Japanese

A Most Pleasant Reminder of An Interview We Gave With The Japanese Press

We received a most pleasant surprise from a Japanese friend who works in the Japanese Consulate in Piccadilly, London.

It was his copy of a most informal interview that we gave during our stock listing, it was a boiling hot summers day, and our air con was struggling.

It was with a most polite and courteous journalist {they all are in fact} from a Japanese newspaper a little while ago.  read more

Code: 23310

An Edo Period Armourer's Myochin School Chrysanthemum Katana Tsuba

Iron plate tsuba in circular shape with omote and ura surfaces showing multiple hot stamp kiku stamp designs.

Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 20740

A Very Good, Antique, Edo Period 1700's, Wakazashi Maru Gata Heianjo Tsuba

Antique Japanese Edo period tsuba for wakizashi sword or large o-tanto
Fine engraved with gold and high quality brass inlay Heianjo-style that was established in Yamashiro (Kyoto Pref. today). It was inspired by the Ounin-style.
Heianjo tsuba are elaborate and most decorative. It is mainly iron tsuba, of circular shape with brass inlay. Its designs were simply family crests, or arabesque patterns in the beginning. However, as time past they made different shapes of tsuba and started using gold, silver, or copper for inlaying.

The tsuba, is a fundamental element in the mounting of the Japanese sword, it is the guard, the most important element of the fittings, and has two main functions: the first to protect the hand against the slashes and lunges of an opposing sword; the second is to prevent that the hand ends up directly on the cutting edge of the blade. Over the course of more than ten centuries of history, the tsuba has undergone a number of important changes, as regards the materials used for its manufacture and its appearance.

During the centuries of wars that characterised Japan until the advent of the Tokugawa Shogunate during the first half of the 17th century, the tsuba was essentially made of iron or steel. From the mid-17th century onwards the tsuba became a real work of art, with the use of soft metals used in various ways, with engravings, incrustations; well made tsuba were the pride of hundreds of craftsmen’s schools whose value sometimes exceeded that of the same blades of the mounting where tsuba was part of.
66mm across.  read more

Code: 24166

A Simply Beautiful, Edo Era Chrysanthemum Silver Kiku Mon Crested, Samurai Abumi Stirrup. Used By Samurai on Horseback, For Standing Archery in Combat, And As A Close Combat Kick Motion Weapon Against Enemy Foot Samurai

This Japanese stirrup, 17th to 18th century, is made in the traditional 'dove's breast' (hato mune) shape with an open platform lined with abilone shell slightly curved forward so that the foot fits in without sliding backwards. In the front extremity the stirrup has a rectangular buckle with several horizontal slots which also serve as a handle.
The whole surface is fine decorated in engraved and inlaid silver with the Kiku Mon {chrysanthemum} the imperial flower of Japan pattern has 16 petals, however this is the most rare 18 petal type which means that they likely belonged to a Samurai of a branch of the Imperial family. During the Meiji period, no one was permitted to use the Imperial Seal except the Emperor of Japan, who used a 16-petalled chrysanthemum with sixteen tips of another row of petals showing behind the first row. Therefore, each member of the Imperial family used a slightly modified version of the seal. Shinto shrines either displayed the imperial seal or incorporated elements of the seal into their own tag.

Earlier in Japanese history, when Emperor Go-Daigo, who tried to break the power of the shogunate in 1333, was exiled, he adopted the seventeen-petalled chrysanthemum in order to differentiate himself from the Northern Court's Emperor Kōgon, who kept the imperial 16-petalled mon.

It is to be noted that these stirrups, due to their weight, were also used as weapons against the infantry adversaries. Abumi, Japanese stirrups, were used in Japan as early as the 5th century, and were a necessary component along with the Japanese saddle (kura) for the use of horses in warfare. Abumi became the type of stirrup used by the samurai class of feudal Japan Early abumi were flat-bottomed rings of metal-covered wood, similar to European stirrups. The earliest known examples were excavated from tombs. Cup-shaped stirrups (tsubo abumi) that enclosed the front half of the rider's foot eventually replaced the earlier design.

During the Nara period, the base of the stirrup which supported the rider's sole was elongated past the toe cup. This half-tongued style of stirrup (hanshita abumi) remained in use until the late Heian period (794 to 1185) when a new stirrup was developed. The fukuro abumi or musashi abumi had a base that extended the full length of the rider's foot and the right and left sides of the toe cup were removed. The open sides were designed to prevent the rider from catching a foot in the stirrup and being dragged.

The military version of this open-sided stirrup, called the shitanaga abumi, was in use by the middle Heian period. It was thinner, had a deeper toe pocket and an even longer and flatter foot shelf. It is not known why the Japanese developed this unique style of stirrup, but this stirrup stayed in use until European style-stirrups were introduced in the late 19th century. The abumi has a distinctive swan-like shape, curved up and backward at the front so as to bring the loop for the leather strap over the instep and achieve a correct balance. Most of the surviving specimens from this period are made entirely of iron, inlaid with designs of silver or other materials, and covered with lacquer. In some cases, there is an iron rod from the loop to the footplate near the heel to prevent the foot from slipping out. The footplates are occasionally perforated to let out water when crossing rivers, and these types are called suiba abumi. There are also abumi with holes in the front forming sockets for a lance or banner. Seieibushi (Elite Samurai)
Traditionally the highest rank among the samurai, these are highly skilled fully-fledged samurai. Most samurai at the level of Seieibushi take on apprentices or Aonisaibushi-samurai as their disciples.

Kodenbushi (Legendary Samurai)
A highly coveted rank, and often seen as the highest attainable position, with the sole exception of the rank of Shogun. These are samurai of tremendous capability, and are regarded as being of Shogun-level. Kodenbushi are hired to accomplish some of the most dangerous international missions. Samurai of Kodenbushi rank are extremely rare, and there are no more than four in any given country.

Daimyo (Lords)
This title translates to 'Big Name' and is given to the heads of the clan lords of Japan.

Shogun (Military Dictator)
The apex of the samurai, the Shogun was the most prestigious rank possible for a samurai. Shoguns were the military leaders of the country, { the Emperors from around 1600 were purely ceremonial leaders } and thus the Shogun were regarded as the most powerful men of all Japan, and thus the samurai.  read more

Code: 23125

An Edo Period Iron Mokko Form Tsuba Engraved with Geometric Manji Design

The tsuba, is a fundamental element in the mounting of the Japanese sword, it is the guard, the most important element of the fittings, and has two main functions: the first to protect the hand against the slashes and lunges of an opposing sword; the second is to prevent that the hand ends up directly on the cutting edge of the blade. Over the course of more than ten centuries of history, the tsuba has undergone a number of important changes, as regards the materials used for its manufacture and its appearance.

During the centuries of wars that characterised Japan until the advent of the Tokugawa Shogunate during the first half of the 17th century, the tsuba was essentially made of iron or steel. From the mid-17th century onwards the tsuba became a real work of art, with the use of soft metals used in various ways, with engravings, incrustations; well made tsuba were the pride of hundreds of craftsmen’s schools whose value sometimes exceeded that of the same blades of the mounting where tsuba was part of.
72 mm. height  read more

Code: 25117

A Koto Period O-Sukashi Katana Tsuba

Circa 1550. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 20314

An Iron Plate Katana Edo Tsuba Decorated With Small Figures In Rain Garb

Circa 1650. Small fishermen towing nets wearing rain hats and tied straw body coverings. With large fauna as a side decoration. With kozuka and kogaiana. The Tsuba can be solid, semi pierced of fully pierced, with an overall perforated design, but it always a central opening which narrows at its peak for the blade to fit within. It often can have openings for the kozuka and kogai to pass through, and these openings can also often be filled with metal to seal them closed. For the Samurai, it also functioned as an article of distinction, as his sole personal ornament  read more

Code: 19525

A Most Scarce Samurai Commander's Saihai, A Samurai Army Signaller

Edo period. Lacquered wooden handle with metal mounts and a long yak hair fitting. For a commander to signal troop movements to his samurai army in battle. A Saihai usually consisted of a lacquered wood stick with metal ends. The butt had a hole for a cord for the saihai to be hung from the armour of the samurai commander when not being used. The head of the saihai had a hole with a cord attached to a tassel of strips of lacquered paper, leather, cloth or yak hair, rarest of all were metal strips. We show the lord Uesugi Kenshin hold his in an antique woodblock print in the gallery. The saihai first came into use during the 1570s and the 1590s between the Genki and Tensho year periods. Large troop movements and improved and varied tactics required commanders in the rear to be able to signal their troops during a battle Uesugi Kenshin (February 18, 1530 ? April 19, 1578) was a daimyo who was born as Nagao Kagetora, and after the adoption into the Uesugi clan, ruled Echigo Province in the Sengoku period of Japan. He was one of the most powerful daimyos of the Sengoku period. While chiefly remembered for his prowess on the battlefield, Kenshin is also regarded as an extremely skillful administrator who fostered the growth of local industries and trade; his rule saw a marked rise in the standard of living of Echigo.

Kenshin is famed for his honourable conduct, his military expertise, a long-standing rivalry with Takeda Shingen, his numerous campaigns to restore order in the Kanto region as the Kanto Kanrei, and his belief in the Buddhist god of war?Bishamonten. In fact, many of his followers and others believed him to be the Avatar of Bishamonten, and called Kenshin "God of War".  read more

Code: 21517

A Most Scarce Samurai Commander's Saihai, A Samurai Army Signaller

Edo period. For a commander to signal troop movements to his samurai army in battle. A Saihai usually consisted of a lacquered wood stick with metal ends. The butt had a hole for a cord for the saihai to be hung from the armour of the samurai commander when not being used. The head of the saihai had a hole with a cord attached to a tassel of strips of lacquered paper, leather, cloth or yak hair, rarest of all were metal strips. We show the lord Uesugi Kenshin hold his in an antique woodblock print in the gallery. The saihai first came into use during the 1570s and the 1590s between the Genki and Tensho year periods. Large troop movements and improved and varied tactics required commanders in the rear to be able to signal their troops during a battle Uesugi Kenshin (February 18, 1530 ? April 19, 1578) was a daimyo who was born as Nagao Kagetora, and after the adoption into the Uesugi clan, ruled Echigo Province in the Sengoku period of Japan. He was one of the most powerful daimy?s of the Sengoku period. While chiefly remembered for his prowess on the battlefield, Kenshin is also regarded as an extremely skillful administrator who fostered the growth of local industries and trade; his rule saw a marked rise in the standard of living of Echigo.

Kenshin is famed for his honourable conduct, his military expertise, a long-standing rivalry with Takeda Shingen, his numerous campaigns to restore order in the Kanto region as the Kanto Kanrei, and his belief in the Buddhist god of war?Bishamonten. In fact, many of his followers and others believed him to be the Avatar of Bishamonten, and called Kenshin "God of War".  read more

Code: 21511

A Most Interesting Late Edo Japanese Gilt Lacquer Wooden Sword and Samurai Artifact Folding Display Stand. Decorated with Hand Painted Cranes and Bamboo

A folding wood and hand painted lacquer sword rack display stand, for the display of three samurai swords and for the area beneath for the decoration of samurai artefacts such as sword fittngs, mempo, abumi, war fans, or, such as beautiful Japanese tea ceremony pieces, early iron water vessels, and tea bowls etc.

See a selection of items shown for illustrative purposes.

Signed by the artist on both the obverse and reverse side. The hand painted cranes and bamboo are on fine gold leaf covered panels, and show considerable age wear, but this enhances its air of contrived antiquity for the display of early samurai swords, weaponry and artefacts

It has long been the tradition of areas of Japanese art to make for display late Edo pieces, in the much earlier ancient forms and styles. Such as, for example, russetted Higo style iron sword mounts. Actually made in the 18th century, but made to appear as they were ancient iron pieces from many centuries before. In many respects as an homage to much revered ancient Japanese art forms  read more

Code: 24455