Antique Arms & Militaria

A Superb Ancient Bronze Age Mace Head 3000 to 4000 Years Old, From The Age Of Rameses The Great, The Greatest Pharaoh of Ancient Egypt.

Ist to 2nd Millennium B.C.Although displayed on a short stand In use it would have slotted onto a wooden haft. For over 100 years we have been delighted to acquire such fabulous historical original Items such as this, originally collected in the 18th and early 19th century by British noblemen and women touring Europe and the Middle East on their personal expeditions known as a ‘Grand Tour’. Originally placed, after being purchased on their journeys, to be placed on display in the family’s classical gallery or 'cabinet of curiosities', within their country house upon their return home.

A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen travelling for many months, or even years, throughout classical Europe, and the Middle East, and Western Asiatic region, acquiring antiquities and antiques for their private collections. The use of the stone headed mace as a weapon and a symbol od status and ceremony goes back to the Upper Palaeolithic stone age, but an important, later development in mace heads was the use of metal for their composition. With the advent of copper mace heads, they no longer shattered and a better fit could be made to the wooden club by giving the eye of the mace head the shape of a cone and using a tapered handle.

The Shardanas or warriors from Sardinia who fought for Ramses II against the Hittities were armed with maces consisting of wooden sticks with bronze heads. Many bronze statuettes of the times show Sardinian warriors carrying swords, bows and original maces. Persians used a variety of maces and fielded large numbers of heavily armoured and armed cavalry (see cataphracts). For a heavily armed Persian knight, a mace was as effective as a sword or battle axe. In fact, Shahnameh has many references to heavily armoured knights facing each other using maces, axes, and swords. The enchanted talking mace Sharur made its first appearance in Sumerian/Akkadian mythology during the epic of Ninurta. Roman though auxiliaries from Syria Palestina were armed with clubs and maces at the battles of Immae and Emesa in 272 AD. They proved highly effective against the heavily armoured horsemen of Palmyra. Photos in the gallery of original carvings from antiquity in the British Museum etc.; Ashurbanipal at the Battle of Til-Tuba, Assyrian Art / British Museum, London/ 650-620 BC/ Limestone,, An Assyrian soldier waving a mace escorts four prisoners, who carry their possessions in sacks over their shoulders. Their clothes and their turbans, rising to a slight point which flops backwards, are typical of the area; people from the Biblical kingdom of Israel, shown on other sculptures, wear the same dress, on a gypsum wall panel relief, South West Palace, Nimrud, Kalhu Iraq, neo-assyrian, 730BC-727BC.
A recovered tablet from Egypt's Early Dynastic Period (3150-2613 BCE) shows a Pharaoh smiting his foe with a war mace. The mace is complete with its display stand as shown. Part of an original collection we have acquired, of antiquities, Roman, Greek, Middle Eastern, Viking and early British relics of warfare from ancient battle sites recovered up to and around 220 years ago on a Grand Tour.

Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.

This wonderful piece would have been made and traded throughout the Western Asiatic region. 10.5 inches high including stand.
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading


Picture 10; Étiquette au nom du roi Den, ivoire, British Museum (EA 55586). Le roi Den est représenté debout brandissant une massue et tenant par les cheveux un personnage agenouillé qu'il s'apprête à frapper. {Multi-license with GFDL and Creative Commons CC-BY 2.5}  read more

Code: 23025

A Museum Quality Original & Ancient, Crusades Period, King Edward Ist Medieval Knights Sword, 13th century. Used During The Time of Edward Longshanks, William Wallace and Robert The Bruce, Used By Both English & Scottish Knights During That Historic Era

The type known in academic circles as the Oakshott Type XII. What a fabulous original ‘statement piece’ for any collection or decor. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history. And to be able to own and display such an iconic original representation from this time is nothing short of a remarkable privilege.
A wonderful example piece, from the ancient knightly age. Effectively, from this time of almost eight hundred years ago, from a collectors point of view, nothing else significant survives at all, only the odd small coin or very rarely seen, and almost impossible to own, carved statuary.A simply stunning historical original double-edged original knight's crusades period iron longsword of Oakeshott's Type XII (Oakeshott, 1991, p.105). Incredibly, still complete with its iron scabbard mount. Oakeshott is the standard that describes and by which defines Medieval swords, their types, and periods of use. The swords' broad, flat, evenly tapering blade is typical of specimens of its category, with the blade tending to widen below the hilt; incredibly the iron mouth of its original scabbard is also still present decorated with an openwork flower, but now in 2 pieces; the fuller is well defined, extending from below the guard for a little more than half of the blade's length;
This is the dominant style of knightly sword in use during the time of King Edward 1st of England Edward Longshanks such as in the first War with Scotland against Robert the Bruce and Sir William Wallace. The frequent myth is that the Scots mostly used the great sword Claymore, as seen in Braveheart, but the reality is very few of those were used, and even the so called William Wallace Claymore in the Wallace museum display in Stirlingshire, Scotland is iust an amalgam of various mixed sword parts, a Ship of Theseus of sorts.

The 'Great Seal of Robert The Bruce' shows him holding the very same type of sword.
This type was frequently made in Venice, by their great armourers, and many king's around all Europe had this form of sword. King Edward's sword, for example, was very similar to this sword, in its shape and form, but the king's sword would have been thinly coated with gold on the hilt. The Battle of Falkirk, (22 July 1298) was the initial Scottish victory over the English at the Battle of Stirling Bridge in 1297, but was soon avenged by Edward at the Battle of Falkirk. English rule was thus re-established over Scotland, forcing William Wallace to wage a lengthy guerrilla campaign until he was hunted down, betrayed, and eventually executed for treason in 1305. After the disaster of Stirling Bridge, King Edward I of England determined to crush the Scots once and for all. He headed north to invade the country in 1298, advancing with an army of around 2,500 mounted knights many using swords just as this one and 12,500 infantry, including large numbers of Welsh and English archers armed with longbows. In response, Wallace tried to avoid a pitched battle, because his own forces were smaller than the English, totalling around 1,000 mounted knights and 5,000 infantry. Wallace preferred to conduct guerrilla warfare against the invading army, but was eventually forced into battle at Falkirk.
On the morning of battle, Wallace formed his pikemen up into four schiltrons, hedgehog like circular formations of pikemen standing shoulder to shoulder with their pikes facing outward through an outer row of men in armour. The gaps between the schiltrons were filled with archers. The four schiltrons withstood the initial English cavalry and infantry attacks but then became vulnerable to steady fire from Edward?s longbowmen, the first time significant use had been made of this deadly weapon in battle. As the arrows poured down, supplemented by crossbow and slingshot, the schiltrons were soon broken up by the charging English cavalry. The Scots then fled into the neighbouring woods. Wallace escaped, although he lost many supporters. English losses, too, were high, testimony to the effectiveness of the schiltrons in battle.

Losses: English, 2,000 of 15,000; Scottish, 2,000 of 6,000. This sword's blade's cross-section, being of lenticular design, was originally from thirty to thirty-two inches long; the grip is a little longer than previous Oakshott type XI; the style of guard is short and straight, with a flattened cross-section at the edges; the pommel is a thick spherical piece, slightly flattened at the centre. Nice condition for age.

To see references on this sword see Oakeshott, J, R.E., The Archaeology of the weapons, London, 1960 (Woodbridge, 1999); Oakeshott, E. 'Records of the Medieval Sword', Woodbridge, 1991; Nicolle, D., 'Arms and Armour of the Crusading Era', 1050-1350, vol I,, London, 1999; Scalini, M., 'A bon droyt, spade di uomini liberi, cavalieri e santi', Milano, 2007.

Oakeshott considered this category of sword as one of the most difficult to interpret, because of the affinity of the hilt with the types X and XVI (Oakeshott, 1991, p.65). Characteristics are the noticeable taper blade, with acute point, and the grip quite short, never of hand-and-a-half length. The fuller is usually running for at least half of the length of the blade. The sword was the most typical chivalry weapon diffused in all the Europe, largely attested by archaeological finds and artefacts from historical collections. Among the most famous specimen of such sword we should remember the one of Sancho IV (El Bravo) of Castilla, died in 1295 AD see photo in the gallery, which show a slightly curved hilt, and a cross-guard also expanded at the edges (Nicolle, 1999, cat.391). Our sword finds a good parallel in a Venetian sword preserved in Padova Museum (inv. IG 321119, s. Scalini, 2007, pp.126-127, cat.19), realised by an unknown Italian craftsman. Many of these swords were taken as booty from the Muslims taken from the vanquished crusader knights initially and preserved until recent times in the Arsenal of the Imperial Palace in Istanbul. Such weapons were mainly of Venetian origin, with slightly broader blades than our specimen. Scalini has suggested that such swords could also have been employed during the XIII-XIV century by the Venetian infantry in the operations of the Aegean Sea against Muslims and Eastern Romans. If this is true, the importance of the weapon consists in its functional use, not only reserved to the European and British knights, but also army of the Venetian Republic. The early flat disc pommels appear in the Mediterranean Sea at the beginning of the 12th century (for similar pommels s. Oakeshott, 1991, p.69) and persist in use until the 15th century and even later, although with significant variations. In art and medieval iconography, the best samples of swords of XII types can be seen on the famous Bible of Maciejowski made in approximately 1250 (Nicolle, 1999, 49a-49 as). Many of the swords illustrated therein seem to indicate a full length fuller; this might seem to indicate a Type X. However, most of the illustrations feature far too much profile taper to be a true Type X. Given the period of the Bible's manufacture they are far more likely to indicate swords of Type XII design. There is also an Apocalypse in the library of Trinity College, Cambridge (Nicolle, 1999, 189a-b) that was made around twenty years earlier that features illustrations of the type. Many of the illustrations from the Royal Armouries Manuscript I.33 can be interpreted as being of type XII pattern. More specifically, the typology of our specimen is visible on the sculpture of a warrior in the Church of Saint Justyna in Padua, confirming again the Venetian origin of such swords.

"Most probably our specimen is from a battlefield or, most probably, a river find. Type XII (Oakeshott, 1960 (1999) p.206), is generally dated between about 1180 and 1320, It has a large blade, very similar in shape to the Ulfberht ones but generally with a more acute point, and a well-marked and slightly narrower fuller starting in the tang and running about halfway along the blade; this occasionally is of two or more grooves. The pommel is generally in the form of a thick disc, sometimes with the edges bevelled off, sometimes of the so-called "wheel" form. Its cross is generally straight, circular in section and widening at the ends, but it may be of a square section; or it may be curved or have decorated terminals. Inscriptions on examples of these swords dating after about 1220 are slightly different again; the letters are closer together, often so dose that it is nearly impossible to make them out; and instead of the clearly legible religious phrase there is a jumble of repetitive letters which seems meaningless. Typical of the High Middle Ages, these swords begin to show greater tapering of the blade and a shortened fuller, features which improve thrusting capabilities while maintaining a good cut. The Cawood sword is an exceptionally well preserved type XII specimen, exemplifying a full-length taper and narrow fuller, which terminates two thirds down the blade. A number of Medieval examples of this type survive. It certainly existed in the later 13th century, and perhaps considerably earlier, since the Swiss National Museum in Zurich possesses an example that has a Viking Age-type hilt but clearly a type XII blade." Above quote on this sword from Dr Raffaele D'Amato. Small hole damage to central fuller and extreme tip missing. As with all our items they are accompanied with a Certificate of Authenticity and thus Guaranteed for Life. Just under a kilo in weight, 74.5cm (29 1/4" inches long overall). As usual the wooden handle and scabbard leather perished centuries past. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition. This sword will be accompanied by a complimentary wooden display stand. It could also be enhanced by affixing to a rectangular bespoke display panel.


Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 22938

Ancient Roman, High Status Ring, Silver and Gemstone, Intaglio Carved Carnelian {White & Orange Agate}, Carved With a Seal of a Mythical Gryllus. Late 2nd to Early 3rd Century, From The Era of Emperors Marcus Aurelius, Commodus To Septimus Severus

A Roman noble or patrician's silver seal ring, with a carved intaglio, within a natural carnelian, of a Gryllus. The ring shape is classified by the seminal classification of ancient ring forms, by Dr. Martin Henig, as Ancient Roman Ring, of Henig type VIII.

Carnelian Agate is a beautiful gem hard stone, a Roman symbol of courage and leadership, composed of orange and white chalcedony

The gryllus is a hybrid being is composed of Silenus head, an equine protome, a ram head chewing an ear, rooster legs and tail. 1st-2nd century A.D.Fantastical combinations of human heads and animal parts are known as grylloi.

According to Plutarch they had apotropaic properties to ward off the evil eye: 'it is thought that the objects said to act as safeguards against the evil eye derive their efficacy from their strangeness which attracts the evil eye and thus lessens its force against its victims.'
Grylloi, derived from the Italic word grillo ("freak") and the Latin gryllus ("caricature"), were popular subjects for the ancient Romans. Artists reportedly enjoyed creating these fantastic creatures with all combinations of parts, although certain combinations seemed to be more popular than others. While undoubtedly extremely amusing to the Romans, grylloi served a more serious purpose as well; they were thought to be talismans that acted as protection against the evil eye.

For a related example, see accession number 41.160.655 in the Metropolitan Museum of Art's collection of Greek and Roman Art.

Ref: Richter, Gisela M.A., Catalogue of Engraved Gems: Greek, Etruscan, Roman, New York: The Metropolitan Museum of Art (1956), p. 114.

During the era of Emperor Marcus Aurelius, 161 to 180 ad, the last part of his reign was dramatically represented in the blockbuster film 'Gladiator', starring Richard Harris as the Emperor. He acceded to the throne of Emperor alongside his adoptive brother, who reigned under the name Lucius Verus. Under his rule the Roman Empire witnessed heavy military conflict. In the East, the Romans fought successfully with a revitalised Parthian Empire and the rebel Kingdom of Armenia. Marcus defeated the Marcomanni, Quadi, and Sarmatian Iazyges in the Marcomannic Wars; however, these and other Germanic peoples began to represent a troubling reality for the Empire.

Commodus. the successor and son of Marcus Aurelias, was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.

Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.

Rings of the higher ranks were often embellished with intaglios, cameos and precious gemstones. Mythology and Roman history were used as a repertoire of decorative themes. Roman rings featuring carved gemstones, such as carnelian, garnet or chalcedony, were often engraved with the depiction of deities, allegories and zoomorphic creatures

Ref; Plutarch,Quaestiones Convivialis, V, 6, 681 F ff. For other grylloi, see G.M.A. Richter, Catalogue of Engraved Gems: Greek, Etruscan, and Roman, Rome, 1956, p. 539 ff; no.

Carnelian Agate: Stone of Courage and Leadership Carnelian Agate is a form of Chalcedony, It occurs in beautiful, rich shades of orange, interspersed with white. As with all our items it comes complete with our certificate of authenticity.
2.35cm across, 11.7 gms  read more

Code: 24774

Originally Made For & Worn By A Legendary, Notorious & Terrifying 'Elite' Viking Mercenary Warrior, A Spectacular, Original & Ancient Viking 'Berserker's' Status Neck Torc in Bronze. Even the Fierce-Some Viking's Were in Fear Of Them. 1200 Years Old

Very large bronze Torc in traditional Viking twisted wirework, heavy grade copper bronze. Berserkers were among the most feared of the Norse Viking bare-skinned warriors of their age, ingesting hallucinogens to induce a trance-like fury that carried them through battle.

It is believed they fought hand to hand, naked, and bearing nothing but their weapons, a shield and wearing only their status neck torc

It’s around an amazing 24 cm across, weighing 460 grams

The Lewis Chessmen, discovered in Scotland but believed to be Norwegian, date to the 12th century and include a number of pieces showing wild-eyed berserkers biting their shields.

In the fierce warrior culture of the Vikings, there was one type of elite, almost possessed, norse warrior that stood out for their battle fury and violence: the Viking Berserker.
They were careless in their fury, leading many historians to think that they used mind-altering substances to hype themselves up for battle. Berserkers may have felt as though nothing could hurt them. And the English phrase “berserk,” usually describing a frenzied state of anger, comes from these Norse warriors.

Viking berserkers existed as mercenaries for hundreds of years during the Scandinavian Middle Ages, traveling in bands to fight wherever they could get paid. But they also worshiped Odin and were associated with mythological shapeshifters.
And eventually, Norse berserkers became so fearsome that they were entirely outlawed by the 11th century
The Torslunda Plates, which were discovered in Sweden and date to the 6th century, likely depict how berserkers would have dressed in battle.

Most of what comprised the life of a Viking berserker is a mystery because their practices weren’t recorded in detail until the using mind-altered states in battle had been outlawed by the Christian church.
At this time, Christian writers on a mission to condemn any sort of pagan traditions often gave biased, altered accounts.
We do know that berserkers were inhabitants of Scandinavia. It’s written that they guarded Norway’s king Harald I Fairhair as he reigned from 872 to 930 A.D.

They also fought for other kings and royal causes. Archaeological findings from the time when a Viking berserker would have reigned supreme show that they were among elite warriors who were wild and reckless when fighting battles.

A detail of one of the 6th-century Torslunda Plates found in Sweden. It is believed to depict Odin wearing a horned helmet and a berserker wearing the mask of either a wolf or bear.

According to Anatoly Liberman in Berserks in History and Legend, the berserkers roared and otherwise made a lot of noise when in battle. One artistic depiction of the berserkers found in Tissø, West Zealand, showed them wearing a horned helmet.

The word “berserker” itself is derived from the Old Norse serkr, meaning “shirt,” and ber, the word for “bear,” suggesting that a Viking berserker would have worn the hide of a bear, or possibly wolves and wild boars, to battle.

But, rather than wearing the skins animals, the stories told of the Norse warriors who would be so enraged for war that they would literally become wolves and bears to win the battles before them.


In the National Museum of Denmark is the Golden Horn
Imagery of berserkers often depicted them semi-nude, like on this 5th-century golden horn discovered in Møgeltønder, Denmark with naked berserkers wearing neck torcs

Berserkers were originally thought to be named after a hero in Norse mythology who fought without any protective gear or “bare skinned.”

“The nakedness of the berserkers was in itself a good psychological weapon, because such men were naturally feared, when they showed such disregard for their own personal safety,” according to the National Museum of Denmark.
“The naked body may have symbolized invulnerability and was perhaps displayed to honour a war god. The berserkers were thus dedicating their lives and bodies to the battle.”

Although this imagery is fascinating, experts now think that the term comes from wearing bear skins instead of “bare skin”. So, it’s likely that they got their name from wearing animal skin in battle.

Artistic depictions of a Viking berserker showed Norse warriors wearing the skins of animals in battle. They may have felt like wearing the skins of perceived wild animals like wolves and bears helped increase their strength.

They might have also thought that it helped them channel the aggression and brutality that hunting animals have when going after their prey.

In 872 AD, Thórbiörn Hornklofi described how Norse warriors that were bear-like and wolf-like fought for King Harald Fairhair of Norway. Nearly a thousand years later, in 1870, four cast-bronze dies depicting Berserkers were discovered by Anders Petter Nilsson and Erik Gustaf Pettersson in Öland, Sweden.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 24807

Another, Super, Original Historic Battlefield Recovery! A Glazed Heavy Stone Pottery Tile Recovered From La Haye Sainte Farmhouse The Field of Battle at Waterloo ...

Thick stone pottery tile with golden yellow-brown thick surface glaze to one side. Around 4.1 inches square. One of two we were delighted to acquire, the first is now sold!
La Haye Sainte (named either after Jesus Christ's crown of thorns or a bramble hedge round a field nearby) is a walled farmhouse compound at the foot of an escarpment on the Charleroi-Brussels road in Belgium. It has changed very little since it played a crucial part in the Battle of Waterloo on 18 June 1815.

La Haye Sainte was defended by about 400 King's German Legion troops during the Battle of Waterloo. They were hopelessly outnumbered by attacking French troops but held out until the late afternoon when they retired because their ammunition had run out. If Napoleon Bonaparte's army had captured La Haye Sainte earlier in the day, almost certainly he would have broken through the allied centre and defeated the Duke of Wellington's army.

The capture of La Haye Sainte in the early evening then gave the French the advantage of a defensible position from which to launch a potentially decisive attack on the Allied centre. However, Napoleon was too late—by this time, Blücher and the Prussian army had arrived on the battlefield and the outnumbered French army was defeated.

Strategic importance

A view of the battlefield from the Lion's mound. On the top right are the buildings of La Haye Sainte. This view looks east, with Allied forces behind the road to the left (north) and French forces out of shot to the right(south)
The road leads from La Belle Alliance, where Napoleon had his headquarters on the morning of the battle, through where the centre of the French front line was located, to a crossroads on the ridge which is at the top of the escarpment and then on to Brussels. The Duke of Wellington placed the majority of his forces on either side of the Brussels road behind the ridge on the Brussels side. This kept most of his forces out of sight of the French artillery.

During the night from the 17th to the 18th, the main door to the courtyard of the farm was used as firewood by the occupying troops. Therefore, when the King's German Legion (KGL) was stationed in the farm at the morning of the battle they had to hastily fortify La Haye Sainte.

The troops were the 2nd Light Battalion KGL commanded by Major Georg Baring, and part of the 1st Light Battalion KGL. During the battle, they were supported by the 1/2 Nassau Regiment and the light company of the 5th Line Battalion KGL. The majority of these troops were armed with the Baker rifle with grooved barrels, as opposed to the normal Brown Bess musket of the British Army. The French troops also used muskets which were quicker to load than the Baker rifle but the latter was more accurate and had about twice the range of a musket.

Both Napoleon and Wellington made crucial mistakes about La Haye Sainte as it was fought over and around during most of the day. Napoleon failed to allocate enough forces to take the farm earlier in the day while Wellington only realised the strategic value of the position when it was almost too late.

THE HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES & ANTIQUE COLLECTABLES IN BRITAIN.

The Lanes Armoury, world renown as Britain's favourite specialist collectors shop, and also a font of historical and educational information that is detailed with every single item. We detail each piece alongside its historical context, either generic or specific, for those that may wish to read, learn, or be informed, as opposed to simply acquire collectable items. It is probably one of the oldest companies of our kind in the whole of Europe and we have been established through generations, as specialists in armoury antiques, militaria collectables, and specialist books, since the early 1900’s, and thus we have continued to be one of the largest in the world today. We are also very pleased to know we are also studied and read by academics and students from hundreds of universities around the world, by those that are interested in not only British but worldwide history.
For this reason we also like to be known as a learning and researching website.
Everyday we are contacted by historians that wish to make contributions to our detailed information for our pieces, and to thus add to our constant dedication to impart historical knowledge, that may be unknown to many of our millions of viewers.
As with all our items, every piece will be accompanied by our fully detailed Certificate of Authenticity  read more

Code: 25018

A ‘Special Offer’ Pair, A Single Fired Musket Ball & Single Musket Flint From The Waterloo Battlefield Site During the Construction of the Waterloo Mound in the 1820’s

From the field of the 1815 Battle of Waterloo, during a Grand Tour at the building of the Waterloo mound, a huge lion monument at the battle site of Waterloo, in honour of the Prince of Orange. A collection 20 assorted musket flints and pistol and musket balls recovered from Waterloo, offered by us as a matched pair of one ball and one flint at a time. Originally purchased by the nobility from the peasant excavators in Belgium, while building the Prince of Orange's Waterloo Mound at the battlefield in the 1820's, and acquired by us from their descendants as a collection of 20. From part of our antiquities and curiosities acquired from a circa 1820's Grand Tour classical collection from Europe and the Middle East. Such as Agincout, Poitiers, Crecy, Waterloo, Philippi, and following Alexander's campaign trail of his conquests then part of the Ottoman Empire. We have been purchasing piecemeal from the same family for around 20 years, military items and artefacts from the family's forebears Grand Tour in the early 19th century.

We are offering them as two fabulous souvenirs of the famous Duke of Wellington's victory over France and Napoleon, a matched pair, one flint and one ball.
The Battle of Waterloo was fought on Sunday, 18 June 1815, near Waterloo in Belgium, part of the United Kingdom of the Netherlands at the time. A French army under the command of Napoleon Bonaparte was defeated by two of the armies of the Seventh Coalition, a British-led coalition consisting of units from the United Kingdom, the Netherlands, Hanover, Brunswick, and Nassau, under the command of the Duke of Wellington, referred to by many authors as the Anglo-allied army or Wellington's army, and a Prussian army under the command of Field Marshal von Blücher, referred to also as Blücher's army. The battle marked the end of the Napoleonic Wars. The battle was contemporaneously known as the Battle of Mont Saint-Jean or La Belle Alliance (the beautiful alliance).
Waterloo was the decisive engagement of the Waterloo Campaign and Napoleon's last. According to Wellington, the battle was "the nearest-run thing you ever saw in your life". Napoleon abdicated four days later, and coalition forces entered Paris on 7 July. The defeat at Waterloo ended Napoleon's rule as Emperor of the French and marked the end of his Hundred Days return from exile. This ended the First French Empire and set a chronological milestone between serial European wars and decades of relative peace, often referred to as the Pax Britannica. The battlefield is located in the Belgian municipalities of Braine-l'Alleud and Lasne, about 15 kilometres (9.3 mi) south of Brussels, and about 2 kilometres (1.2 mi) from the town of Waterloo. The site of the battlefield today is dominated by the monument of the Lion's Mound, a large artificial hill constructed from earth taken from the battlefield itself; the topography of the battlefield near the mound has not been preserved. Photo is of ten of our twelve pairs

THE HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES & ANTIQUE COLLECTABLES IN BRITAIN.

The Lanes Armoury, world renown as Britain's favourite specialist collectors shop, and also a font of historical and educational information that is detailed with every single item. We detail each piece alongside its historical context, either generic or specific, for those that may wish to read, learn, or be informed, as opposed to simply acquire collectable items. It is probably one of the oldest companies of our kind in the whole of Europe and we have been established through generations, as specialists in armoury antiques, militaria collectables, and specialist books, since the early 1900’s, and thus we have continued to be one of the largest in the world today. We are also very pleased to know we are also studied and read by academics and students from hundreds of universities around the world, by those that are interested in not only British but worldwide history.
For this reason we also like to be known as a learning and researching website.
Everyday we are contacted by historians that wish to make contributions to our detailed information for our pieces, and to thus add to our constant dedication to impart historical knowledge, that may be unknown to many of our millions of viewers.

As with all our items it comes complete with our certificate of authenticity.  read more

Code: 23946

A Simply Wondrous, And An Absolute Beauty of a Cased, Double Barrelled Percussion Sporting Gun, Tools, Powder Flask Cleaning Rod, Nipple Key, Ramrod With Multi Heads, Turnscrew Etc. Bespoke Made Circa 1835. Maker to The King. W Parker Master Gunsmith

A magnificent original set, that would cost today, to be bespoke custom hand made, in excess of £125,000. the hand engraving alone is simply breathtaking.

A finest, King William IVth period, original cased English double Damascus barrelled sporting gun by one of England's pre-eminent makers of the 19th century, William Parker of 233 High Holborn, gun maker to Prince Edward, to King William IV (1830-1837) and the Duke of Kent. The whole gun's mounts are hand engraved with superlative skill and expertise, it features, pheasants, a gun dog, dolphin hammers a stunning pineapple finial to the trigger guard and profuse scrolling arabesques. The stock is the finest Juglans Regia walnut and the mahogany case bears its original baize lining and maker label. It is fully fitted throughout with essential equipment and tools including a signed copper powder flask, a shoulder mounted bandolier type shot flask, a percussion cap tin, a gun fitted ram rod, and a separate case ram/cleaning rod, oil bottle, and a most rare shot-pouring funnel, nipple key and screw driver. To replace such a fine hand made gun today, likely only Purdey or Boss of London could have the skills required to replicate it. A fine engraved Purdey side by side, with a pair of Damas barrels, costs today £113,500, with an 18 months to 2 year waiting time, and additional costs for casing and tools. When John Field died in 1791, William Parker went into partnership with his widow (name not known), and they traded as Field & Parker. John Field had been a goldsmith, sword cutler and gun maker at 233 High Holborn from 1783 to 1791, trading under his own name and also as Field & Co and Field & Clarke (William Clarke of Duke Street, Portland Place). In 1793, William Parker bought John Field's widow's share of the partnership. From that date he ceased being a goldsmith. In 1803, on John Brown's bankruptcy, he appears to have bought the rights to Joseph Hall's "New Invented Hammer" patent (No. 2573 of 1802 - waterproof primer and steel)from John Brown, and he used George Dodd's 1805 patented lock. In 1803 he started to supply the London Police Offices with guns. In 1804 William Parker became a Contractor to Ordnance. In 1806 Parker opened additional workshops at 22 Chamber Street, these moved in 1808 to 52 & 31-32 Chamber Street.

In 1814 the firm rented additional production facilities at John Stinton's workshops in Glasshouse Yard. In about 1814 William Parker's daughter, Mary, married John Field Jnr. From 1820 to 1826 William was recorded at 60 Theobalds Road (workshop). In 1829 William Parker started to supply guns to the Metropolitan Police (London Police Offices re-named). At some time William Parker became gun maker to Prince Edward, then to King William IV (1830-1837) and the Duke of Kent. In 1833 William became a contractor to the East India Company, and in 1837 a contractor to the Hudson's Bay Company. The double-barrelled sporting gun was seen as a weapon of prestige and authority, especially in the days of the East India Company and the later Raj in India, where it was known as Dunali (literally "two pipes"). It was especially valued in Bihar, Purvanchal, Uttar Pradesh, Haryana and Punjab

In 1838 Ordnance contract ended and the firm moved their workshops to 10 Chamber Street. In 1841 William Parker died, aged 68, and John Field Jnr and his sons trading as Parker, Field & Sons took over. This fabulous gun is in overall excellent condition. As with all our antique guns, no license is required as they are all unrestricted antique collectables  read more

Code: 22880

A Wonderful, Very Early Period, 17th Century Flintlock Long Buccaneer's 'Fleet Captain's' or Pirate Pistol By Martin of Angers, Anjou, France. From The Real Pirates of The Caribbean & Port Royal Period The So-Called 'Golden Age of Piracy' Circa 1680

An absolute typical and beautiful form of the earliest and most elegant flintlocks of the 17th century, and just as favoured by Pirate Fleet Captains and Buccaneers during the golden age of piracy. Superb walnut stock, earliest form steel mounts, long barrel, and early barrel form ramrod pipes. Long eared steel 'skull crusher' buttcap, and early, typical 17th century 'banana shaped' lock, with florid scroll engraving to the lock plate and engraved with the gunsmiths name, Martin, Angers {Angers is partially obscured through age wear}. Twin nearside lock screws.
Martin is recorded in Angers sometime before 1680 and up to 1710, but his Christian name is not known. Angers was one of the principal provincial gunmaking centres - other significant Angers gunmakers were Boular, Bleiberg, and Pierre Monlong.

In the mid to late 17th century,m in the Western world, the period from the 1680s to the 1720s, has come to be known as the ‘Golden Age’ of piracy.

This was a time of heightened pirate activity, when thousands of ships in the Atlantic and beyond became the prey of roving bands of sea-robbers. Many of the most infamous pirates and buccaneers from history come from this era, Edward 'Blackbeard' Teach, Captain William Kidd, Anne Bonny, 'Calico' Jack Rackham, Henry Morgan, Stede Bonnet and more.

The Caribbean and the east coast of North America were the main areas that saw a surge in activity in the early 1700s. Ships carrying expensive cargoes were often intercepted, and stolen goods were sold in nearby islands and European colonies. Some pirates operated further afield, off the West African coast or in the Indian Ocean, where the island of Madagascar became a key base.

The real Pirates of the Caribbean
"The ‘golden age’ of piracy coincided with the expansion of English, later British, colonial activity around the Caribbean," writes Blyth. "This began in earnest with the capture of Jamaica from Spain in 1655." While piracy has been traditionally portrayed as a male-dominated pursuit, historical evidence suggests that women actively participated in piratical activities during various periods. In the Golden Age of Piracy, from the late 17th to the early 18th centuries, the presence of women in pirate crews became more pronounced. Anne Bonny and Mary Read are two notable examples of women who defied societal norms and navigated the perilous waters of piracy alongside their male counterparts. Their inclusion in pirate crews challenged prevailing gender roles and added a layer of complexity to the maritime lore of the era.

The story of Henry Morgan

Henry Morgan, a British privateer turned pirate, rose to prominence as a cunning strategist and a master of raiding Spanish colonies. Born circa 1635 in Wales, Morgan's early life remains relatively obscure, with scant historical records providing details about his upbringing. His maritime career began as a privateer, authorized by English authorities to harass Spanish colonies and shipping interests in the Caribbean during a period marked by geopolitical tensions between England and Spain.

Sir Henry Morgan was a unique individual in the history of buccaneering. He started out life as an indentured servant on a plantation in Barbados, but worked himself up to become one of the most notorious buccaneers there ever was, receiving not only praise from his uncouth brethren of the coast, but also from his king, who rewarded him with the a knighthood and a lofty position. Morgan had connections running in all levels of society, from the lowest dregs, his mutinous crewmen, to the highest echelons of nobility. Together with his loyal friend and crony, Sir Thomas Modyford, he rampaged the Spanish territories in the Caribbean, his name inspiring fear along the vast coastline of New Spain and its dependencies. Through his network he was able to operate as a broker between criminals from various countries and a nation state, culminating in the biggest amphibious buccaneering raid ever in the Caribbean and the destruction of the once proud city of Panama, of which the ruins can still be visited today. The expected end for a man of his making would be at the gallows, or swinging from the gibbet in some port or another. But not for Sir Henry Morgan. His networking skills protected him, set him up with a respectable position after his career as a buccaneer, and provided him with the luxury of drinking himself to death in the comfort of his own home at the ripe age of 53; a fate most other pirates must have surely envied him for. His exploits in the plunder of Port Royal and the attack on Spanish merchant ships contributed to the era’s rich folklore and became the stuff of legends. Sabatini based the first part of the story of Blood on Henry Pitman, a surgeon who tended the wounded Monmouth rebels and was sentenced to death by Judge Jeffreys, but whose sentence was commuted to penal transportation to Barbados where he escaped and was captured by pirates. Unlike the fictional Blood, Pitman did not join them, and eventually made his way back to England where he wrote a popular account of his ordeal. For Blood's life as a buccaneer, Sabatini used several models, including Henry Morgan and the work of Alexandre Exquemelin, for historical details

The motivations for women to join pirate crews were as diverse as those of their male counterparts. Some, like Anne Bonny and Mary Read, disguised themselves as men to gain access to the adventurous and lucrative world of piracy. Their ability to conceal their gender allowed them to operate freely within the confines of a pirate ship, participating in raids, engaging in combat, and earning the respect of their fellow crew members. The reasons for adopting a pirate's life were multifaceted, often stemming from a desire for economic independence, a rejection of societal constraints, or a quest for personal freedom in an era when opportunities for women were limited.

Original engravings in the gallery of;

Anne Bonny, as pictured in Charles Johnson’s 1724 book A General History of the Robberies and Murders of the most notorious Pyrates. Anne Bonnya (disappeared after 28 November 1720) was a pirate who served under John Rackham. Amongst the few recorded female pirates in the Golden Age of Piracy, she has become one of the most recognized pirates of the era, as well as in the history of piracy in general.
The first biography of Bonny comes from Captain Charles Johnson's 1724 book A General History of the Pyrates. In August 1720, Bonny, Rackham, and another woman, Mary Read, together with about a dozen other pirate crewmembers, stole the sloop William, then at anchor in Nassau harbor, and put out to sea. The crew spent months in the West Indies attacking merchant ships. Bonny took part in piracy alongside the men, handing out gunpowder to fellow pirates, a job usually referred to as a powder monkey. On 5 September 1720, Governor Rogers put out a proclamation, later published in The Boston Gazette, demanding the arrest of Rackham and his associates. Among those named are Anne Bonny and Mary Read

Portrait of Capt. Sir Henry Morgan, as pictured in Alexandre Exquemelin's Piratas de la America (1681) It is probable that in the early 1660s Morgan was active with a group of privateers led by Sir Christopher Myngs attacking Spanish cities and settlements in the Caribbean and Central America when England was at war with Spain. It is likely that in 1663 Morgan captained one of the ships in Myngs' fleet, and took part in the attack on Santiago de Cuba and the Sack of Campeche on the Yucatán Peninsula

Engraving of Capt. Stede Bonnet with a Jolly Roger flag from A General History of the Pyrates (1724) Stede Bonnet (c. 1688 – 10 December 1718) was an English pirate who was known as the Gentleman Pirate because he was a moderately wealthy landowner before turning to a life of crime. Bonnet was born into a wealthy English family on the island of Barbados, and inherited the family estate after his father's death in 1694. Despite his lack of sailing experience, Bonnet decided he should turn to piracy in the spring of 1717. He bought a sailing vessel, the Revenge, and traveled with his paid crew along the Eastern Seaboard of what is now the United States, capturing other vessels and burning other Barbadian ships.

Bonnet set sail for Nassau in the Bahamas, to the haven for pirates known as the "Republic of Pirates", but he was seriously wounded en route during an encounter with a Spanish warship. After arriving in Nassau, Bonnet met the infamous pirate Blackbeard. Incapable of leading his crew, Bonnet temporarily ceded his ship's command to Blackbeard. Before separating in December 1717, Blackbeard and Bonnet plundered and captured merchant ships along the East Coast. After Bonnet failed to capture the Protestant Caesar, his crew abandoned him to join Blackbeard aboard the Queen Anne's Revenge. Bonnet stayed on Blackbeard's ship as a guest, and did not command a crew again until summer 1718, when he was pardoned by North Carolina governor Charles Eden and received clearance to undertake privateering against Spanish shipping interests. Bonnet was tempted to resume his piracy but did not want to lose his pardon, so he adopted the alias "Captain Thomas" and changed his ship's name to Royal James. He had returned to piracy by July.

THE HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES & ANTIQUE COLLECTABLES IN BRITAIN.

The Lanes Armoury, world renown as Britain's favourite specialist collectors shop, and also a font of historical and educational information that is detailed with every single item. We detail each piece alongside its historical context, either generic or specific, for those that may wish to read, learn, or be informed, as opposed to simply acquire collectable items. It is probably one of the oldest companies of our kind in the whole of Europe and we have been established through generations, as specialists in armoury antiques, militaria collectables, and specialist books, since the early 1900’s, and thus we have continued to be one of the largest in the world today. We are also very pleased to know we are also studied and read by academics and students from hundreds of universities around the world, by those that are interested in not only British but worldwide history.
For this reason we also like to be known as a learning and researching website.
Everyday we are contacted by historians that wish to make contributions to our detailed information for our pieces, and to thus add to our constant dedication to impart historical knowledge, that may be unknown to many of our millions of viewers.

Overall in super condition for age, very nice and crisp action, good steel all over with just minor traces of usual old surface pitting, very small contemporary repairs to the walnut stock with small losses to the forestock wood trim, bottom half of the brass tipped rammer lacking.
19.5 inches long overall.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 25750

An Exceptional 1821 Pattern Victorian British Cavalry Officer's Combat Sabre By Hawkes & Co. Piccadilly. Fully Etched Deluxe Quality Blade. The Regulation Pattern Used in the 'Charge of the Light Brigade' in the Crimean War.

Bearing Queen Victoria's VR cypher with crown. Regulation three bar steel hilt and sharkskin bound wired grip. Slightly curved blade, bearing the maker's name, address and Royal Warrant of Hawkes and Co.

The very type of Hussar's and Lancer's sabre as used by British Cavalry Officer's in the ill fated charge in the Crimean War against Russia. All steel three bar steel hilt, Full original wire binding over complete fish skin grip. Overall in fine all bright patina. Sadly, of course, we have no way of knowing if this sword was ever used by a specific officer in the charge, however it is absolutely used at the time and is the type used by all the serving Cavalry officers The Cavalry officers actually used two types of sword, this, the 1821 pattern, and a few officers also used the mamaluke pattern sword In the Crimean War (1854-56), the Light Dragoons were in the forefront of the famous Charge of the Light Brigade, immortalized by Tennyson's poem of that name ("Into the valley of death rode the six hundred").
The regiments adopted the title hussars at this time, and the uniform became very stylish, aping the hussars of the Austro-Hungarian army. But soon the blues and yellows and golds gave way to khaki as the British army found itself in skirmishes throughout the far-flung Empire, in India and South Africa especially.
In 1854 the regiment received its orders from the War Office to prepare for service overseas. Five
transport ships - Harbinger, Negotiator, Calliope, Cullodon, and the Mary Anne – embarking
between the 8 May and 12 May, carried 20 officers, 292 other ranks and 298 horses. After a
troubled voyage, the regiment arrived at Varna, Bulgaria on the 2 June. On the 28 August the
entire Light Brigade (consisting of the 4th Light Dragoons and 13th Light Dragoons, 17th
Lancers, the 8th Hussars and 11th Hussars, under the command of Major General the Earl of
Cardigan) were inspected by Lord Lucan; five men of the 13th had already succumbed to cholera.
On the 1 September the regiment embarked for the Crimea - a further three men dying en-route.
On the 20 September the regiment, as part the Light Brigade, took part in the first major
engagement of the Crimean War, the Battle of the Alma. The Light Brigade covered the left
flank, although the regiment’s role in the battle was minimal. With the Russians in full retreat by
late afternoon, Lord Lucan ordered the Light Brigade to pursue the fleeing enemy. However, the
brigade was recalled by Lord Raglan as the Russians had kept some 3,000 uncommitted cavalry
in reserve.

During the 25 October the regiments, the Light Brigade, took part in the Battle of
Balaclava and the famous Charge of the Light Brigade.
The 13th Light Dragoons formed the right of the front line. The 13th and 17th moved forward; after 100 yards the 11th Hussars, in the second line, also moved off followed by the
4th and 8th. It was not long before the brigade came under heavy Russian fire.Lord Cardigan, at the front of his
men, charged into the Russian guns receiving a slight wound. He was soon followed by the 13th
and 17th. The two squadrons of the 13th and the right squadron of the 17th were soon cutting
down the artillerymen that had remained at their posts. Once the Russian guns had been passed,
they engaged in a hand-to-hand fighting with the enemy that was endeavouring to surround them
by closing in on either flank. However, the Light Brigade having insufficient forces and suffering heavy casualties, were soon forced to retire. The last picture in the gallery is of Capt. Louis Edward Nolan (January 4 1818-October 25 1854), who was a British Army officer of the Victorian era, an authority on cavalry tactics, and best known for his controversial role in launching the disastrous Charge of the Light Brigade during the Battle of Balaclava. He was the first casualty of that engagement. His identical sword can be plainly seen in that painting. This sword has no scabbard at present, however, it may well become available, as the last owner had it but it was lost in their home, if it is found, and if required, it will be supplied by us at its cost price to us.

Overall in excellent condition for age.

The regulation pattern of sword used by British cavalry officer's, such as all the hussar and lancer officer's that took part in the 'Charge of the Light Brigade' in the Crimean War.

We show in the gallery a photograph of Winston Churchill holding his sword around the time he was in the Charge of Omdurman, another with Lord Cardigan of the Charge, holding his identical sword, and a photograph by Fenton, taken in the Crimean of officers of the Light Brigade all with their identical sword.  read more

Code: 25050

A Fabulous & Impressive Large 10th Century Original Viking Spear, Classified as 'Petersen type G'... Vápnum sínum skal-a maðr velli á feti ganga framar, því at óvíst er at vita, nær verðr á vegum úti geirs of þörf guma

From the 13th century Codex Regius, a collection of Old Norse poems from the Viking Age. Verse 38 quoted above is translated here;

Let a man never stir on his road a step
without his weapons of war;
for unsure is the knowing when need shall arise
of a spear on the way without.

Circa 10th century. A fabulous example of an original Viking war spear.
Using the Petersen scale of dating swords axes and spears of the medieval era, it is around 1100 years old, and in super condition for its age. With a slightly impacted tip, possibly bent from penetration of mail armour or shield. With edge shoulders placed low on the blade and a short conical socket with marked narrowing below the blade. Although not as glamorous as the sword, the spear was in every sense the definitive weapon of the Viking Age and used as the primary weapon of combat by almost every warrior. Decorated spearheads inlaid with precious metals prove that in the Viking Age spears were not seen as the poor man's choice and one has only to look at the representations of warriors from the illuminated manuscripts of the era to quickly come to the conclusion that the use of the spear was ubiquitous. Many of the Anglo-Saxon phrases used to describe both battle and warrior help to underline the importance of the spear.

The spearheads were made of iron, and, like sword blades, were made using pattern welding techniques (described in the article on swords) during the early part of the Viking era . They could be decorated with inlays of precious metals or with scribed geometric patterns
After forming the head, the smith created the tang in the early period, such as for a javelin type spear, or in the later Viking mostly a socket fitting for a regular spear. Sometimes with holes for rivets to grip onto the haft.

However, there is little evidence that tells us the length of the shaft. The archaeological evidence is negligible, and the sagas are, for the most part, silent. Chapter 6 of Gísla saga tells of a spear so long-shafted that a man's outstretched arm could touch the rivet. The language used suggests that such a long shaft was uncommon.

Perhaps the best guess we can make is that the combined length of shaft and head of Viking age spears was 2 to 3m (7-10ft) long, although one can make arguments for the use of spears having both longer and shorter shafts. A strong, straight-grained wood such as ash was used. Many people think of the spear as a throwing weapon. One of the Norse myths tells the story of the first battle in the world, in which Odin, the highest of the gods, threw a spear over the heads of the opposing combatants as a prelude to the fight. The sagas say that spears were also thrown in this manner when men, rather than gods, fought. At the battle at Geirvör described in chapter 44 of Eyrbyggja saga, the saga author says that Steinþórr threw a spear over the heads of Snorri goði and his men for good luck, according to the old custom. More commonly, the spear was used as a thrusting weapon. The sagas tell us thrusting was the most common attack in melees and one-on-one fighting, and this capability was used to advantage in mass battles. In a mass battle, men lined up, shoulder to shoulder, with shields overlapping. After all the preliminaries, which included rock throwing, name calling, the trading of insults, and shouting a war cry (æpa heróp), the two lines advanced towards each other. When the lines met, the battle was begun. Behind the wall of shields, each line was well protected. Once a line was broken, and one side could pass through the line of the other side, the battle broke down into armed melees between small groups of men.

Before either line broke, while the two lines were going at each other hammer and tongs, the spear offered some real advantages. A fighter in the second rank could use his spear to reach over the heads of his comrades in the first rank and attack the opposing line. Konungs skuggsjá (King’s Mirror), a 13th century Norwegian manual for men of the king, says that in the battle line, a spear is more effective than two swords

Part of an original medieval collection we have acquired, of Viking and early British relics of warfare from ancient battle sites recovered up to 220 years ago. 14 inches long.

Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only a very few of the swords of kings, that have been preserved in national or Royal collections can today be still in a relatively good state and surface condition. However, Bronze Age swords, daggers etc. that are usually much earlier, survive far better as they only suffer from surface ageing and patination, unlike iron and steel weaponry, which makes early iron weapons so incredibly rare, especially the Viking examples, as so many were abandoned, lost in battle or sacrificed due to precious few Viking burials discovered.

THE HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES & ANTIQUE COLLECTABLES IN BRITAIN.

The Lanes Armoury, world renown as Britain's favourite specialist collectors shop, and also a font of historical and educational information that is detailed with every single item. We detail each piece alongside its historical context, either generic or specific, for those that may wish to read, learn, or be informed, as opposed to simply acquire collectable items. It is probably one of the oldest companies of our kind in the whole of Europe and we have been established through generations, as specialists in armoury antiques, militaria collectables, and specialist books, since the early 1900’s, and thus we have continued to be one of the largest in the world today. We are also very pleased to know we are also studied and read by academics and students from hundreds of universities around the world, by those that are interested in not only British but worldwide history.
For this reason we also like to be known as a learning and researching website.
Everyday we are contacted by historians that wish to make contributions to our detailed information for our pieces, and to thus add to our constant dedication to impart historical knowledge, that may be unknown to many of our millions of viewers.

As with all our items it comes complete with our certificate of authenticity, and an attractive complimentary display stand.  read more

Code: 22758