A Beautiful Sword of the Mandinka, West African, with Elaborate Decorative Fittings 20th. Century

Curved on both sides, fluted back blade with baluster contrast stitching and leather-covered handle. Geometrically patterned leather scabbard with traditional banding patterns, stitched raffia decorations and braided suspension cords and leather fringe tassels.

In some areas they are referred to locally as termed a 'kota' and that the scabbard was termed 'holga' ( house 'for the sword')

The Mandinka are the descendants of the Mali Empire, which rose to power in the 13th century under the rule of king Sundiata Keita, who founded an empire that would go on to span a large part of West Africa. They migrated west from the Niger River in search of better agricultural lands and more opportunities for conquest. Nowadays, the Mandinka inhabit the West Sudanian savanna region extending from The Gambia and the Casamance region in Senegal to Ivory Coast. Although widespread, the Mandinka constitute the largest ethnic group only in the countries of Mali, Guinea and The Gambia. Most Mandinka live in family-related compounds in traditional rural villages. Their traditional society has featured socially stratified castes.Mandinka communities have been fairly autonomous and self-ruled, being led by a chief and group of elders. Mandinka has been an oral society, where mythologies, history and knowledge are verbally transmitted from one generation to the next. Their music and literary traditions are preserved by a caste of griots, known locally as jelis, as well as guilds and brotherhoods like the donso (hunters).

Between the 16th and 19th centuries, many Muslim and non-Muslim Mandinka people, along with numerous other African ethnic groups, were captured, enslaved and shipped to the Americas. They intermixed with slaves and workers of other ethnicities, creating a Creole culture. The Mandinka people significantly influenced the African heritage of descended peoples now found in Brazil, the Southern United States and, to a lesser extent, the Caribbean  read more

Code: 24613

A Good Scottish Highland Dress Horsehair Thistle Emblem Sporran

With metal embossed thistle top mount, chain and leather belt, white horsehair with two black horsehair tassels with embossed thistle metal cones. Real leather back.

The sporran (Scottish Gaelic and Irish for "purse"), a traditional part of male Scottish Highland dress, is a pouch that performs the same function as pockets on the pocketless kilt. Made of leather or fur, the ornamentation of the sporran is chosen to complement the formality of dress worn with it. The sporran is worn on a leather strap or chain, conventionally positioned in front of the groin of the wearer.

Since the traditional kilt does not have pockets, the sporran serves as a wallet and container for any other necessary personal items. It is essentially a survival of the common European medieval belt-pouch, superseded elsewhere as clothing came to have pockets, but continuing in the Scottish Highlands because of the lack of these accessories in traditional dress. The sporran hangs below the belt buckle; and much effort is made to match their style and design. The kilt belt buckle may be very ornate, and contain similar motifs to the sporran cantle and the Sgian Dubh. Early sporrans would have been worn suspended from the belt or on either of the hips, rather than hung from a separate strap in front of the wearer.

When driving a car, dancing, playing drums, or engaging in any activity where a heavy pouch might encumber the wearer, the sporran may be turned around the waist to let it hang on the hip in a more casual position  read more

Code: 18924

Celtic Sgian Dubh with Polished Pewter Celtic Knotwork Patterned Mounts. For Wear In Full Highland Dress,

Ball knop top. A bright polished steel blade in a Sgian Dubh presentation box.

The sgian-dubh is a small, single-edged knife worn as part of traditional Scottish Highland dress along with the kilt. Originally used for eating and preparing fruit, meat, and cutting bread and cheese, as well as serving for other more general day-to-day uses such as cutting material and protection, it is now worn as part of traditional Scottish dress tucked into the top of the kilt hose with only the upper portion of the hilt visible. The sgian-dubh is normally worn on the same side as the dominant hand.

The sgian-dubh may have evolved from the sgian-achlais, a dagger that could be concealed under the armpit. Used by the Scots of the 17th and 18th centuries, this knife was slightly larger than the average modern sgian-dubh and was carried in the upper sleeve or lining of the body of the jacket.

Courtesy and etiquette would demand that when entering the home of a friend, any concealed weapons would be revealed. It follows that the sgian-achlais would be removed from its hiding place and displayed in the stocking top held securely by the garters

Vintage, around 10 years old  read more

Code: 24620

Owned by the Earl of Portsmouth, Two Large and Beautiful Volumes,The History of the Life of King Henry IInd.

And of the age in which he lived, in five books,: to which is prefixed, a history of the revolutions of England from the death of Edward the Confessor to the birth of Henry the Second / by George Lord Lyttelton Printed for W. Sandby and J. Dodsley, 1767 [second printing] 2 impressive and original leather bound volumes, from the personal library of the Earl of Portsmouth. Three books of the set are contained in these two, beautiful, large volumes. George Lyttelton, studied at Eton (1725) and Oxford (1726) before touring the Continent (1728-31) before becoming intimate with Pope's circle at Twickenham. He was secretary to the Prince of Wales (1732-44), member of Parliament from Okehampton (1735-56); succeeded as 5th baron Lyttleton 1751, and was lord of the treasury (1744-54) and Chancellor of the Exchequer (1755-56). As an opposition politician, Lyttleton was allied to the Prince of Wales; as a poet he was associated with his near-neighbor at Hagley Park, William Shenstone.

His life was detailed by Samuel Johnson's Lives of the Poets series, published in 3 volumes between 1779 and 1781. In it Dr Johnson states 'His last literary production was his "History of Henry the Second," elaborated by the searches and deliberations of twenty years, and published with such anxiety as only vanity can dictate. The story of this publication is remarkable. The whole work was printed twice over, a great part of it three times, and many sheets four or five times. The booksellers paid for the first impression; but the changes and repeated operations of the press were at the expense of the author, whose ambitious accuracy is known to have cost him at least a thousand pounds. He began to print in 1755. Three volumes appeared in 1764, a second edition of them in 1767, a third edition in 1768, and the conclusion in 1771.

Andrew Reid, a man not without considerable abilities and not unacquainted with letters or with life, undertook to persuade Lyttelton, as he had persuaded himself, that he was master of the secret of punctuation; and, as fear begets credulity, he was employed, I know not at what price, to point the pages of "Henry the Second." The book was at last pointed and printed, and sent into the world. Lyttelton took money for his copy, of which, when he had paid the pointer, he probably gave the rest away; for he was very liberal to the indigent. When time brought the History to a third edition, Reid was either dead or discarded; and the superintendence of typography and punctuation was committed to a man originally a comb-maker, but then known by the style of Doctor. Something uncommon was probably expected, and something uncommon was at last done; for to the Doctor's edition is appended, what the world had hardly seen before, a list of errors in nineteen pages. Each volume is 11.5 inches x 9.25 inches x 2 inches  read more

Code: 22555

A Good And Most Interesting Tuareg Nomadic Berber Sword From The Western African Regions To North Africa

These are highly interesting swords of the nomadic Berber, and are known for their most attractive decorative features.
All patterned tooled leather hilt mounts, scabbard and fittings. Long principle sword with three smaller companion daggers fitted into recessed sheaths on the scabbard. Blades decoratively engraved throughout. It is a style of sword traditionally associated with the Tuareg, a nomadic people predominantly of Berber origin. The Tuareg long dominated the central and west-central areas of the Sahara desert, including portions of what is now Niger, Mali, Burkina Faso, Algeria, Libya, Mauritania, and Morocco, and had a reputation as effective warriors and as highwaymen. Broad blade. The sword has a straight crossguard with flattened grip and the whole form is based around the Crusader's swords that were captured in the region in the 12th to 14th centuries. This sword is late 19th century or later in good overall condition.

Not only an iconic sword of the Berber warrior nomads but a highly attractive decorative piece for display.

Overall 37 inches long in scabbard  read more

Code: 22536

A Fabulous & V.Rare Example of Original Large Art Deco Art. 1929 Original Movie Poster. of "The Lost Zeppelin". The Hollywood Production, Original Swedish Language Version Poster,

In superb condition, a stunning example of original, 1920's Art Deco Hollywood movie artistry. This stunning piece would look amazing in any location.

The Lost Zeppelin [Den Forsvunna Zeppelinaren] Tiffany-Stahl Productions (Los Angeles)

This film, had the association with Frank Capra, and directed by Edward Sloman, distributed by Tiffany productions is based on the crash of the airship Italia, flown by Umberto Nobile, around May 25, 1928 near the North Pole, and the international rescue effort that cost early polar explorer Roald Amundson his life. The pilot who rescued Nobile also crashed when returning to rescue more survivors and had to be rescued himself.

This movie was starring major leading Hollywood stars in their time, including Conway Tearle, who was considered the highest paid Hollywood movie star, during his prime, for several years

Conway Tearle as Commander Donald Hall
Virginia Valli as Miriam Hall
Ricardo Cortez as Tom Armstrong
Duke Martin as Lieutenant Wallace
Kathryn McGuire as Nancy
Winter Hall as Mr. Wilson
Richard Cramer as Radio Announcer (voice)
Ervin Nyiregyhazi as Pianist (uncredited)
William H. O'Brien as Radio Operator (uncredited).

Virginia Valli was an established star at the Universal studio by the mid-1920s. In 1924 she was the female lead in King Vidor's southern gothic Wild Oranges, a film now recovered from film vault obscurity. She also appeared in the romantic comedy, Every Woman's Life, about "the man she could have married, the man she should have married and the man she DID marry."[citation needed] Most of her films were made between 1924 and 1927, and included Alfred Hitchcock's debut feature, The Pleasure Garden (1925), Paid to Love (1927), with William Powell, and Evening Clothes (1927), which featured Adolphe Menjou. In 1925 Valli performed in The Man Who Found Himself with Thomas Meighan.[citation needed]

Her first sound picture was The Isle of Lost Ships with Jason Robards Sr. and Noah Beery Sr. in 1929. Her last film was in Night Life in Reno, in 1931

Conway Tearle turned to Hollywood in 1914 where he would find considerable success playing romantic leads. His first film was The Nightingale, a story by Augustus Thomas about a slum girl (Ethel Barrymore) who rose to be a great opera star.[9] His last was in a 1936 film adaptation of Shakespeare's Romeo and Juliet with John Barrymore. Tearle appeared in some 93 films over his career and at one point was thought to be the highest-paid actor in America. On December 16, 1931, Conway appeared with co-star Kay Francis at the grand opening of the Paramount Theater in Oakland, California, which hosted the premiere of their film The False Madonna, released by Paramount Pictures.

The following year Tearle scored a major hit on Broadway in the original 1932 production of Dinner at Eight, creating the role of fading screen idol Larry Renault, a role that would later be played on film by John Barrymore. His last two Broadway appearances were in short productions of Living Dangerously in 1935 and Antony and Cleopatra two years later

Ricardo Cortez appeared in over 100 films. He began his career playing romantic leads, and when sound cinema arrived, his strong delivery and New York accent made him an ideal heavy. While his main focus was character acting, he occasionally was able to play leading men. He played opposite Joan Crawford in Montana Moon (1930), and was the first actor to portray Sam Spade in the original pre-Code version of The Maltese Falcon (1931); the latter film was later overshaded by the 1941 remake with Humphrey Bogart in the lead. He co-starred with Charles Farrell and Bette Davis in The Big Shakedown (1934), and with Al Jolson and Dolores del Río in Wonder Bar (1934). In 1936, Cortez replaced Warren William as Perry Mason in The Case of the Black Cat.

We never normally comment on the investment potential of any collectable, but the potential for all movie posters is now huge.This early 1920s original poster represents, potentially, incredibly good value. For example an original 1933 poster for King Kong can today command a price in excess of $244,500 [the last example sold for this was in 1999] and the previous record for the most valuable poster sold at auction was held by a movie poster of the 1931 film 'Dracula', which was sold for US $525,800.The current record-holder, the “international” version of the Metropolis poster – the same Heinz Schulz-Neudamm design as number 3 minus the German writing. The clean lines and delicate shading make this a wonder to behold. It sold for $690,000 in 2005 allegedly by Leonardo diCaprio A one-sheet poster for the 1931 Frankenstein, starring Boris Karloff, which went for a then-record of $198,000 in 1993. the Fred Astaire-Ginger Rogers dance film Flying Down to Rio from 1933, which fetched $239,000 in 2008. The Bride of Frankenstein from 1935, which fetched $334,600 in 2007, The Mummy from 1932 and when it sold for $435,500 in 1997

Sotheby's Auctioneers, have a current poster auction. Here are a few estimated price examples; Lawrence of Arabia poster estimated as £8,000 to £12,000, a French version of Dr No poster is £5,000 to £8,000, Star Wars £7,000 to £10,000, The Danish language version poster of the Invisible man [1935] £4,000 to £6,000 King Kong re-Release poster 1956 £5,000 to £,8,000, Breakfast At Tiffanys 1961 £5,000 to £8,000, the Dutch language poster of Flying Down to Rio 1933 £7,000 to £10,000, The French Re-Release poster, 1931 of Buster Keaton's The Navigator £5,000 to £8,000, and Kill Bill Vol 2 [2004] £2,000 to £3,000.

We show in the gallery another current record holder for the movie poster of Metropolis this one was bought for $690,000 in 2005. Another of the same sold in 2012 for $1.2 Million

Our poster is sold unframed for delivery, for collection though it has a very good frame at present. Some reflections in the photos are due to the glass in the current frame]

Poster size approx 29 x 42 inches  read more

Code: 24615

A Most Charming Napoleonic Wars King George IIIrd Royal Scot's Greys Officer's Carved Horn, Campaign Drinking Cup

In carved horn used from the 1790's by a British Napoleonic Wars officer in the Royal Scot's Greys, then by his grandson in the Crimean war. A super Napoleonic Wars collectable.

Campaign furniture is an umbrella term for the portable items of furniture used by the military in the eighteenth, nineteenth and early twentieth centuries. It is comprised of a huge number of objects, from leatherwork, knives and forks, flasks, drinking vessels, chairs to chests, wardrobes to washstands and games tables to camp beds. from chairs to chests, wardrobes to washstands and games tables to camp beds. A number of celebrated British furniture makers created pieces of campaign furniture, elevating it beyond its roots in functional, army-based design to desirable, collectable decor that continues to add a beautiful, innovative touch to homes today.  read more

Code: 14799

A Most Scarce and Beautiful African Congo Tribal Warrior's Shield, of the Mongo Tribe.

Long ovoid form shield with stunning geometric pattern decoration. Carved wood with rattan bound edging.

The Mongo are one of the Bantu groups of Central Africa, forming the second largest ethnic group in the Democratic Republic of Congo. They are a diverse collection of peoples living in the equatorial forest, south of the main Congo River bend and north of the Kasai and Sankuru Rivers. This area is in the south of the province of Equateur and the north of Bandundu Province.

The Mongo speak either the Mongo language (also called Nkundo) or one of the related languages in the Bantu Mongo family. The Lingala language, however, often replaces Mongo in urban centers. Along with the Luba and the Kongo, they are the three largest ethnic groups in the country.

The Mongo ethnic group is divided into several tribes including Bolia, Bokote, Bongandu, Iyaelima, Konda, Mbole, Nkutu, Ntomba, Sengele, Songomeno, Dengese and Tetela-Kusu, Bakutu, Boyela.

Antique & Vintage original African tribal art is now some of the most desirable and sophisticated decor for national and international interior decorators.

Fine tribal artefacts have always been highly popular and in regards to interior decor, the height of sophistication, but recently it has become absolutely 'the' collectable art of the moment. As to be seen from far afield interiors such as in the 8th Arrondissement, in Paris particularly Avenue Montaigne, to Park Avenue New York, to Kensington Palace Gardens in London or the Piazza di Spagna, Via Condotti and Via del Babuino in Rome. All of the above we have had clients for such African tribal art and weaponry, as a statement focal point for their interior decor.

Super colour contrasts and design incorporating red ochre, cobalt blue, black and white. Red ochre is one of the very earliest pigments used by man, dating back to prehistoric times where it’s use is the basis of many Stone Age cave paintings

Overall in very good condition for age.

16 inches x 35 inches  read more

Code: 18653

The Lanes Armoury & Bookshop. Military Based Books, Historical, Biographical, Reference, & Fictional. From Ancient to Modern 1st Editions & Autographed. We Are Now The Last, Original, Antique Bookshop in Brighton.

Since the very sad closure, after too many decades to recall, of our friend and colleague’s antique and secondhand bookshop Colin Page, just around the corner in Duke St. we are one of last of our kind, selling antique and modern books locally.
Although, fortunately, there are still just a few new, vintage and as new bookshops [and one comic shop] still remaining. We specialise in Ist Editions by such as Charles Dickens, Winston Churchill, Charles Darwin, John Le Carre, Ian Fleming, and Rudyard Kipling.
With or without dust jackets, autographed copies especially desired. We have £25,000 awaiting for another Signed Ist Edition Charles Dickens Christmas Carol. We regularly stock thousands of books, but as they are our largest individual selling item, many under just £10 to £50, they come and go so fast that individual listing is too impractical. But we do list on this website a good selection of our 1st Editions and specialist books.

If you require a military, or historical book, either antique or modern, please email a request, stating; title, author, and publisher [if known].

Large quantity book purchases [over 30 volumes] can attract discounts wherever possible. We specialise in hardbacks, both for reference or the study of history, and 'coffee table' books. We also specialise in rare medieval books, leaves from the versions of illustrated Book of Hours, signed Ist Editions, autographed books and manuscripts, and Incunabula [ volumes printed before 1501]

During lockdown we offered a unique drop off and sell and drop in and collect no contact service at our farm. It was incredibly popular many driving from as far north as Birmingham. It was easily our most popular trade during those months, showing just how eager those isolated could reward themselves with an ample supply of well needed reading material. Some buying or selling up to 50 books at a time.  read more

Code: 22457

A Magnificent & Fabulous Quality Antique French Rococo Silver Table Lamp

A wonderful example of the finest antique silver plate. Superlative quality of the highest grade, and of the most incredible beauty, from the Rococo Revival period that emerged from the King Louis Phillipe and Second Empire eras in France, and was then adapted in England. Revival of the rococo style was seen all throughout Europe during the 19th century within a variety of artistic modes and expression including decorative objects of art, paintings, art prints, furniture, and interior design. In much of Europe and particularly in France, the original rococo was regarded as a national style, and to many, its re-emergence recalled national tradition. Rococo revival epitomized grandeur and luxury in European style and was another expression of 19th century romanticism and the growing interest and fascination with natural landscape. Louis Philippe (1830-1848)

The rising bourgeoisie in France demanded rococo decorative-art objects as a reflection of status, wealth, and material possession. The bourgeois consumer purchased objects and furnishings from a variety of revival styles, including rococo, for its significance in historicizing opulence and grandeur.

Modern French Rococo furniture and decorative arts were characterized by their opulence elegance and grace. Its ornamentation consisted of delicate foliage and intricate details.13.5 inches x 8 inches. Excluding light fitting. Very heavy quality.  read more

Code: 21266