Antique Arms & Militaria
A 19th Century Napoleonic Pattern, Spanish Dragoons, Heavy Cavalry of the Line Sword
In the Napoleonic wars the Spanish heavy line cavalry troopers were equipped with this pattern of sword, based on the French cuirassiers sword, having a hilt of the French heavy cavalry Cuirassiers, An XI pattern, in brass, with knuckle-bow, three curved quillons and pommel. Later this was regularised to create the model 1832 pattern. This sword's blade is maker marked, Toledo 1863. This sword has certainly seen service and evidence of combat use. This is a big, scarce Napoleonic pattern Cuirassier battle sword, and a most impressive and fascinating example, and the first of it's kind we have seen in nearly 10 years, These huge and impressive original 19th century Spanish heavy cavalry swords are very rarely seen to survive and this is a very impressive piece. The Cavalry Regiment El Rey (Spanish: Regimiento de Caballera El Rey is the oldest cavalry regiment in the Spanish Army, distinguishing itself on several occasions during the Peninsular War. They are known bestn for there charge at the Battle of Talavera where they dealt the decissive blow against General Jean Francois Leval's German Division. The Cavalry Regiment El Rey is Spain's oldest cavalry regiment, founded in 1538 under the reign of King Charles I of Spain, and as such bore the title The King's in the Spanish Army. During the Napoleonic era it was considered as one of the best Spanish regiments and it distinguished itself during the Spanish War of Independence, frequently being commented as performing very well in those years. In 1807 the regiment was assigned to Marques de la Romana's Division of the North. In 1808 it joined the fight against France after evacuating from Denmark.
Upon arrival in Cantabria the cavalrymen marched to Extremadura where they were to collect horses, thus avoiding the defeat that fell upon Romana's division at Espinosa de los Monteros. In 1809 the regiment would see much action while serving in Gregorio Garcia de la Cuesta y Fernandez de Celis' Army of Extremadura, as part of General Jose de Henestrosa's 1st Cavalry Division. It would fight at the Battle of Talavera, where they captured four French cannons and would be highly praised in Cuesta's report. During the Spanish War of Independence the unit wore a blue coat with scarlet cuffs, collar, lapels, turnbacks, gold piping and buff breeches. Like all regiments at the start of the Peninsular War they wore a red plume on their hat to show their loyalty to the Bourbon monarch, Ferdinand VII of Spain, instead of the "hated foreigner" Joseph Bonaparte. In 1870 the regiment wore a blue coatee with scarlet cuffs, collar and lapels, white turnbacks, and yellow piping and had brass buttons, they also wore blue breeches. The troopers wore a black bi-corn hat with gold lace and a red cockade with a gold cockade loop.
In 1898 the regiment had a uniform of a light blue dolman with black Austrian loops and white metal buttons; red collar and cuffs, and red trousers with a light blue stripe. They had also, after the Napoleonic Wars adopted the use of a cuirass and helmet, of steel with brass ornamentation. However, in the colonies of Cuba, Puerto Rico, Guam, the Las Carolinas Islands and the Philippines they wore the Rayadillo colonial uniform with red collar and cuffs and Leopoldina shakos with the Spanish red and yellow cockade 95 cm blade read more
935.00 GBP
A Truly Exceptional & Rare Original 16th Century Italian Renaissance Sfondagiaco Eared Dagger, Named From The Protruding Twin ‘Ears’ of the Pommel Shaped As Stunning Masked Horned Goats.
An original and rare dagger used by Princes, Dukes and Kings, capable of perforating chainmail and sliding between metal armour plates.
An exceptionally rare and important so called 'Ear Pommel Dagger', from 16th century Venice, Italy. With a traditional form brass hilt, of twin plates double rivetted through the blade tang, finely engraved, with a pair of ear pommels, in the form of two simply stunning full relief masks of horned goats, backed with clam shell decoration. Double edged graduating blade.
What has been described the most valuable dagger in the world was another, most similar 'Ear Form Pommel Dagger', from the same era of the 15th century.
It was from the Nasrid dynasty in Spain and it sold in Sotheby's Auction house nine years ago for an incredible $6 million dollars. However that example was decorated with Islamic decoration in gold. Ear Daggers are considered the most important contribution to the Nasrid panoply of arms and armour. Ear Daggers probably originated from North Africa, although ancient Asiatic versions existed from 1200 bc. They were used in Spain during the 15th and 16th centuries, and also introduced to Italy and Christian Europe in the 15th century. Daggers of this type were once extremely fashionable among great and powerful nobles, princes and kings, and there exists a portrait of the young King Edward VI of England, now in the Royal Collection at Windsor Castle, clutching an Ear Dagger at his waist. Deriving its name from the striking design of the hilt pommel, the Ear Dagger (dague oreilles in French and alla Levantina in Italian) comprises two flattened, embossed or conical discs which resemble ears, issuing from either side of the grip a.
Only a handful of comparable examples of the Nasrid daggers exist, and mainly in museum collections.
Original 15th century ear daggers are only generally to be found in the finest national museums such as the Louvre, the British Royal Collection, the Metropolitan Museum, Fifteenth-century Italy was unlike any other place in Europe. It was divided into independent city-states, each with a different form of government. Florence, where the Italian Renaissance began, was an independent republic. It was also a banking and commercial capital and, after London and Constantinople, the third-largest city in Europe. Wealthy Florentines flaunted their money and power by becoming patrons, or supporters, of artists and intellectuals. In this way, the city became the cultural centre of Europe, and of the Renaissance. Italian Wars, (1494-1559) series of violent wars for control of Italy. Fought largely by France and Spain but involving much of Europe, they resulted in the Spanish Habsburgs dominating Italy and shifted power from Italy to north-western Europe.
The wars began with the invasion of Italy by the French king Charles VIII in 1494. He took Naples, but an alliance between Maximilian I, Spain, and the pope drove him out of Italy. In 1499 Louis XII invaded Italy and took Milan, Genoa, and Naples, but he was driven out of Naples in 1503 by Spain under Ferdinand V. Pope Julius II organized the League of Cambrai (1508) to attack Venice, then organized the Holy League (1511) to drive Louis out of Milan. In 1515 Francis I was victorious at the Battle of Marignano, and in 1516 a peace was concluded by which France held onto Milan and Spain kept Naples. Fighting began in 1521 between Emperor Charles V and Francis I. Francis was captured and forced to sign the Treaty of Madrid (1526), by which he renounced all claims in Italy, but, once freed, he repudiated the treaty and formed a new alliance with Henry VIII of England, Pope Clement VII, Venice, and Florence. Charles sacked Rome in 1527 and forced the pope to come to terms, and Francis gave up all claims to Italy in the Treaty of Cambrai (1529). By the Peace of Cateau-Cambr?sis (1559), the wars finally ended. 16 inches long overall, blade 11 inches. read more
9975.00 GBP
Archaic Chinese Warrior's Bronze Sword, Around 2500 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu
Chinese Bronze 'Two Ring' Jian sword, however both the grip rings are now lacking, as is the pommel. Used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC).
From our wonderful collection of ancient Chinese weaponry we recently acquired, another stunning ancient sword around 2500 years old or more. From the Zhou dynasty, and the area of the King's of Wu, in Chu. as this sword bears old damage it is priced accordingly, yet it is still an ancient piece of great beauty and interest.
Swords of this type are called “two-ring” swords because of the prominent rings formerly located on the hilt. This is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.
The blade is heavy with a midrib and tapered edges
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a very shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top once had a round, likely dished pommel
The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.
The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.
In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.
Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".
Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.
Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.
The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.
This is one of a stunning collection of original archaic bronze age weaponry we have just acquired and has now arrived. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China.
As with all our items, every piece is accompanied by a certificate of authenticity read more
1495.00 GBP
A Most Rare Early, 14th Century, circa 1340, Medievil Iron Hand Cannon or 'Handgonne' Made in the Period, & Used From the Battle of Crecy and Poitier Era.
An absolutely beauty and an incredibly significant historical piece, effectively the handgonne, was the very first iron hand held powder and ball piece, that began the evolution into the pistol, almost 700 years ago, and around 500 years before Mr Colt developed his first revolver in the 1840's.
From a collection of original rare antiquities collection we acquired, and this is the third extraordinarily rare original handgonne from that collection. We normally find only one or two every ten years or so, or even longer, but to buy all three from the collection was amazing.
The earliest design of conical form. Small enough and light enough to be manoeuvred by hand and thus then loosely fixed, or semi-permanently fixed, in either an L shaped wooden block and used like a mortar, or, onto a length of sturdy wooden haft, from three feet to five foot long to be used almost musket like and bound with wrought iron bands see illustration in the photo gallery of these medievil variations of mounting. The precursor to the modern day pistol and musket from which this form of ancient so called handgonne developed into over the centuries. It is thought that gunpowder was invented in China and found its way to Europe in the 13th Century. In the mid to late 13th Century gunpowder began to be used in cannons and handguns, and by the mid 14th Century they were in relatively frequent use for castle sieges. By the end of the 14th Century both gunpowder, guns and cannon had greatly evolved and were an essential part of fortifications which were being modified to change arrow slits for gun loops. Hand cannon' date of origin ranges around 1350. Hand cannon were inexpensive to manufacture, but not accurate to fire. Nevertheless, they were employed for their shock value. In 1492 Columbus carried one on his discovery exploration to the Americas. Conquistadors Hernando Cortez and Francisco Pizzaro also used them, in 1519 and 1533, during their respective conquests and colonization of Mexico and Peru. Not primary arms of war, hand cannon were adequate tools of protection for fighting men.. Approx, 4 inches long 1 1/2 inch bore, and weighs around 5.1 lbs
See Funcken, L. & Funcken F., Le costume, l'armure et les armes au temps de la chevalerie, de huitieme au quinzieme siecle, Tournai,1977, pp.66-69, for reconstruction of how such hand cannons were used.
At the beginning of the 14th century, among the infantry troops of the Western Middle Ages, developed the use of manual cannons (such as the Italian schioppetti, spingarde, and the German Fusstbusse). read more
2295.00 GBP
A Superb Finest Quality Large Royal Naval Sea Service Brass Cannon Barelled Flintlock Blunderbuss. Made by I Gore of The Minories, London. With Ordnance Crown Stamp. Land Pattern Brass Furniture. Circa 1760
This is a very powerful example of its rare kind, with great heft and substance. Almost the power of a royal naval swivel cannon. Excellent flintlock action. 1740 CP & V proofs to the barrel, finest quality walnut rail stock, all brass furniture in the ordnance Land Pattern form. original ram rod with load extraction steel worm end.
Brass blunderbusses were "naval enforcers" in war and peace. this beauty was used from the American Revolutionary War, through the Anglo French Wars, the Napoleonic Wars, such as the Battle of The Nile, the Battle of Camperdown, the Battle of Cape St. Vincent and the Battle of Cape Trafalgar. The War of 1812 against the American Navy, and up to around the early 1840's. Their huge, smooth-bore barrels are very destructive at close range. They are easy to load and fairly easy to repair.
This amazing example was used by the Royal Navy during the Revolutionary war up to and past the close of the Napoleonic wars.
With these guns such as this at its command, it is little wonder that Britain ruled the waves for many generations. The "Sea Service," as the British Navy was called, continued to be the world's most powerful maritime force for two centuries.
The blunderbuss, which takes its name from the German term Donderbuschse (thunder gun) is a short-barreled firearm with a flared muzzle that made its appearance in the late 16th century. Often associated with the Pilgrims, the blunderbuss was still relatively unknown in the early 17th century.
Originally intended for military purposes, these arms can be traced to 1598, when Germany's Henrich Thielman applied for a patent for a shoulder arm designed for shipboard use to repel enemy boarders. The blunderbuss quickly became popular with the Dutch and English navies. England's growing maritime power seems to have fueled production of these short bell-barrel arms, which were useful during close-in engagements between warships by enabling marines clinging to ship's rigging to use them against the gun crews of opposing vessels. The barrels and furniture of the blunderbuss were typically made from brass, and stocks were most commonly made from walnut. Other, less robust woods were sometimes used, but their tendency to shatter ensured that walnut would remain in widespread use as a stocking material.
The blunderbuss played a role during the English Civil War of 1642-48, and these arms were widely used as a personal defense arm in England during the Commonwealth Period. The lack of an organized system of law enforcement at that time, coupled with the growing threat posed by highwaymen, placed the burden of protecting life and property in the hands of honest citizens.
Although some blunderbusses bore the royal cipher of the Sovereign, they typically did not feature the Broad Arrow identifying government ownership or the markings of the Board of Ordnance, however this example bears the ordnance crown of King George IIIrd. Several brass- and iron-barreled blunderbusses were captured from the forces of Lord Cornwallis upon the latter's surrender to the Continental Army at Yorktown, Virginia in the final land campaign of the American Revolution
As with all our antique guns no license is required as they are all unrestricted antique collectables, and it will be accompanied by a Certificate of Authenticity.
Overall it is in superb condition with a exemplary original aged patination. the for end on one side has a small combat field service repaired fore stock crack in the wood. read more
3450.00 GBP
A Simply Stunning Most Rare Napoleonic Wars Type of a 1796 Infantry Officer's Sword, Monogrammed With Its Owner's Title and Monogram, Plus His Patriotic Motto “The Love Of, My Country, & Freedom” Etched Upon The Acutely Tapering “Needle Point’ Blade.
A most rare blade type, modelled on a 15th-16th century needle point double edged broadsword form known as the type XVII.
The mercurial gilt hilt is near to mint as possible, and it has a folding guard, but with an extraordinarily rare form of blued steel hinge arrangement. The diamond section blade has overall salt and pepper pitting, and bears, in fine etching, the owners title initial, H above his monogram, A. A., and below the monogram, is a Tarlton helmet, and below that a patriotic motto, within three scrolls, The Love Of, My Country, & Freedom. A most unusual form of bespoke blade for the 1796 infantry pattern sword, far better for combat than the standard single edged straight blade, perfect if one is a trained swordsman in the art of hand to hand rapier combat. Perfect for the thrust due to its strength and rigidity, ideal for the cut being double edged. And superb for the parry being quatrefoil, which gives it extra strength. An officer trained to use such a sword would be a formidable foe indeed. One can easily see this by simply by looking at its full length profile in the photographs. It’s appearance of a rigid reinforced needle is incredibly impressive.
After considerable research this incredible sword may indeed have been most likely commissioned for the Hon Alexander Abercromby, we can find no other British army serving officer with this rank and initials. He first served in the Gordon Highlanders, then he transferred to command the 29th Foot, the North Gloucestershires, in Busaco in the Peninsular War, then in 1815 he served under Wellington as Wellington's Assistant Quartermaster General for the 2nd Foot Guards, at Quatre Bras and Waterloo, in the War of 100 Days, Napoleon's last battles and his final foiled attempt to regain his empire.
Born on 4 March 1784, Abercromby entered the army at an early age, and served as a volunteer with the 92nd Regiment, the Gordon Highlanders, in the expedition to the Helder in 1799. He soon obtained a commission, and saw service with his regiment in Egypt. He was appointed aide-de-camp to his father's old lieutenant and friend, Sir John Moore, during his command in Sicily in 1806, but was not with him in Spain.
Like his brother, Sir John, he was rapidly promoted, and in 1808, when only twenty-four, became lieutenant-colonel of the 28th Regiment. He accompanied his regiment when it was sent to Portugal to reinforce Lord Wellesley after the battle of Talavera. He commanded it at the battle of Busaco, and in the lines of Torres Vedras, and as senior colonel had the good fortune to command his brigade at the battle of Albuera. His services there were very conspicuous, and his brigade has been immortalised by Napier. He was soon superseded, but commanded his regiment at the surprise of Arroyo de Molinos and the storming of the forts at Almaraz.
In 1812 he was removed to the staff of the army, and was present as assistant-quartermaster-general at the battles of Vittoria, the Pyrenees, and Orthes. He served in the same capacity in 1815, and was present at Quatre-Bras, Waterloo, and the storming of Péronne. Péronne, on the banks of the Somme, was captured on 26 June during the Allied advance on Paris following the victory at Waterloo
He was the son of Lieutenant General Sir Ralph Abercromby KB (7 October 1734 – 28 March 1801) who was a British soldier and politician. He rose to the rank of lieutenant-general in the British Army, was appointed Governor of Trinidad, served as Commander-in-Chief, Ireland, and was noted for his services during the French Revolutionary Wars, ultimately in the Egyptian campaign. His strategies are ranked amongst the most daring and brilliant exploits of the British army. No doubt Alexander gained his considerable combat tactical skills from his father. To be Colonel of a regiment at 24 and to be in command of a battle was no mean feat based entirely on merit.
For his active services he was promoted to a colonelcy in the 2nd or Coldstream Guards,
The last photo in the gallery of the other 10th hussars sword shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo. read more
1495.00 GBP
A Stunning 1796 Scottish Flank Officer's Combat Sword, Napoleonic Wars, Peninsular & Waterloo Period. For Coldstream Guards, With One Of The Most Beautiful, Finest Quality & Unique Blade Engravings We Have Ever Seen. By Hunter of Edinburgh
Very likely a Coldstream Regiment of Foot Guards, flank company officer's sword for use in the Coldstreamers grenadier 'flank company' of the regiment. Almost certainly used by a Coldstream flank company officer in the Peninsular War and Waterloo, and even at Hougemont itself, for that, for us, there is little doubt. Each battalion of the British army included a light infantry company and a grenadier company; they were known as "flank companies" and were made up of the best soldiers in the battalion. During field operations they normally were pooled to form special corps of light infantry and grenadiers. This wondrous sword has a fully deluxe engraved blade, engraved and etched with royal crown, royal crest and cypher, a seated Brittania and an Angel blowing the trumpet of Victory, stands of arms, thistles and roses, with fine contra blueing, and fully intact to one blade face. Although fully engraved and etched on both sides, the obverse side is more worn, and has the blueing to that side worn away entirely. Possibly due to it being on display, hanging against a wall of a stately home or castle, for a century and a half or more. Custom made for its owner by Hunter of Edinburgh, and it was Hunter that was the dominant and near exclusive supplier of swords to all Coldstream guards regimental officers from before, and during, the Napoleonic wars. Also, the finest quality deluxe and extravagant nature of this blade is a typical example of the elaborate display of an elite Guards officer's status. The sword maker/retailer's name, Hunter, and his location, Edinburgh, is etched upon the obverse side of the blade, but very worn see photo 8 . In at least two seminal works of sword makers both Sword for Sea Service, and Swords and Sword Makers of England and Scotland it is clearly recorded that 'Hunter of Edinburgh' specifically supplied the officers of the Coldstream Guards from 1780 to at least 1810. The elite Coldstream Regiment saw extensive service in the wars against the French Revolution and in the Napoleonic Wars. Under the command of Sir Ralph Abercrombie, it defeated French troops in Egypt. In 1807, it took part in the investment of Copenhagen. In January 1809, it sailed to Portugal to join the forces under Sir Arthur Wellesley. In 1814, it took part in the Battle of Bayonne, in France, where a cemetery keeps their memory. The 2nd Battalion joined the Walcheren Expedition. Later, it served as part of the 2nd Guards Brigade in the chateau of Hougoumont on the outskirts of the Battle of Waterloo. This defence is considered one of the greatest achievements of the regiment, and an annual ceremony of "Hanging the Brick" is performed each year in the Sergeants' Mess to commemorate the efforts of Cpl James Graham and Lt-Col James MacDonnell, who shut the North Gate after a French attack. The Duke of Wellington himself declared after the battle that "the success of the battle turned upon closing the gates at Hougoumont". The night before the battle of Waterloo, Wellington sent MacDonnell with the guards to occupy the Chateau de Hougoumont. MacDonnell held this key position against overwhelming French attacks during the early part of the battle. When French troops were forcing their way into the courtyard, MacDonnell, aided by a sergeant, closed and held the gates by sheer physical strength. Chosen by Wellington for the award of £1,000 as the ‘bravest man in the British Army,’ MacDonnell insisted upon sharing the sum with his sergeant.
A painting by Dighton of the Coldstream Guards coming to the aid of the defenders. They fought their way into the chateau. Lieut-Col Daniel Mackinnon of the Grenadier Company has his back to us on the right. He was wounded in the knee but carried on until he became weak through loss of blood. He survived the battle and became commanding officer of the regiment in 1830.
Map of Hougoumont
From Wellington's viewpoint the three main buildings that formed landmarks on the battlefield were La Haye Sainte in the middle, Papelotte on the left, and Hougoumont on the right. The chateau of Hougoumont was a manor house and farm with ornamental garden, orchard and woods. The 1st Guards were posted on the ridge behind the chateau and some of them had been involved in a skirmish around Hougoumont on the evening of the 17th. But the defence of the buildings was given, initially, to the Light Companies of the Coldstream and Scots Guards under the command of Coldstreamer, Lieut-Col James Macdonnell, the personal choice of Wellington. They spent the morning barricading all the gateways into the enclosure of buildings, except for the north gate which had to remain accessible to supplies and reinforcements.
The first attack came from troops in Reille's Corps under the command of Jerome, who was ordered by his brother Napoleon, to take Hougoumont at all costs. He took the order literally and many Frenchmen died in the attempt, by the end of the day the number was 8,000. The first attack was repulsed by firing from within the chateau and outside. More attacks came, but thankfully without artillery which could have destroyed the walls of the enclosure. Those guardsmen who were still outside managed to withdraw into the chateau and the north gate was shut, but before it could be barricaded it was rushed by a party of 12 brave Frenchmen led by Lieutenant Legros, a large man with an axe. They barged in but all died fighting. Only a young French drummer was allowed to live. The closing and barricading of the gates was accomplished by Macdonnell and nine others.
Fighting Outside Hougoumont
Sir John Byng ordered three companies of the Coldstream Guards under Lt-Col Dan Mackinnon to go down and support the beleaguered garrison. They drove the French from the west wall and entered the enclosure. Napoleon himself became involved and ordered howitzer fire to be used. Incendiary shells were fired at the buildings and they caught fire, killing many of the wounded who were inside. Colonel Alexander Woodford entered the struggle with the remainder of the Coldstream Guards, leaving two companies on the ridge to guard the Colours. They fought their way into Hougoumont to reinforce the defenders. Woodford outranked Macdonnell but at first declined to take command away from him.
The End of the Battle
The situation became critical at one stage so that the King's German Legion were sent forward to counter-attack on the outside of the building. This effectively proved the last straw for the French who gave up their attempts to take Hougoumont. Woodford was commanding the garrison at the end of the battle when Wellington ordered a general advance to pursue the French. The force inside the enclosure ranged from 500 to 2000, but they managed to keep a whole French Corps occupied all day. The casualty figures for the Coldstream Guards on the 18th June was one officer and 54 other ranks killed, 7 officers and 249 other ranks wounded. Four men were unaccounted for. No scabbard read more
2750.00 GBP
A Battle of Agincourt, Henry Vth, Knightly Hand and a Half Sword, Also Known as a Bastard Sword, due to It Being A Transition Sword From A Single Handed To A Two Handed Sword
A most rare sword, from the 100 Years War period, used at the Battles of Crecy and Agincourt by armoured knights. A form of sword designated in the seminal work by Ewart Oakshott known within the Oakshott categorisation as the type XVIII
Overall in good condition for age with usual russetted surface for ancient swords of this era. Fine double edged graduating straight blade with central fullers, a sharp tip, and a multifaceted iron pommel to the elongated grip {as usual, no grip wood survives} long straight crossguard with slight downturn and button quillon ends. Original ancient iron swords, if they still have a crossguard, never have the original wooden grips, the wood never survives the hundreds of years passing which means, the crossguard becomes mobile and no longer in a fixed position.
During the Middle Ages, most swords were relatively light. By the 15th century, however, larger and heavier swords had been developed to increase their ability to penetrate plate armour. That need created the 'Bastard' or 'Hand-and-a-half' sword. They were hybrid swords that enabled blows to be delivered with the power of a two-handed sword but could also be wielded with just one hand.
Medieval swords of this era typically had a cruciform hilt, alluding to the knightly principles of chivalry and the 'Soldiers of Christ'. The pommel, at the top of the sword hilt, was of various shapes and could be made from a variety of materials. Richer swords of princes even had pommels made of rock crystal and chalcedony, and some were left hollow so that they could contain a holy relic.
Many swords were made in continental European centres such as Lorraine,
The Bastard Sword (with a longer grip) could be used for thrusting or cutting and had fearsome capabilities on the battlefield.
It was used as close-combat weapon and was capable of striking a massive blow. Its thrusts were deadlier, which improved their effectiveness when attacking plate armour. The blades of such swords could also be acutely pointed, which helped them to find the gaps in plate armour.
The blade could be the same length as a single-hand sword but the tang and the grip were long enough to accommodate two hands, which provided better leverage and more power.
Swords were worn in scabbards slung from waist belts, many of which were highly decorated with plaques and heraldic designs.
After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.
King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.
This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.
Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopædia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French. Part of an original medieval collection we have just acquired, of Viking and early British relics of warfare
Another picture is of a Medieval tombstone carving, showing the knight’s very same, hand and a half or bastard sword
To see references on this sword see Oakeshott, J, R.E., The Archaeology of the weapons, London, 1960 (Woodbridge, 1999); Oakeshott, E. 'Records of the Medieval Sword', Woodbridge, 1991 read more
18500.00 GBP
A Wonderful Circa 3000 Year Old Original Sword From the Time of the Ancient Greek 'Heroic Age' Such as The Era of The Seige of Troy and The Trojan War
One of two absolute beauties from the same historical era we were delighted to acquire. In beautiful condition with very fine deep patination. The first sword of the two has now just sold.
It has a graduating blade with central rib, integral hilt, with open panels for organic inserts of wood, bone, or ivory, fabulous areas of crystalized malachite naturally aged blue/green patination.
The great bronze age artisans of the time, found a most eager market to supply the warriors of late pre-literary history. Interestingly their swords and daggers were traded to all the warring cultures, from the Ancient Macedonians, Minoans, Thracians, Spartans, Scythians, Trojans and of course the Medes. So it was potentially possible at the time to find two civilizations at war using combat weapons made by the very same artisans, such as from Luristan or Crete. Crete being one of the main sources of copper in the bronze age, within that region. A type of globalization was in place, as all of the major powers were interconnected. Trade networks exchanged glass, ivory, copper, tin, bronze, perfume, and pottery. Bronze could be seen as the equivalent of our modern economy's crude oil. It was used for axes, swords, knives, armour, plows, and even wheel mechanisms, and tin, an essential ingredient of bronze, was traded as far as 1000 miles from its mined source in Afghanistan. Out of interest, it was why Ancient Rome spent so much time and effort in order to conquer ancient Britain, it was for our Cornish tin, and numerous lead mines, and not for our glorious climate.
The Greek Heroic Age, in mythology, is the period between the coming of the Greeks to Thessaly and the Greek warriors' return from Troy after their return with Helen of Troy. The poet Hesiod (fl. c. 700 BCE) identified this mythological era as one of his five Ages of Man. The period spans roughly six generations; the heroes denoted by the term are superhuman, though not divine, and are celebrated in the literature of Homer and of others, such as Sophocles, Aeschylus and Euripides.
The Greek heroes can be grouped into an approximate mythic chronology, based on the stories of events such as the Argonautic expedition and the Trojan War. Over the course of time, many heroes, such as Heracles, Achilles, Hector and Perseus, came to figure prominently in Greek mythology.
Early heroes
Many of the early Greek heroes were descended from the gods and were part of the founding narratives of various city-states. They also became the ancestors of later heroes. The Phoenician prince Cadmus, a grandson of Poseidon, was the first Greek hero and the founder of Thebes.
Perseus, famous for his exploits well before the days of his great-grandson, Heracles, was the son of Zeus. Perseus beheaded the Medusa, saved Andromeda from the sea monster Cetus, and was the legendary founder of Mycenae.
Aeacus was also a son of Zeus. Bellerophon was descended from the nymph Orseis. Oenomaus, king of Pisa, in the Peloponnese, was the son of Ares.
Among these early heroes the three - Cadmus, Perseus and Bellerophon - were considered the greatest Greek heroes and slayers of monsters before the days of Heracles.
Of course, despite the Age of Heroes and the time of the Gods of Olympus, being based almost entirely on mythology, apart from the actual city of Troy, which is now proved to be not a myth, the real warriors that lived during that age and time, in ancient pre-history, actually existed, and this is their very form of sword, and one that they would have used.
It is in beautiful condition, with very fine deep natural patination created over 3000 years. A sword type that gained popularity by the Eastern Mediterranean Scythians, Mycenaean Greek, The Spartans and during the the late 2nd Millenium to the Ist millennium B.C. around 2700 to 3200 years ago, and also, not least by the Medes of Persia.
Bronze swords and daggers weapons were highly sought after by warriors of many cultures because of their quality, balance and durability, and the artisans that made them found a ready market throughout all of the late pre-literary history cultures.
Typically their swords would have a graduating blade with central rib, integral hilt, with open panels for organic inserts of wood, bone, or ivory, just as this sword has, but it now has gained fabulous areas of crystallized malachite, naturally aged as a blue/green patination.
This is a type of short sword used mainly in the late second to first millennium BC in the eastern Mediterranean region, it was was worn at the hip in a likely, elaborate scabbard. The scabbard's chape, was generally a rounded triangle, and could be made of bronze, chased gold or carved ivory, and potentially lots of other materials. Just above the chape, a cord was tied around the scabbard, passed around the thigh and then through a slip-knot next to the chape.
The throat of thge scabbard had a large tab, which at its own upper corner was tied through a hole in the weapon belt.
Last picture in the gallery is the Recovery of Helen by Menelaus. Painted Attic black-figure amphora, c. 550 BC
19 1/2 inches long overall, blade 15 inches long read more
1975.00 GBP