dragon and phoenix:
Symbolism:
The dragon represents strength and power, while the phoenix embodies grace and beauty. Together, they symbolize the harmonious union of opposites.
Design:
Nanban tsubas often feature intricate designs with dragons, phoenixes, and other floral motifs, sometimes incorporating techniques like pierced work, inlays, and gilding.
Influence:
Nanban style was influenced by foreign art and culture, particularly Chinese designs, which contributed to the prevalence of dragons and phoenixes in these tsubas.
Examples:
The Ashmolean Museum has examples of Nanban tsubas with these designs.
Nanban tsubas are typically made of iron and often feature intricate details in gold or silver.
During the 18th and 19th centuries, improved tools led to more delicate and rapid production of Nanban tsubas.

The daisho, that require at present professional conservation that shall be attended to, have finest original Edo saya, of urushi lacquer decorated with kamon of multiple clans, this suggests affiliations and allegiance to such clans, they are multiples of mon applied, on a ground of gold-nashiji, of gold-ikakeji. This form of highest superior work was restricted, in feudal times, to san mi 三位, samurai owners, of the third court-rank, or possibly even higher, such as 一位, Ichii, First rank, or, 二位, Nii, second rank. These samurai nobles of the third to higher ranks were called kugyō when these two swords was made and carried in the early Edo period of the Tokugawa shogunate.

First Rank (一位, Ichii): The highest court rank, reserved for individuals of exceptional merit and influence.
Second Rank (二位, Nii): A higher rank, often associated with those in positions of authority.
Third Rank (三位, Sanmi) and Fourth Rank (四位, Shii): These ranks denoted important positions in the court system

In feudal Japan, court ranks, known as mibun, were a hierarchical system defining the status and duties of individuals, particularly within the samurai class. These ranks influenced everything from a samurai's attire and position to their ability to request audiences with the Shogun. The system was a complex tapestry of colors, symbols, and titles, signifying one's place in the social order.

In the Tokugawa shogunate each of the First to Third Ranks is divided into Senior (正, shō) and Junior (従, ju). The Senior First Rank (正一位, shō ichi-i) is the highest in the rank system. It is conferred mainly on a very limited number of persons recognized by the Imperial Court as most loyal to the nation during that era.

The Junior First Rank (従一位, ju ichi-i) is the second highest rank, conferred in many cases on the highest ministers, premier feudal lords, and their wives.

Nobles with the Third Rank or upper were called kugyō.

Successive Tokugawa shoguns held the highest or near-highest court ranks, higher than most court nobles. They were made Shō ni-i (正二位, Senior Second Rank) of court rank upon assuming office, then Ju ichi-i (従一位, Junior First Rank), and the highest rank of Shō ichi-i (正一位, Senior First Rank) was conferred upon them upon their death. The Tokugawa shogunate established that the court ranks granted to daimyo by the imperial court were based on the recommendation of the Tokugawa shogunate, and the court ranks were used to control the daimyo.

Oda Nobunaga and Toyotomi Hideyoshi were Shō ni-i (正二位, Senior Second Rank) and Ju ichi-i (従一位, Junior First Rank) respectively, but both were elevated to Shō ichi-i (正一位, Senior First Rank) in the Taisho era, about 300 years after their deaths.

The daisho, prior to a ‘no expense spared’ conservation, cleaning and polishing, are shown in the gallery ‘as is’ now.  read more

Code: 25784

A Very Important Piece of US Aeronautical Pilot Headgear. An Original, WW1, 1917 United States Air Service Pilot's Flying Service Helmet. In Exceptional Condition For It’s Age, A Remarkable & Rare American Aviation History Museum Piece.

The first pilot's helmet made, in WW1, for the US Army Air Service, and designed for service use with electric earphones. U.S. Air Service, Western Electric Type, 1-A Flying 1917 Patt U.S. Air Service Leather Flying Helmet.

The Type 1-A Flying Helmet was the first flying helmet standardized by the United States Army Air Service in 1917. It remained in use throughout the mid-1920s.
A similar example, also with earphones lacking, is in the Smithsonian National Air and Space Museum, the helmet was worn by Lt. Byron M. Bates. All The earliest US pilots flew with their helmets without the optional earpieces fitted, {see the photos in the gallery}

A WWI U.S. Air Service Western Electric Type 1-A Flying Helmet and Airplane, Interphone Type S.C.R. 57. The Western Electric Type 1-A was the first helmet to incorporate radio telephone communication equipment.
The russet brown leather helmet is lined in flannel and laces in the back for a snug fit. The crown of the helmet is also fitted with a strap and buckle for further adjustment. There are leather housings for earphones mounted on each side (earphones lacking) and coverted in leather. Tag mounted on the inside reads "Western Electric Co. Inc. / No. 1-A Helmet / Medium Size".
William Thaw {see his photo in the gallery} came from one of the 100 wealthiest families in the United States. During her lifetime, William Thaw’s remarkable grandmother donated $6 million to charitable causes, and in 1913 her grandson soloed in a Curtiss hydro aeroplane, bought for him by his dad.
When the war began, he went to France hoping to join the French air service, but settled for the French foreign legion and fought in the trenches for months until the air service made him an observer. Despite bad eyesight, Thaw became an ace, and is probably the first American to fly in combat.The first U.S. aviation squadron to reach France was the 1st Aero Squadron, which sailed from New York in August 1917 and arrived at Le Havre on September 3. A member of the squadron, Lt. Stephen W. Thompson, achieved the first aerial victory by the U.S. military while flying as a gunner-observer with a French day bombing squadron on February 5, 1918. As other squadrons were organized, they were sent overseas, where they continued their training. The first U.S. squadron to see combat, on February 19, 1918, was the 103rd Aero Squadron, a pursuit unit flying with French forces and composed largely of former members of the Lafayette Escadrille and Lafayette Flying Corps. The first U.S. aviator killed in action during aerial combat occurred March 8, 1918, when Captain James E. Miller, commanding the 95th Pursuit Squadron, was shot down while on a voluntary patrol near Reims. The first aerial victory in an American unit was by 1st Lt. Paul F. Baer of the 103rd Aero Squadron, and formerly a member of the Lafayette Flying Corps, on March 11. The first victories credited to American-trained pilots came on April 14, 1918, when Lieutenants Alan F. Winslow and Douglas Campbell of the 94th Pursuit Squadron scored. The first mission by an American squadron across the lines occurred April 11, when the 1st Aero Squadron, led by its commander, Major Ralph Royce, flew a photo reconnaissance mission to the vicinity of Apremont.

The 1st American Balloon Group arrived in France on December 28, 1917. It separated into four companies that were assigned individually to training centres and instructed in French balloon procedures, then equipped with Caquot balloons, winches, and parachutes.
The 2nd Balloon Company joined the French 91st Balloon Company at the front near Royaumeix on February 26, 1918. On March 5 it took over the line and began operations supporting the U.S. 1st Division, becoming the "first complete American Air Service unit in history to operate against an enemy on foreign soil."

By the beginning of the Meuse-Argonne Offensive, the Air Service, the AEF, consisted of 32 squadrons (15 pursuit, 13 observation, and 4 bombing) at the front, while by November 11, 1918, 45 squadrons (20 pursuit, 18 observation, and 7 bombardment had been assembled for combat. During the war, these squadrons played important roles in the Battle of Château-Thierry, the St-Mihiel Offensive, and the Meuse-Argonne.

Several units, including the 94th Pursuit Squadron under the command of Capt. Eddie Rickenbacker, and the 27th Pursuit Squadron, which had "balloon buster" 1st Lt. Frank Luke as one of its pilots, achieved distinguished records in combat and remained a permanent part of the American air forces.

The historically most famous of all the American air force pilots was the great Billy Mitchell. Who, remarkably, decades before, foresaw the bombing of Pearl Harbour by Japan as the instigator of the next world war to involve America. And as is so often proven to be the case, he was rewarded for his foresite by being court martialled, by what might be called the ‘little men’, the politically driven senior commanders that so often hamper and confound the actual men that produced almost all the historically proven greatest achievements.

Mitchell served in France during World War I and, by the conflict's end, commanded all American air combat units in that country. After the war, he was appointed deputy director of the Air Service and began advocating for increased investment in air power, believing that this would prove vital in future wars. He argued particularly for the ability of bombers to sink battleships and organized a series of bombing runs against stationary ships designed to test the idea.

He antagonized many administrative leaders of the Army with his arguments and criticism and in 1925, his temporary appointment as a brigadier general was not renewed, and he reverted to his permanent rank of colonel, due to his insubordination. Later that year, he was court-martialed for insubordination after accusing Army and Navy leaders of an "almost treasonable administration of the national defense’ for principally investing in battleships. He resigned from the service shortly afterwards.

Mitchell received many honours following his death, including a Congressional Gold Medal. He is also the first person for whom an American military aircraft design, the North American B-25 Mitchell, is named. Milwaukee Mitchell International Airport in Milwaukee, Wisconsin, is also named after Mitchell.  read more

Code: 23499

A Fine and Beautiful Carved Horn Hilted 18th Century Royal Naval Officer's Hanger Sword, Cutlass or Cuttoe

American Anglo French wars period, made Circa 1750's, called during it's era of service use a ‘cuttoe’, a variation on the word cutlass, but a variation used specifically by naval officer's. Oval guard deer hoofed quillon form, carved horn handle with carved pommel and twin gilt capped mounting rivets. Single edged blade with a small return false edge and double fuller. Finely geometric scroll engraved blade with a leaping stag slightly obscured through time within the fuller on both sides.

Although also used on land, the cutlass is best known as the maritime weapon of choice. A naval side-arm, its popularity was likely because it was not only robust enough to hack through heavy ropes, canvas, and wood, but short enough to use in relatively close quarters, such as during boarding actions, in the rigging, or below decks.

Another advantage to the cutlass was its simplicity of use. Employing it effectively required less technical skill than that required to master a rapier or light small sword, and it was more effective as a close-combat weapon than a full-sized sword would be on a cramped ship.

Cutlasses are famous for being used by pirates, although there is no reason to believe that Caribbean buccaneers invented them, as has occasionally been claimed. However, the subsequent use of cutlasses by pirates is well documented in contemporary sources, notably by the pirate crews of William Fly, William Kidd, and Stede Bonnet. French historian Alexandre Exquemelin reports the buccaneer François l'Ollonais using a cutlass/cuttoe as early as 1667. Pirates used these weapons for intimidation as much as for combat, often needing no more than to grip their hilts to induce a crew to surrender, or beating captives with the flat of the blade to force their compliance or responsiveness to interrogation.

Owing to its versatility, the cutlass was as often an agricultural implement and tool as it was as a weapon (cf. machete, to which the same comment applies) that was used commonly in rain forest and sugarcane areas, such as the Caribbean and Central America. In their most simplified form they are held to have become the machete of the Caribbean.  read more

Code: 21684

Original & Rare Anglo-Saxon Spear From The Era of King Offa to King Harold, &, What is Remarkable, It Is Complete With It’s Original Scabbard. It Is The Very First Spear From That Era, With It’s Scabbard Still Present, We Have Seen In Over 50 Years

Viking and Anglo Saxon history is now at the forefront of interest today, especially with so many representations and depictions of the the great Viking age and often their British enemies the Anglo Saxon peoples being created into films and documentaries currently.

The interest in original Viking artefacts, and weapons of their natural foes, has never been greater than it is today. In our Brighton gallery almost all of our daily thousands of visitors make a beeline to all our amazing original Viking pieces, the interest is literally unceasing. Many are spellbound by their historical significance and almost all are surprised to be able to view up close, let alone acquire, such amazing pieces. And this fine example is one of the least expensive pieces of its type we can offer currently, and probably one of the very rarest, bearing in mind original Viking and Anglo Saxon arms and armour we can show and have had recently, can easily approach up to around £40,000 each.

Used by Anglo Saxon warriors from the 6th century to the 11th century Norman Conquest of 1066. This ancient spear, remarkably, also has part of its original iron scabbard, with traces of line engraving at the throat, and it is the very first spear scabbard we have ever seen to survive. it would have had a small leather top attachment. The spear has matching line engraving at the socket opening. The main weapon the Anglo-Saxons used during war were their spears. They were usually leaf or kite shaped and had a socket for the attachment of the staff. The usual length of the spear was 6’6”- 8’ (2.00m-2.50m). Spears were used for both hand to hand combat and as Javelins. Anglo-Saxons burials that contained weapons 86% of the time had spears in them. There were also 21 different types of spears the Anglo-Saxons used during war. The group of tribes known by the three names Saxons, Angles, and Jutes all belonged to the Teutonic stock; the Jutes perhaps being nearer akin to the Gothic and Scandinavian branch than to the German. It is doubtful whether there was any real distinction between Angles and Saxons other than the designation of the territory from which they started. The king's power
One of these customs was fighting everyone in sight. A king's power was not hereditary; it depended solely on his ability to win battles and so gain land, treasure, and slaves to give his supporters. He was obliged to fight and keep fighting. If not, he would find himself out of a job or deprived of his life, or both. Succession from father to son was never a foregone conclusion. Any relative of the old king who could muster enough support could make a bid for the throne. This helps to explain why the Anglo-Saxon kingdoms came and went so quickly. The power of any kingdom over its neighbours was only as solid as the strength of its king in battle.

King Offa
Roughly speaking, the 7th century was the age of Northumbrian ascendance, with Mercia playing second fiddle. In the 8th century these roles reversed. The most powerful and well known of the Mercian kings was Offa, who ruled from 758-796. A successful warrior (which is a given for anyone in those days who managed to hold onto power for so long), he defeated kings in Sussex, Anglia, and Wessex, proclaiming himself King of the English. In the 11th century, there were three conquests and some Anglo-Saxon people would live through it: one in the aftermath of the conquest of Cnut in 1016; the second after the unsuccessful attempt of battle of Stamford Bridge in 1066; the third after that of William of Normandy in 1066. The consequences of each conquest can only be assessed with hindsight. In 1016, no-one was to know that whatever cultural ramifications were felt then, they would be subsumed half a century later; and in 1066 there was nothing to predict that the effects of William's conquest would be any greater or more lasting than those of Cnut's. See Swanton, M.J. Spearheads of the Anglo-Saxon Settlements, London, 1973 for discussion. 221 grams,13 inches long overall Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition.

As with all our items it comes complete with our certificate of authenticity  read more

Code: 22102

A Most Fine and Beautiful 18th Century French Flintlock Circa 1740. A Superb Example of Our Seven Years War Period Use, to Napoleonic Wars Era Officer’s Flintlock Pistols We Currently Have The Privilege To Offer

With a very fine and stunning looking tiger stripe maple wooden stock, bearing a simply superb natuaral age patina. Signed lock and all steel mounts. Long eared buttcap typical of the 1740's period flintlocks that saw service in the Anglo French Seven Years War in Europe and America. And continually right through the Napoleonic Wars. The French and Indian War (1754-63) comprised the North American theater of the worldwide Seven Years' War of 1756-63. It pitted the colonies of British America against those of New France. Both sides were supported by military units from their parent countries, as well as by American Indian allies. At the start of the war, the French North American colonies had a population of roughly 60,000 settlers, compared with 2 million in the British North American colonies. The outnumbered French particularly depended on the Indians. The European nations declared war on one another in 1756 following months of localized conflict, escalating the war from a regional affair into an intercontinental conflict.

The name French and Indian War is used mainly in the United States. It refers to the two enemies of the British colonists, the royal French forces and their various American Indian allies. The British colonists were supported at various times by the Iroquois, Catawba, and Cherokee, and the French colonists were supported by Wabanaki Confederacy members Abenaki and Mi'kmaq, and Algonquin, Lenape, Ojibwa, Ottawa, Shawnee, and Wyandot.

British and other European historians use the term the Seven Years' War, as do English-speaking Canadians.

No consensus exists as to when the French Revolutionary Wars ended and the Napoleonic Wars began. Possible dates include 9 November 1799, when Bonaparte seized power on 18 Brumaire, the date according to the Republican Calendar then in use;41 18 May 1803, when Britain and France ended the one short period of peace between 1792 and 1814; or 2 December 1804, when Bonaparte crowned himself Emperor.42

British historians occasionally refer to the nearly continuous period of warfare from 1792 to 1815 as the Great French War, or as the final phase of the Anglo-French Second Hundred Years' War, spanning the period 1689 to 1815.43 Historian Mike Rapport (2013) suggested using the term "French Wars" to unambiguously describe the entire period from 1792 to 1815.44

In France, the Napoleonic Wars are generally integrated with the French Revolutionary Wars: Les guerres de la Révolution et de l'Empire.

It is often the case, as is here, that some descended nobility of France often fought on the side of the revolutionaries and then under Napoleon, and used their predecessors weapons, as little changed in the efficiency of pistols from the 1740’s to the 1790’s or even the 1810’s, so older style pistols had a remarkably useful life for up to 80 years or even more, especially for senior officers serving under Bonaparte.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7 th Hussars that fought at Waterloo

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 21456

An 1801 Pattern, Tower of London, Royal Navy Issue, Historic Nelson Period, Short ‘Sea Service Pistol’, With Original Belt Hook, Tower of London GR Crown Lock, Fine Stock & Skull Crusher Butt, Used at the Battle Of Trafalgar Period

The King George IIIrd issue British Royal Naval Sea Service pistol has always been the most desirable and valuable pistol sought by collectors.

Exactly as issued and used by all the British Ship's-of-the-Line, at the Battle of Trafalgar in 1805.
Such as;
HMS Victory,
HMS Temeraire,
HMS Dreadnought,
HMS Revenge,
HMS Agamemnon,
HMS Colossus
HMS Leviathan &
HMS Achilles.
Some of the most magnificent ships, manned by the finest crews, that have ever sailed the seven seas.

The Battle of Trafalgar, (October 21, 1805), the most important naval engagement of the Napoleonic Wars, and in fact of the entire century, established British naval supremacy for more than 100 years; it was fought west of Cape Trafalgar, Spain, between Cádiz and the Strait of Gibraltar. A fleet of 33 ships (18 French and 15 Spanish) under Admiral Pierre de Villeneuve fought a British fleet of 27 ships under Admiral Horatio Nelson. A resounding victory for the mighty Royal Navy and the ultimate demonstration of Nelson’s mastery of the sea, against the combined enemy fleet. This battle has since been taught ever since by every naval college the world over as an illustration of his genius tactics and command skill in battle.

At the end of September 1805, Villeneuve had received orders to leave Cádiz and land troops at Naples to support the French campaign in southern Italy. On October 19–20 his fleet slipped out of Cádiz, hoping to get into the Mediterranean Sea without giving battle. Nelson caught him off Cape Trafalgar on October 21.

Villeneuve ordered his fleet to form a single line heading north, and Nelson ordered his fleet to form two squadrons and attack Villeneuve’s line from the west, at right angles. By noon the larger squadron, led by Admiral Cuthbert Collingwood in the Royal Sovereign, had engaged the rear (south) 16 ships of the French-Spanish line. At 11:50 AM Nelson, in the Victory, signaled his famous message: “England expects that every man will do his duty.” Then his squadron, with 12 ships, attacked the van and centre of Villeneuve’s line, which included Villeneuve in the Bucentaure. The majority of Nelson’s squadron broke through and shattered Villeneuve’s lines in the pell-mell battle. Six of the leading French and Spanish ships, under Admiral Pierre Dumanoir, were ignored in the first attack and about 3:30 PM were able to turn about to aid those behind. But Dumanoir’s weak counterattack failed and was driven off. Collingwood completed the destruction of the rear, and the battle ended about 5:00 PM. Villeneuve himself was captured, and his fleet lost 19 or 20 ships—which were surrendered to the British—and 14,000 men, of whom half were prisoners of war. Nelson was mortally wounded by a sniper, but when he died at 4:30 PM he was certain of his complete victory. About 1,500 British seamen were killed or wounded, but no British ships were lost. Trafalgar shattered forever Napoleon’s plans to invade England.

It is clear this pistol has seen a fair amount of close quarter action, very possibly at Trafalgar, as it has several areas of field-service armourer's repair to the stock. However, this work shows it has been used for the very purpose for which it was designed for, repelling boarders, or, used during boarding actions. It has it's usual 9" barrel, as the barrels were regulatory shortened by official Admiralty order, to 9", from 12 inches long, as it's length of barrel of 12 inches was considered simply too unwieldy in close combat situations, even before the Napoleonic wars, thus its official title was, the ‘1801 Royal Navy Short Sea Service Pistol’

The first pattern date applied to the Sea Service pistol in this form is 1716. The Pattern 1716 Sea Service Pistol was very similar to the Land Service Pistol of the same era, in overall appearance and design. The pistol was a single shot, flintlock ignition gun with a long, round iron smoothbore barrel in “pistol bore”, approximately .56 calibre. The guns were of simple, but robust construction, and like their land service brethren were built with an eye towards the gun seeing equal service as a club, as it did as a firearm! In fact, US Naval manuals from the first decades of the 1800s included instruction on how to throw the pistol at an enemy, a tactic that no doubt originated in the Royal Navy.  read more

Code: 25312

A Rare, Very Early, 19th Century 'Pre-Worker's Union' British 'General Strike' Period Pistol, 19th Century Percussion Pistol With A 'Chartist Riot' Factory Armoury Label. Used in the 1842 General Strike, Also Known As 'The Plug Riots'

Overall in nice condition, with good action, signs of use and bearing a Chartist riots celluloid label mounted upon the stock. Captive ramrod lacking. A gun from the arsenal of Boden's Silk Mill in Derby, that was involved in the first part of the Chartist Riots in 1833, and this particular gun was for use into the 1842 General Strike feared riots, aka The plug Riots named after a specific form of factory boiler sabotage by the 'Chartist' strikers.

In 1842 the Chartists delivered The People's Charter asking for universal male suffrage as well as other demands signed by 3,000,000 people. In the same year strikes were organised by miners in Staffordshire and these strikes quickly spread across England and Wales. Eventually these strikes spread across 32 counties.

The "Plug Riots" of 1842, also known as the 1842 General Strike, were a series of protests and strikes that spread throughout industrial England, including Derbyshire, Lancashire and Yorkshire. These disturbances were a response to wage cuts and economic depression, and they involved thousands of workers who shut down factories by removing boiler plugs and other actions. While the Plug Riots occurred in various locations, including Stalybridge, Manchester, and Preston, they are not always specifically associated just with Derby. Derby did also experience its own form of earlier civil unrest, primarily the Reform Bill Riots in 1832, which were distinct from the Plug Riots

Derby Reform Bill Riots 1831
Mass riots raged through the town for several days in October 1831 after the Reform Bill was rejected. Prisoners were released from the Derby jails by a crowd of 1,500 protestors.

Derby Silk Mill strike 1833-34
The Silk Mill was one of the first factories in this country and was the site of one of the first major lockouts in this country (1833-1834). Contemporary with the Tolpuddle Martyrs, hundreds of Derby mill workers were forced out of work for joining a radical new union.
Silk Mill – Canal Street, Derby
Purchased by John Boden and William Morley in 1824.
For reference see;
https://etheses.whiterose.ac.uk/id/eprint/14859/1/408374.pdf  read more

Code: 25779

A Very Fine Ancient Roman Status Copper Bronze Ring Discovered Around 200 Years Ago Near Hadrian's Wall Circa 1820 Engraved With Pagan Sun Cross

2nd to 3rd Century a.d. From the time of the emperor's
Trajan (98–117 AD
Hadrian (117–138 AD
Antoninus Pius (138–161 AD
Marcus Aurelius (161–180 AD
Lucius Verus (161–169 AD
Commodus (177–192 AD

Overall in very nice wearable condition , and a good size. The Pagan sun cross engraving is worn but can be still seen for the most part.

The complete Roman Empire had around a 60 million population and a census more perfect than many parts of the world (to collect taxes, of course) but identification was still quite difficult and aggravated even more because there were a maximum of 17 men names and the women received the name of the family in feminine and a number (Prima for First, Secunda for Second…). A lot of people had the same exact name.
So the Roman proved the citizenship by inscribing themselves (or the slaves when they freed them) in the census, usually accompanied with two witnesses. Roman inscribed in the census were citizens and used an iron or bronze ring to prove it. With Augustus, those that could prove a wealth of more than 400,000 sesterces were part of a privileged class called Equites (knights) that came from the original nobles that could afford a horse. The Equites were middle-high class and wore a bronze or gold ring to prove it, with the famous Angusticlavia (a tunic with an expensive red-purple twin line). Senators (those with a wealth of more than 1,000,000 sesterces) also used the gold ring and the Laticlave, a broad band of purple in the tunic.

So the rings were very important to tell from a glimpse of eye if a traveler was a citizen, an equites or a senator, or legionary. People sealed and signed letters with the rings and its falsification could bring death.
The fugitive slaves didn’t have rings but iron collars with texts like “If found, return me to X” which also helped to recognize them. The domesticus slaves (the ones that lived in houses) didn’t wore the collar but sometimes were marked. A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze material

Like many of our selection of antiquities, many originally arrived in England as souvenirs of a Grand Tour, from around 200 years ago,


Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.  read more

Code: 25782

Italian Heavy Cavalry Sabre Modello 1860 Manufactured For The Royal Horse Carabineers & Cavalry Troopers. The Famous Sword of the Revolutionary General Garibaldi's Cavalry. He Is Represented By His Life Size Statue in New York Holding His Identical Sabre

'Sciabola da Cavalleria Mod.1860 e da Carabinieri Reali a Cavallo'. German made, as were they all, with maker's mark at the forte.

An absolute corker!. A most large, impressive, and imposing combat sword. All steel hilt with original bound leather grip

General Giuseppe Maria Garibaldi was an Italian general, revolutionary and republican. He contributed to Italian unification (Risorgimento) and the creation of the Kingdom of Italy. He is considered to be one of Italy's "fathers of the fatherland", along with Camillo Benso di Cavour, King Victor Emmanuel II and Giuseppe Mazzini. Garibaldi is also known as the "Hero of the Two Worlds" because of his military enterprises in South America and Europe

The Expedition of the Thousand (Italian Spedizione dei Mille) was a military campaign led by the revolutionary general in 1860, in which a force of volunteers defeated the Kingdom of the Two Sicilies, leading to its dissolution and annexation by the Kingdom of Sardinia.

A large impressive and imposing sword. All steel hilt with bound leather grip

Garibaldi became an international figurehead for national independence and republican ideals, and is considered by twentieth-century historiography and popular culture as Italy's greatest national hero. He was showered with admiration and praise by many contemporary intellectuals and political figures, including Abraham Lincoln, William Brown,Francesco de Sanctis, Victor Hugo, Alexandre Dumas, Malwida von Meysenbug, George Sand, Charles Dickens, and Friedrich Engels.Garibaldi also inspired later figures like Jawaharlal Nehru and Che Guevara. Historian A. J. P. Taylor called him "the only wholly admirable figure in modern history". The volunteers who followed Garibaldi during his campaigns were known as the Garibaldini or Redshirts, after the colour of the shirts that they wore in lieu of a uniform.

In 1848, Garibaldi returned to Italy and commanded and fought in military campaigns that eventually led to Italian unification. The provisional government of Milan made him a general and the Minister of War promoted him to General of the Roman Republic in 1849. When the war of independence broke out in April 1859, he led his Hunters of the Alps in the capture of major cities in Lombardy, including Varese and Como, and reached the frontier of South Tyrol; the war ended with the acquisition of Lombardy. The following year, 1860, he led the Expedition of the Thousand on behalf of, and with the consent of, Victor Emmanuel II, King of Sardinia. The expedition was a success and concluded with the annexation of Sicily, Southern Italy, Marche and Umbria to the Kingdom of Sardinia before the creation of a unified Kingdom of Italy on 17 March 1861. His last military campaign took place during the Franco-Prussian War as commander of the Army of the Vosges.

A Photo in the gallery is a remarkable statue of Garibaldi in Washington Square, New York, drawing his sword, that looks near identical to this one.
No scabbard  read more

Code: 25783

A, Fabulous Samurai Sword, A Most Fine Shinto Wakizashi By Omni Daijo Fujiwara Tadahiro Circa 1660.

This stunning samurai short sword. The fittings are beautifully matching depicting comorants in pure gold on bronze or iron, and the kozuka a figure riding a giant carp in gold over copper. The great Tadahiro II of Hizen. 2nd generation Tadahiro was born in Keicho 19 (1614) as the first son by a mistress of 1st generation Hizen-koku Tadayoshi. His initial name was Hashimoto Heisakuro, later had succeeded to his father's name of Shinzaemon. He excelled in as a superior sword maker since teenage to play a ghost-maker on behalf of his father in his later years. He had succeeded major Tadahiro 2nd generation in Kanei 9, (1632) when he was as young as 19 years old. He intended not to succeed his father's smith name Tadayoshi for the sake of preserving appearances that he was not a legitimate child of Tadayoshi. Passed away in Genroku 6, (1693), was 80 years old.
His legitimate child 3rd generation succeeded to the initial name of Tadayoshiu when he enjoyed the Mutsu daijo title in Manji 3 (1660), was 24 years old.
The subject artisan Tadahiro 2nd generation established and developed the superior high standard quality of sword making for the major Hizen Tadayoshi school and had laid the foundations for the later generations until 9th by the end of Edo period.
This beautiful wakizashi we believe as his work in his early thirties of 1644-47. Most superior forging method using top quality fine steel known as "Tamahagane" generates precisely fine Ko-Itame with sparkling Ji-nie glittering that generates superior Chikei darkish Nie lines activity. The forging scene looks like "Nashi-ji". We would appraise it as "Above Superior Made" and "Above Supreme Sharp". 26.5 inches long overall in saya,, blade tsuba to tip 18.65 inches.  read more

Code: 22873