Antique Arms & Militaria

A Superb 1821 Pattern, Victorian British Trooper's or NCO's Light Cavalry Sabre, For Light Dragoon's, Lancer's or Hussars. Used in the Crimean War, Such As the Infamous and Renown 'Charge of the Light Brigade'. Ordnance Issue

In superb naturally aged and patinated condition. excellent fishkin grip, wire bound.
The predecessor to the regulation later 1853 pattern, that was issued to sme regiments immediately at the start of the Crimean war, but not though issued to all mounted regiments. Some regiments continually used the 1821 pattern, and others the 1853.

A most impressive sabre, and very good indeed. The very type of ordnance made and issued Hussar's and Lancer's trooper's sabre, and Horse Artillery, used by British Cavalry in the ill fated charge in the Crimean War against Russia.
All steel three bar steel hilt, combat blade with fine-fishskin ribbed grip with original copper triple wire binding, which indicates it may have been issued to NCO's {sergeants and above}, as basic other ranks ordnance swords had regular utility leather bound grips.
Absolutely used at the time, and used, by all the serving NCO's of the light cavalry in the famous 'Charge'.

In the Crimean War (1854-56), the Light Dragoons were in the forefront of the famous Charge of the Light Brigade, immortalised by Tennyson's poem of that name ("Into the valley of death rode the six hundred").

The regiments adopted the title hussars at this time, and the uniform became very stylish, aping the hussars of the Austro-Hungarian army. But soon the blues and yellows and golds gave way to khaki as the British army found itself in skirmishes throughout the far-flung Empire, in India and South Africa especially.

For example in 1854 the 13th Hussars regiment received its orders from the War Office to prepare for service overseas. Five transport ships - Harbinger, Negotiator, Calliope, Cullodon, and the Mary Anne ? embarking between the 8 May and 12 May, carried 20 officers, 292 other ranks and 298 horses. After a
troubled voyage, the regiment arrived at Varna, Bulgaria on the 2 June. On the 28 August the entire Light Brigade (consisting of the 4th Light Dragoons and 13th Light Dragoons, 17th Lancers, the 8th Hussars and 11th Hussars, under the command of Major General the Earl of
Cardigan) were inspected by Lord Lucan; five men of the 13th had already succumbed to cholera.
On the 1 September the regiment embarked for the Crimea - a further three men dying en-route.
On the 20 September the regiment, as part the Light Brigade, took part in the first major engagement of the Crimean War, the Battle of the Alma. The Light Brigade covered the left flank, although the regiment?s role in the battle was minimal. With the Russians in full retreat by late afternoon, Lord Lucan ordered the Light Brigade to pursue the fleeing enemy.

However, the brigade was recalled by Lord Raglan as the Russians had kept some 3,000 uncommitted cavalry in reserve.
During the 25 October the regiments, the Light Brigade, took part in the Battle of Balaclava and the famous Charge of the Light Brigade.
The 13th Light Dragoons formed the right of the front line. The 13th and 17th moved forward; after 100 yards the 11th Hussars, in the second line, also moved off followed by the 4th and 8th.

It was not long before the brigade came under heavy Russian fire. Lord Cardigan, at the front of his men, charged into the Russian guns receiving a slight wound. He was soon followed by the 13th and 17th. The two squadrons of the 13th and the right squadron of the 17th were soon cutting down the artillerymen that had remained at their posts. Once the Russian guns had been passed, they engaged in a hand-to-hand fighting with the enemy that was endeavoring to surround them by closing in on either flank.

However, the Light Brigade having insufficient forces and suffering heavy casualties, were soon forced to retire. Capt. Louis Edward Nolan (January 4 1818-October 25 1854), who was a British Army officer of the Victorian era, an authority on cavalry tactics, and best known for his controversial role in launching the disastrous Charge of the Light Brigade during the Battle of Balaclava. He was the first casualty of that engagement. No scabbard. Great all round steel condition, and excellent grip patina.  read more

Code: 20877

A Magnificent 18th Century Silver Hilted Small Sword, Dated 1758, with Colichmarde Blade. This Is One Of The Most Beautiful To Be Seen

A combination of the finest 18th century artisan's skill of both a silversmith and bespoke swordsmith. Circa 1758 and IC , probably John Carman of London.

General George Washington, later the first President of the United States, had a very similar sword that he used during his service as commander of the new American Army in the American War of Independance from 1776 onwards

Ideal in its day for duelling or close quarter combat, as well as being a simply fabulous, finest quality sword of immense beauty. Fine cast and chased silver hilt in the elegant rococo style with double shell guard single knucklebow and pas dans. The grip is bound in its original twisted silver wire. The guard has enchanting and highest quality workmanship with a scrolling, pierced, rococo shell pattern with florid embellishments thoughout. Colishmarde blade with bright steel finish. The highly distinctive colishmarde blades appeared in 1680 and were popular during the next 40 years at the royal European courts. The colichemarde bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example.

The colichemarde descended from the so-called "transition rapier", which appeared because of a need for a lighter sword, better suited to parrying. It was not so heavy at its point; it was shorter and allowed a limited range of double time moves.The colichemarde in turn appeared as a thrusting blade too and also with a good parrying level, hence the strange, yet successful shape of the blade.

This sword appeared at about the same time as the foil. However the foil was created for practising fencing at court, while the colichemarde was created for dueling. With the appearance of pocket pistols as a self-defense weapon, the colichemardes found an even more extensive use in dueling.
This was achieved thanks to a wide forte (often with several fullers), which then stepped down in width after the fullers ended.The result of this strange shape was a higher maneuverability of the sword: with the weight of the blade concentrated in one's hand it became possible to maneuver the blade at a greater speed and with a higher degree of control, allowing the fencer to place a precise thrust at his/her adversary. This sword is a true work of art, in it's beauty form, quality and balance.

The small sword or smallsword is a light one-handed rapier type sword designed for thrusting which evolved out of the longer and heavier rapier (espada ropera) of the late Renaissance. The height of the small sword's popularity was during the 18th century, when any civilian or military, with pretensions to gentlemanly status would have worn a small sword on a daily basis.

The blade of a small sword is comparatively short at around 0.6 to 0.85 metres (24 to 33 in), though some reach over 1 metre (39 in). It usually tapers to a sharp point but may lack a cutting edge. It is typically triangular in cross-section, although some of the early examples still have the rhombic and spindle-shaped cross-sections inherited from older weapons, like the rapier. This triangular cross-section may be hollow ground for additional lightness. Many small swords of the period between the 17th and 18th centuries were found with colichemarde blades.

It is thought to have appeared in France and spread quickly across the rest of Europe. The small sword was the immediate predecessor of the French duelling sword (from which the épée developed) and its method of use—as typified in the works of such authors as Sieur de Liancour, Domenico Angelo, Monsieur J. Olivier and Monsieur L'Abbat—developed into the techniques of the French classical school of fencing. The small sword was mainly used as a duelling weapon.

Militarily, small swords continued to be used as a standard sidearm for infantry officers.Small swords were used both by the military (where they served more as a sign of a certain rank rather than a real weapon for close combat) and as a dueling weapon. The very height of the small sword's widespread popularity was in the 18th century, when it was considered fashionable by aristocrats ("no gentleman was dressed without his sword" – contemporary idiom of the middle of the 18th century), but it was still used as a duelling weapon

John Carman (II) was indentured to his father on 19 June 1736 at the age of fourteen. He was elected Master of the Cutlers' Company in 1761 and died in 1764 at the age of 41.  read more

Code: 24952

Historical 1796 pat. Heavy Dragoon Trooper's Pistol, Tower of London Proofs, of Waterloo, Used by the Union & Household Brigade, Service Issue, .75 Upgraded Barrel Size Version of 1798. For Extra Penetrative Power Against French Cuirassiers Breast Armour

We were absolutely delighted to acquire both the Officer’s version and the 1798 upgraded .75 barrel version for troopers, {this pistol} proved at the Tower of London armoury. Both as used by The Union or Household Brigade At Waterloo. They are absolute historical beauties. Prime examples of original, rare, Napoleonic War service used antiques. We are very privileged to be the UK’s premier original military antiques gallery and website, and to be able to consistently, continually, and regularly, offer the finest original collectors items in our shop for over 100 years

This stunning service flintlock is in very nice order indeed, with wonderful natural age patina, and good tight action, .75 inch bore barrel with 1801 issue steel service ramrod, and clear barrel proofs, brass furniture and finest walnut stock. Lock with service GR Crown stamp, likely traces of feint Tower mark upon the lock plate tail, behind the cock.

In 1796 a Board of General Officer's met to charge Henry Nock to design and develop a Heavy Dragoon pistol of Carbine bore. He came up with a heavy 9 inch barrel flintlock pistol, with no brass butt cap, and a separate steel rammer to be stored on the holster saddle bucket rather than creating a standard channel underneath it's barrel as in the light dragoon pistol. This was changed to accept a steel ramrod in 1801. Only one pistol was to be issued to each trooper, as opposed to the light cavalry trooper being issued with a brace a pair. Subsequent to 1801, the pistols made thereafter were to receive the all iron rammer under the barrel within a channel, on occasion to be retained by an internal spring. The bores initially were to be 16 bore, but they were changed to 14.5 bore and then 10 bore, the same as the Brown Bess musket. The bore size increase was due to the fact that the opposing French Heavy Cavalry were armoured unlike the British and carbine bore calibre pistols were simply not powerful enough within the mass inertia of the lead ball to penetrate plate armour. This is the pattern of pistol used by all the great Heavy Dragoon regiments, such as the Royal North British Dragoons, The Inniskillin Dragoons. The 1796 Heavy Dragoon pattern pistols as were all other patterns were supplied in large numbers to the British ordnance by makers Nock and Ketland, as manufacture by the Tower was relatively slow, for, during the Napoleonic Wars, need for arms was far greater than the Tower could supply. The two heavy cavalry brigades called the Household Brigade and the Union Brigade saw famous service at the peak of the Battle of Waterloo, and most famously just before 2.00pm. At this crucial juncture, Uxbridge ordered his two brigades of British heavy cavalry, formed unseen behind a ridge, to charge in support of the hard-pressed infantry. The 1st Brigade, known as the Household Brigade, commanded by Major-General Edward Somerset (Lord Somerset), consisted of guards regiments: the 1st and 2nd Life Guards, the Royal Horse Guards (the Blues), and the 1st (King's) Dragoon Guards. The 2nd Brigade, also known as the Union Brigade, commanded by Major-General Sir William Ponsonby, was so called as it consisted of an English, the 1st (The Royals); a Scottish, 2nd ('Scots Greys'); and an Irish, 6th (Inniskilling); regiment of heavy dragoons. More than 20 years of warfare had eroded the numbers of suitable cavalry mounts available on the European continent; this resulted in the British heavy cavalry entering the 1815 campaign with the finest horses of any contemporary cavalry arm. They also received excellent mounted swordsmanship training. They were, however, inferior to the French in maneuvering in large formations, cavalier in attitude, and unlike the infantry had scant experience of warfare. According to Wellington, they had little tactical ability or common sense. The two brigades had a combined field strength of about 2,000 (2,651 official strength), and they charged with Uxbridge leading them and little reserve.

The Household Brigade charged down the hill in the centre of the battlefield. The cuirassiers guarding d'Erlon's left flank were still dispersed, and so were swept over the deeply sunken main road and then routed. The sunken lane acted as a trap which funneled the flight of the French cavalry to their own right, away from the British cavalry. Some of the cuirassiers then found themselves hemmed in by the steep sides of the sunken lane, with a confused mass of their own infantry in front of them, the 95th Rifles firing at them from the north side of the lane, and Somerset's heavy cavalry still pressing them from behind. The novelty of fighting armoured foes impressed the British cavalrymen, as was recorded by the commander of the Household Brigade.

“The blows of the sabres on the cuirasses sounded like braziers at work."
Lord Somerset,

Continuing their attack, the squadrons on the left of the Household Brigade then destroyed Aulard's brigade. Despite attempts to recall them, however, they continued past La Haye Sainte and found themselves at the bottom of the hill on blown horses facing Schmitz's brigade formed in squares.
To their left, the Union Brigade suddenly swept through the infantry lines (giving rise to the legend that some of the 92nd Gordon Highland Regiment clung onto their stirrups and accompanied them into the charge). From the centre leftwards, the Royal Dragoons destroyed Bourgeois' brigade, capturing the eagle of the 105th Ligne. The Inniskillings routed the other brigade of Quoit's division, and the Greys destroyed most of Nogue's brigade, capturing the eagle of the 45th Ligne. On Wellington's extreme left, Durutte's division had time to form squares and fend off groups of Greys.

As with the Household Cavalry, the officers of the Royals and Inniskillings found it very difficult to rein back their troops, who lost all cohesion. James Hamilton, commander of the Greys (who were supposed to form a reserve) ordered a continuation of the charge to the French grande batterie. Though the Greys had neither the time nor means to disable the cannon or carry them off, they put very many out of action as the gun crews fled the battlefield.

Napoleon promptly responded by ordering a counter-attack by the cuirassier brigades of Farine and Travers and Jaquinot's two lancer regiments in the I Corps light cavalry division. The result was very heavy losses for the British cavalry The Union Brigade lost heavily in both officers and men killed (including its commander, William Ponsonby, and Colonel Hamilton of the Scots Greys) and wounded. The 2nd Life Guards and the King's Dragoon Guards of the Household Brigade also lost heavily (with Colonel Fuller, commander of the King's DG, killed). However, the 1st Life Guards, on the extreme right of the charge, and the Blues, who formed a reserve, had kept their cohesion and consequently suffered significantly fewer casualties. A counter-charge, by British and Dutch light dragoons and hussars on the left wing and Dutch carabiniers in the centre, repelled the French cavalry. Wellington remarked; Our officers of cavalry have acquired a trick of galloping at everything. They never consider the situation, never think of maneuvering before an enemy, and never keep back or provide a reserve.

We have had the privilege to acquire several such fabulous and iconic flintlock service pistols that were part of the Cotton Collection at the Waterloo Museum that was sold in auction in 1909. Many pieces were bought at the auction by the descendant family of the 10th Duke of Hamilton.

Born on 3 October 1767 at St. James's Square, London, a son of Archibald Hamilton, 9th Duke of Hamilton, he was educated at Harrow School and at Christ Church, Oxford, where he matriculated on 4 March 1786. He received his MA on 18 February 1789.

In 1806, he was appointed to the King George IIIrd's Privy Council, and he was Ambassador to the court of St. Petersburg until 1807; additionally, he was Lord Lieutenant of Lanarkshire from 1802 to 1852.
He received the numerous titles at his father's death in 1819. He was Lord High Steward at both King William IV's coronation in 1831 and Queen Victoria's coronation in 1838, and remains the last person to have undertaken this duty twice. He became a Knight of the Garter in 1836. He held the office of Grand Master Mason of the Freemasons of Scotland between 1820 and 1822. He held the office of Trustee of the British Museum between 1834 and 1852.

He married Susan Euphemia Beckford, daughter of William Thomas Beckford and Lady Margaret Gordon, daughter of Charles Gordon, 4th Earl of Aboyne, on 26 April 1810 in London, England.

Hamilton was a well-known dandy of his day. An obituary notice states that "timidity and variableness of temperament prevented his rendering much service to, or being much relied on by his party ... With a great predisposition to over-estimate the importance of ancient birth ... he well deserved to be considered the proudest man in England." He also supported Napoleon and commissioned the painting The Emperor Napoleon in His Study at the Tuileries by Jacques-Louis David.

Lord Lamington, in The Days of the Dandies, wrote of him that 'never was such a magnifico as the 10th Duke, the Ambassador to the Empress Catherine; when I knew him he was very old, but held himself straight as any grenadier. He was always dressed in a military laced undress coat, tights and Hessian boots, &c'. Lady Stafford in letters to her son mentioned 'his great Coat, long Queue, and Fingers cover'd with gold Rings', and his foreign appearance. According to another obituary, this time in Gentleman's Magazine, he had 'an intense family pride'.
Hamilton had a strong interest in Ancient Egyptian mummies, and was so impressed with the work of mummy expert Thomas Pettigrew that he arranged for Pettigrew to mummify him after his death. He died on 18 August 1852 at age 84 at 12 Portman Square, London, England and was buried on 4 September 1852 at Hamilton Palace, Hamilton, Scotland. In accordance with his wishes, Hamilton's body was mummified after his death and placed in a sarcophagus of the Ptolemaic period that he had originally acquired in Paris in 1836 ostensibly for the British Museum. At the same time he had acquired the sarcophagus of Pabasa, an important nobleman which is now in the Kelvingrove Museum. In 1842 Hamilton had begun construction of the Hamilton Mausoleum as repository for the overcrowded family vault at the Palace. He was interred there with other Dukes of Hamilton, from the 1858 completion of the Mausoleum until 1921 when subsidence and the subsequent demolition of the Palace forced removal of the bodies to the Bent cemetery in Hamilton, where he still lies buried in his sarcophagus.

His collection of paintings, objects, books and manuscripts was sold for £397,562 in July 1882. The manuscripts were purchased by the German government for £80,000. Some were repurchased by the British government and are now in the British Museum.

We have been acquiring items from Duke's descendants from the family's 'Grand Tour' collection, and items purchased from such as the Cotton Collection sale in 1909, for the past 30 years or more

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo  read more

Code: 25742

A Most Fine 18th to Early 19th Century Ottoman Empire Jannisaries Yatağan Sword, Carved Horn 'Eared' Hilt & Original Hide Covered Wooden Combat Scabbard

Overall in superb condition, the patina on both the hilt and leather scabbard is exceptional. The carved horn eared hilt is composed of two carved horn grip plates attached by three iron rivets, and is very fine indeed. It has a naturally patinated brass, fully encompassing, reinforcing strap that forms into the ricasso and shaped blade plate. The yataghan form blade, in the traditional form, is beautifully geometrically engraved upon the back edge. The polished hide covered wooden scabbard has an iron belt loop fixing. The Yatağan sword is a Turkish sword that is believed to have originated sometime in the late middle ages, around the 14th century. The first authentic findings that there are for the Yatağan are from the 15th century belonging to Suleiman the Magnificent. That sword has an inscription written on it dating it to 1526.

The formation of the Janissaries has been dated to the reign of Murad I (r. 1362–1389), the third ruler of the Ottoman Empire. The Ottomans instituted a tax of one-fifth on all slaves taken in war, and from this pool of manpower the sultans first constructed the Janissary corps as a personal army loyal only to the sultan. They were subjected to strict discipline, but were paid salaries and pensions upon retirement and formed their own distinctive social class. As such, they became one of the ruling classes of the Ottoman Empire, rivalling the Turkish aristocracy. The brightest of the Janissaries were sent to the palace institution, Enderun. Through a system of meritocracy, the Janissaries held enormous power, stopping all efforts to reform the military

Yatağan was widely used in the Ottoman period from the 16th century to the 19th century; is a famous and effective sword. It is also known as the Turkish Sword among foreigners and Kulakli among the people. Yatagan was a weapon of janissaries and other infantry troops.

The centre of gravity of the sword, the angle known as the Turkish curve in making swords, and the ideal strokes are difficult to use because they differ from other swords. The reason for this difference in form is to swing the enemy’s sword strokes more easily. But the destruction and chiselling power of a good user is much higher than that of contemporary swords. Although the motives and writings in Yatağan are sometimes a poem and sometimes a concise word, mostly the verses, the name of the owner of the sword, the prayers and the seal of the master making the sword are seen.

The Yatagan was mostly used by soldiers known as the Janissaries. These soldiers often had to walk long distances to defend the empire or expand its borders. That is why the scabbard was mostly made out of leather so that it would be light. It was usually carried on the side or the back of the belt.

The scabbard of the Yatagan is curved just like the blade and made wider than needed so the broadened tip can easily fit inside. It was made out of wood, leather, and even silver. It was also usually heavily decorated, especially if it was owned by a nobleman.
The Yatagan is truly a one-of-a-kind sword. There simply doesn’t seem to be a sword that can compare to it during the time period it was used. The inwardly curved blade, the lack of a crossguard, and the “ears” all contribute to the item’s one-of-a-kind appearance.

It is possible that the Greek Kopis and, in particular, the Iberian Falcata or Sica had some sort of influence on the Yatagan. However, these swords hadn’t been used for almost a thousand years by the time the Yatagan began to see use in the 14th to 19th centuries.

This sword was used throughout many regions of the Ottoman Empire that it has several different legends connected to its origins. One of the legends is about Yatagan Baba. This was a Seljuk blacksmith as well as a military commander. He conquered a village in modern-day Denizli, Turkey, and made his new home there. Being a master blacksmith, Yatagan Baba developed the Yatagan sword, which was named after him and the village he conquered.

Another legend is that at one point during the Ottoman Period, the sultan had forbidden the use of long swords by the Janissaries in peacetime because of their insubordination. They were then forced to improvise, and ordered weapons made that didn’t technically constitute a long sword.

Last photo in the gallery of Mustafa Kemal Atatürk wearing the traditional Janissary uniform Turkish yatagan swords that were the signature weapon of the Janissaries, almost a symbol of the corps.  read more

Code: 25041

An Amazing and Very Fine Original Moghul Empire Katar, As With Most Of The Finest Surviving Katar It Has a 17th Century European Blade. Made and Used From the Time Of Moghul Emperor Shah Jahan

Indian katar from the era of Shah Jahan, builder of The Taj Mahal, the most famous monument to a beloved wife in the world. This wonderful Katar push dagger is mounted with a likely German sword blade from the early 1600s. It was very popular in the Moghul era to import German blades and mount them with Indian hilts. The blade is attached to the hilt with traditional multi rivetting, and the chisseled hilt is overlaid in areas of sheet silver or gold, as would be suitable for a prince. It appears gold in colour but it may be aged silver. Painting circa 1650 of Moghul Shah Shuja who was the second son of the Mughal Emperor Shah Jahan and Empress Mumtaz Mahal, wearing his similar Katar. He was the governor of Bengal and Odissa and had his capital at Dhaka, presently Bangladesh.

Shah Jahan is best remembered for his architectural achievements. His reign ushered in the golden age of Mughal architecture. Shah Jahan commissioned many monuments, the best known of which is the Taj Mahal in Agra, in which is entombed his favorite wife, Mumtaz Mahal. His relationship with Mumtaz Mahal has been heavily adapted into Indian art, literature and cinema. He owned the royal treasury, and several precious stones such as the Kohinoor and has thus often been regarded as the wealthiest person in history.

The death of his father Jahangir in late 1627 spurred a war of succession between his sons Shahryar and Khurram from which Shah Jahan emerged victoriously. He executed all of his rivals for the throne and crowned himself emperor on January 1628 in Agra, under the regnal title "Shah Jahan" (which was originally given to him as a princely title). His rule saw many grand building projects, including the Red Fort and the Shah Jahan Mosque. Foreign affairs saw war with the Safavids, aggressive campaigns against the Shia Deccan Sultanates,10 conflict with the Portuguese, and positive relations with the Ottoman Empire. Domestic concerns included putting down numerous rebellions, and the devastating famine from 1630-32.

In September 1657, Shah Jahan fell seriously ill. This set off a war of succession among his four sons in which his third son, Aurangzeb, emerged victorious and usurped his father's throne. Shah Jahan recovered from his illness, but Emperor Aurangzeb put his father under house arrest in Agra Fort from July 1658 until his death in January 1666. He was laid to rest next to his wife in the Taj Mahal. His reign is known for doing away with the liberal policies initiated by Akbar. Shah Jahan was an Orthodox Muslim, and it was during his time that Islamic revivalist movements like the Naqsbandi began to shape Mughal policies  read more

Code: 21565

A Superb Excavated ‘Grand Tour’ Fine Bronze Age Lance Head, Trojan War Period 3200+ Years Old. From the Legendary Age of Hector, Agamemnon,Paris, Helen of Troy and Achilles

Dominant central rib, graduating long triangular blade and engraved socket. A lance or spear head traded with the Eastern Mediterranean Scythians, Persians and Greeks during the 2nd to Ist millennium B.C. around 2700 to 3200 years ago. Copper alloy circa 1200 B.C. A beautiful Bronze Age battle spear, probably the most used and popular weapon of all the ancient wars of antiquity. Items such as this were oft acquired in the 18th and early 19th century by British noblemen and women touring famous battle sites and their regions in Europe, especially Northern France, Italy and the Middle East on their Grand Tour. Originally placed on display in the family 'cabinet of curiosities', within their country house upon their return home. A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen traveling for many months, or even years, througout classical Europe, and Middle East, acquiring antiquities and antiques for their private collections.
One such family’s descendants have been allowing us to purchase such wonderful pieces from their family collection for around the past 30 years.

We are very privileged to be the UK’s premier original military antiques gallery and website, and to be able to consistently, continually, and regularly, offer the finest original collectors items in our shop for over 100 years

This is a most handsome ancient bronze weapon from the era of the so called Trojan Wars. The ancient Greeks believed the Trojan War was a historical event that had taken place in the 13th or 12th century BC, and believed that Troy was located in modern day Turkey near the Dardanelles. In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including Homer's Iliad and the Odyssey . "The Iliad" relates a part of the last year of the siege of Troy, while the Odyssey describes the journey home of Odysseus, one of the Achaean leaders. Other parts of the war were told in a cycle of epic poems, which has only survived in fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets such as Virgil and Ovid.

The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years due to Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, who was said to have led the surviving Trojans to modern day Italy. Made in copper bronze in the Western Asiatic region. Western Asiatic bronzes refer to items dating from roughly 1500-500 BC that have been excavated since the late 1920?s in the Harsin, Khorramabad and Alishtar valleys of the Zagros Mountains especially at the site of Tepe Sialk. Scholars believe they were created by either the Cimmerians or by such related Indo-European peoples as the early Medes and Persians. Weapons from this region were highly sought after by warriors of many cultures because of their quality, balance and durability. Graduating blade with socket. Rich deep age patination with superb natural encrustations This piece is 14 1/2 inches long overall. As with all our items it comes complete with our certificate of authenticity.  read more

Code: 23019

An Original & Super, 17th Century English Civil War Period Pikeman's Partizan Polearm Head

A most scarce 17th-century Dutch partizan head with "wings" or projections at the base. These weapons were used by infantry soldiers to fend off cavalry and could be used to trap an opponent's sword. The partisan was a common polearm in the 15th and 16th centuries, gradually evolving from a short spear.

We are very privileged to be the UK’s premier original military antiques gallery and website, and to be able to consistently, continually, and regularly, offer the finest original collectors items in our shop for over 100 years

A partisan (also partizan) is a type of polearm that was used in Europe in the 16th, 17th, and 18th century. It consisted of a spearhead mounted on a long shaft, usually wooden, with protrusions on the sides which aided in parrying sword thrusts. Like the halberd, it quickly became obsolete with the arrival of practical firearms, although it stayed in use for many years as a ceremonial weapon. In profile, the head of a partisan may look similar to that of a ranseur, spontoon, ox tongue, or septum; however, unlike a ranseur, the lower parts of the head have a sharpened edge.

This is a gorgeous example of a heavily-used head of a Partizan polearm likely used during the 17th Century. This lovely example is most certainly of Continental European origin, likely German, and dates to the early to mid 17th Century.

The partizan head measures roughly 17½” long with a maximum width of 4 3/4”. The condition is overall jolly good for age, completely intact with no signs of damage

Polearm

A polearm or pole weapon is a close combat weapon in which the
main fighting part of the weapon is fitted to the end of a long shaft, typically of wood, thereby extending the user's effective range and striking power. Polearms are predominantly melee weapons, with a subclass of spear-like designs fit for both thrusting and throwing. Because many polearms were adapted from agricultural implements or other fairly abundant tools, and contained relatively little metal, they were cheap to make and readily available. When warfare would break out and the belligerents had a poorer class who could not pay for dedicated military weapons, leaders would often appropriate tools as cheap weapons. The cost of training was comparatively minimal, since these conscripted farmers had spent most of their lives using these "weapons" in the fields. This made polearms the favored weapon of peasant levies and peasant rebellions the world over.

Polearms can be divided into three broad categories: those designed for extended reach and thrusting tactics used in pike square or phalanx combat; those designed to increase leverage (thanks to hands moving freely on a pole) to maximize centrifugal force against cavalry, and those designed for throwing tactics used in skirmish line combat. Because their versatility, high effectiveness and cheap cost, polearms experimentation led to many variants and were the most frequently used weapons on the battlefield bills, picks, dane axes, spears, glaives, guandaos, pudaos, poleaxes, halberds, harpoons, sovnyas, tridents, naginatas, bardiches, war scythes, and lances are all varieties of polearms.  read more

Code: 25737

A Superb Original American Civil War Issue Colt Single Action Army Revolver, .44 Calibre. 6 Shot .44” Colt Army Single Action Percussion Revolver. One Of The Most Famous Antique Revolvers Ever Made

6 Shot .44” Colt Army Single Action Percussion Revolver, numerous matching serial numbers, barrel stamped ADDRESS COL. SAMl COLT NEW-YORK U.S. AMERICA, underlever rammer, frame stamped COLTS PATENT, stepped cylinder roll engraved with naval scene and COLT PATENT, brass trigger guard, iron back strap one piece wooden grips.
This original 1860 model Colt Army 44 cal. revolver would be a most fine addition to, or start of, any collection of fine arms, a delightful revolver of American history, with a very strong spring action and average age wear.
The Colt single action army has one other fine attribute, in that it feels wonderful when held in the hand, so beautifully balanced and ergonomically designed, it really is a delight to hold, and there is no other revolver apart from its cousin the Colt single action Navy that feels quite like it. The largest percussion calibre of pistol made by Colt in the Civil War and Wild West era, and one of the most popular revolvers of the war, used by both combatant sides of the Union and the Confederacy.

As the successor to the big Colt Dragoon, this sleek and handsome hogleg packed plenty of power but was easier to handle. Colt’s 1860 was used by the U.S. Cavalry, the Texas Rangers and General Ben McCulloch’s Texas Confederates, Wells Fargo detective James Hume, Mormon “Avenging Angel” Porter Rockwell, El Paso City Marshal Dallas Stoudenmire, the James brothers Jesse James and Frank James, Wes Hardin, Sam Bass and scores of good and bad men. A true icon of 19th century America and one of the most famous and best Colt revolvers of it's type ever made. It had the greatest stopping power, and was a very popular and highly effective pistol from the Civil War, and into the Wild West era. There were many, many world famous officers and cowboys who used this very form of revolver, and Jesse James was photographed wearing several of them which he captured in combat fighting for the Confederacy in 1864 with Quantrill's Raiders. It was favoured as a side arm by cavalry, infantry, and artillery troops.

Around 200,000 were manufactured from 1860 through 1873. Colt's biggest customer was the US Government with over 127,000 units being purchased and issued to the troops. The weapon was a single-action, six-shot weapon accurate up to 75 to 100 yards, where the fixed sights were typically set when manufactured. The rear sight was a notch in the hammer, clearly visible only when the revolver was cocked.

The Colt .44-calibre “Army" Model was one of the most widely used revolvers of the Civil War. It was the revolver of choice for officers, artillerymen, and cavalrymen. The Colt .44 had a six-shot, rotating cylinder. It fired a 0.454-inch diameter round lead ball, or a conical projectile, that was propelled by a 30 grain charge of black powder ignited by a brass percussion cap that was struck by the hammer. When fired, balls had a muzzle velocity of about 750 feet per second. Good condition, some age wear. at least four matching serial numbers

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 25738

Very Small Exclusive Collection of Amazing Crossbow Relics From the 1st Battle of Scottish Independence, The Battle of Bannockburn, in 1314, Crossbow Quarrel Heads. The Decisive Victory of Robert the Bruce In Combat Against King Edward II

Recovered around 225 years ago, as a group of heads, covering about 2000 square yards, within in the battle site area, around one and a quarter miles south of Sterling. From the family of a renown 18th-19th century antiquity collector, a nobleman of Scotland. The crossbow was a weapon of both the Scots army and the British. Priced individually.

Overall the crossbowmen in the English army would have been equipped in quite a similar way to the longbowmen, apart from their choice of weapon.

The early fourteenth century was a time of great innovation in crossbow technology. Their stout bows were still being made out of wood, often the yew also used for longbows. However they were also increasingly made in a composite construction – strips of ibex or goat horn glued together formed the core, over which layers of frayed animal tendon were placed, and the whole wrapped in birch bark to seal out moisture. The most advanced bows, however, were made of tempered steel. This was a very new technology in 1314; the first documentary references to steel bows appear only around 1300.
The crossbow was a powerful weapon, with a much greater draw weight than the longbow. However the short bolts shot from the crossbow were also heavier, while the bolt’s acceleration time on the bowstring was much briefer; both of these factors meant that much more bow-strength was required to cast a crossbow bolt the same distance as a longbow arrow. The range and striking power of the crossbows at Bannockburn may not actually have been very different in real terms from those of the longbows deployed alongside them. The crossbow’s key advantage lay in the ease of its use. Only a short time was required to teach the operation of a crossbow, a stark contrast to the lifetime’s practice, beginning in childhood, which was essential for good longbow shooting.

The Battle of Bannockburn was fought on 23–24 June 1314, between the army of Robert the Bruce, King of Scots, and the army of King Edward II of England, during the First War of Scottish Independence. It was a decisive victory for Robert Bruce and formed a major turning point in the war, which ended 14 years later with the de jure restoration of Scottish independence under the Treaty of Edinburgh–Northampton. For this reason, the Battle of Bannockburn is widely considered a landmark moment in Scottish history.

King Edward II invaded Scotland after Bruce demanded in 1313 that all supporters, still loyal to ousted Scottish king John Balliol, acknowledge Bruce as their king or lose their lands. Stirling Castle, a Scots royal fortress occupied by the English, was under siege by the Scottish army. King Edward assembled a formidable force of soldiers to relieve it—the largest army ever to invade Scotland. The English summoned 25,000 infantry soldiers and 2,000 horses from England, Ireland and Wales against 6,000 Scottish soldiers, that Bruce had divided into three different contingents. Edward's attempt to raise the siege failed when he found his path blocked by a smaller army commanded by Bruce

The Scottish army was divided into four divisions of schiltrons commanded by Bruce, his brother Edward Bruce, his nephew, Thomas Randolph, the Earl of Moray and one jointly commanded by Sir James Douglas and the young Walter the Steward. Bruce's friend, Angus Og Macdonald, Lord of the Isles, brought thousands of Islesmen to Bannockburn, including galloglass warriors, and King Robert assigned them the place of honour at his side in his own schiltron with the men of Carrick and Argyll.

After Robert Bruce killed Sir Henry de Bohun on the first day of the battle, the English withdrew for the day. That night, Sir Alexander Seton, a Scottish noble serving in Edward's army, defected to the Scottish side and informed King Robert of the English camp's low morale, telling him they could win. Robert Bruce decided to launch a full-scale attack on the English forces the next day and to use his schiltrons as offensive units, as he had trained them. This was a strategy his predecessor William Wallace had not employed. The English army was defeated in a pitched battle which resulted in the deaths of several prominent commanders, including the Earl of Gloucester and Sir Robert Clifford, and capture of many others, including the Earl of Hereford.

The Two Days of the Battle;
An English army attempting to relieve the siege of Stirling Castle was defeated by a Scottish army under Robert the Bruce over two days.

Robert Bruce had been elected guardian of Scotland in 1298, replacing William Wallace as the leader of the long campaign against the English attempt to conquer Scotland. After the devastating defeat of Wallace at Falkirk (Falkirk, 1298) and then Bruce’s own defeat at Methven (Perth & Kinross, 1306), much of Bruce’s campaign took the form of guerrilla warfare, avoiding as far as possible major set piece battles. In this way he completely changed the balance of power in Scotland, through the progressive reduction of English garrisons.

By 1314 just two major strategic fortresses remained in English hands: that on the border at Berwick and that controlling the crossing of the Forth at Stirling. But the Stirling garrison finally agreed to surrender if the English king did not arrive with a relieving force by 24th June 1314. In response Edward II mustered an army of about 12-13,000 at Berwick, marching north in May and reaching Falkirk on the 22nd June.

Bruce deployed his forces in woodland south west of Stirling, through which the major road approached the town. He carefully prepared his chosen ground, beside the Bannock burn and, as the English advanced against him, over two days of fighting achieved a dramatic victory.

The action was fought, immediately to the north of the area where the Roman road crosses the Bannockburn around 1.2 miles to the south of Stirling. Day 2: Historic Environment Scotland places the fighting around the Carse of Stirling and the Dryfield, though five main alternative sites have been identified separated by more than 2 miles.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery .

Pictures in the gallery of crossbowmen from original Medeavil manuscripts, {not included} and a contemporary battle scene drawn from the battle

Please note, *priced individually. The bent tipped quarrel head {photos 3 and 4} is now sold!  read more

Code: 25735

A Most Fine Knightly Polish War-Hammer Nadziak or Obuch, 1500's A.D. Inlaid with Silver Cross Hatching. Certainly one of the Most Beautiful & Well Preserved We Have Ever Seen.

A fine early original war-hammer composed of an ovoid haft socket, a fierce downturned ‘tiger’s claw’ spike, and a square section hammer head, all inlaid with a stunning and intricate silver geometric design. Overall in superb condition for its great age.

We show it in the gallery with the form of haft it would have had, and indeed could do once more, but this one shown is for information only and not present or included

The name obuch is Polish and means 'the blind end of an axe', but already at the beginning of the 15th century it meant a unspecified war hammer. According to Polish sources of 17th century, the war-hammer could have been formed into the shape of an axe (czekan), or in the form of a thick, slightly sloping spike (nadziak), or curved like a round cracknel (obuch). A 17th century description states: 'It was a terrible instrument in the hand of a Pole...With the sabre one could cut off somebody’s hand, cut the face, injure the head, and the running blood of the adversary would calm down the rancour. But with the obuch one could cause a deadly wound without even seeing the blood, and – not seeing it – he would not calm down instantly, but would strike several times without cutting the skin, breaking ribs and bones at the same time.'

There is a stunning original drawing of a very similar example [we show a copy of it in the gallery] with a full description and how it was used in the attempted assassination of the king of Poland by Michal Piekarski in 1620.

The translation of the drawings text reads

:” a sledge hammer, a war hammer design called a 'Crane' with which Russian nobleman Michele [Michal] Piekarski, aged 40, wounded the King of Poland called Sigismund of Lithuania in the back with one blow of the hammer point and another of the hammer shaft (having used the metal for the first blow). This happened on Sunday the 15th of November 1620 at 9 ½ hours in Warsaw while his Majesty was in church studying the learnings of the Dominican Fathers. In June of that year [The King/the Hammer] cut to pieces .?. Polish people with the death of their earthly life.”

The drawing is perhaps the work of a political sympathiser in opposition to the Swedish annexation of Poland under Sigismund III Vasa as part of the Polish-Lithuanian Commonwealth.

By the end of the 16th century, the hussars had adopted enough armor to become a new, more agile heavy cavalry, using their trademark 18-foot light-long lance as their initial shock weapon. They sported breastplate, a mail shirt, forearm guards, thigh armor (cuirass), and an open-faced burgonet-like helmet called a zischaage. Total weight of a hussar’s armor was no more than 30 pounds. An animal-skin mantle, particularly leopard, was a showy form of identity and esprit de corps. Perhaps the most notable element of the latter array was the famous “wings” the hussars would sometimes wear—eagle wings attached to arching frames and a special support on their back armor or saddle. The rush of these wings during a charge was psychologically unnerving, and the extra height they gave riders was intimidating.

The war hammer was the hussars’ most common secondary weapon. Slung from the saddlebow, the early Polish hussar war hammer was of German and Italian design, with a long shaft. Two styles had names derived from Turkish. The czekan was a combination of hammerhead on one side and an ax on the other. The nadziak, perhaps the most popular war hammer, had a hexagonal head balanced by a long, slightly drooping beak.

By 1600, Polish hussars had bested all other cavalries thrown against them. Each hussar unit charged in three or four ranks, depending on terrain, with the rear rank ready to deal with flank attacks. Hussars initially attacked in open order for ease of movement and maneuvering, but nearing impact with the enemy, they would squeeze together knee to knee, moving at full gallop. This difficult maneuver not only gave them powerful crushing strength, but also minimized losses from enemy firepower.

In comparison to the heavy cavalry of the West, which depended more on sheer weight than speed, the hussars could move quickly from standing to maximum speed. The deadly lance was practical only for the first few ranks, with the rest ready with their secondary weapon of preference, the war hammer, second only to the much-revered sabre.

The haft that fitted the socket would often have been turned or carved wood, but it simply doesn't usually survive around 500 years. However a good cabinet maker or a wood turner could easily create a replacement for a fine display.

Approx 19cm long overall.

As with all our items it comes complete with our certificate of authenticity
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Code: 24624