WW2 Advertising Poster for The National Gallery 'War Pictures'

Printed for H.M.Stationary Office by Hubners Ltd. On their way to the Myra Hess concerts in October 1939, visitors to the National Gallery couldn't help noticing the forlorn bare walls where the paintings had been before the war.

Art under fire

Before long, a series of temporary exhibitions was organised a rarity for museums and galleries at the time. There were also rolling displays of contemporary war art organised by the WAAC (War Artists Advisory Committee) that Kenneth Clark had helped set up at the outset of war. The temporary exhibitions spanned a large variety of subjects, ranging from Nineteenth Century French Paintings? and British Painting since Whistler to War Pictures By British Artists and Greater London: Towards a Master Plan.

These exhibitions were often disrupted by the damage inflicted by the nightly bombing raids during the Blitz. This didn't affect the large number of visitors attending. In fact there was much debate as to whether visitors should be asked to leave during the many air-raid warnings that occurred each day. By 1942 the bombing raids had lessened. It was now felt that one painting could be brought up to London from Manod every month. It was put on show in splendid isolation with some accompanying documentary material.

Every night the work was removed from display and stored in the underground strong room for safety. The arrival of each painting was a news event. The picture of the month scheme exists in the Gallery to this day.


Posters are a true form of art with a purpose as they were designed to deliver a particular message through striking designs. These original vintage posters were created to grab the attention of passers-by, presenting artists with the challenge of condensing the message or a concept into a precise, short visual and written form in a single artwork. They are important items of social history that capture the essence of the time they were printed. Original vintage posters are recognised as a sound art investment that can be enjoyed every day. 25 x 18.5 inches  read more

Code: 20770

An Original WW2 British Special Constabulary Recruitment Poster

Published for HMG by Fosh and Cross Ltd London. A propaganda information and recruitment poster. The size as were used in the underground trains advertising panels, or the back of black cabs. Britain re-created the World War I Ministry of Information for the duration of World War II to generate propaganda to influence the population towards support for the war effort. A wide range of media was employed aimed at local and overseas audiences. Traditional forms such as newspapers and posters were joined by new media including cinema (film), newsreels and radio. A wide range of themes were addressed, fostering hostility to the enemy, support for allies, and specific pro war projects such as conserving metal and growing vegetables. In 1940 in particular, Winston Churchill made many calls for the British to fight on, and for British units to fight until they died rather than submit. His calls for fight to victory inspired a hardening of public opinion. Determination raised the numbers of the Home Guard and inspired a willingness to fight to the last ditch, in a manner rather similar to Japanese determination, and the slogan "You can always take one with you" was used in the grimmest times of the war. British victories were announced to the public for morale purposes, and broadcast to Germany for purposes of undermining morale.

Even during Dunkirk, an optimistic spin was put on how the soldiers were eager to return.

When the U-boat commander Gunther Prien vanished with his submarine U-47, Churchill personally informed the House of Commons, and radio broadcasts to Germany asked, "Where is Prien?" until Germany was forced to acknowledge his loss.

The turn of the war made BBC's war commentaries much more stirring.

We never normally comment on the investment potential of any collectable, but the potential for all underpriced WW1 and WW2 posters must be incredible, for example the more famed poster, 'Keep Calm and Carry On' can now sell for over £20,000.

Good condition 14.5 inches x 9.5 inches  read more

Code: 20872

A Rare Karl Goetz Silver Zeppelin World Circumnavigation Medal of 1929

A Rare Karl Goetz Zeppelin Medal. Silver medal of 1929, for circumnavigation of the world, in the airship LZ 127. Half-length portrait of the air pioneer and airship leader Hugo Eckener. Aircraft and flying eagle in front of globe, around the globe a band with star signs. With a punch: BAYER. MAIN COIN OFFICE ? FINE SILVER. 59.98 mm; 54.37 g. Matt finish, very pretty patina, small edge error, almost uncirculated  read more

Code: 22347

A Very Rare Long Distance Flight Medal, Major von Parseval 1909

Designed by world renown medalist Karl Goetz [1875 - 1950]
Very Rare silver medal, for the flight of 12th to 19th October, 1909. Long-distance voyages of the Parseval airships. Half-length portrait of the airship designer A. Parseval to the left / eagle stands with outstretched wings on the bow of the airship, below water surface, above right inscription. Hallmark: feinsilber BAYER. MAIN MINT OFFICE. it was awarded in two grades silver and bronze, this, the silver is an incredibly rare antique aviation medal from the earliest days of airships. August von Parseval (5 February 1861, in Frankenthal (Pfalz) – 22 February 1942, in Berlin) was a German airship designer.

As a boy, Von Parseval attended the Royal Bavarian Pagenkorps in Munich from 1873 to 1878, where he took the Fähnrichexamen (cadet exams). He then joined the Royal Bavarian 3rd Infantry Regiment Prinz Carl von Bayern. An autodidact, he busied himself with the problems of aeronautics. In the garrison town of Augsburg he came into contact with August Riedinger and also came to know his later partner Rudolf Hans Bartsch von Sigsfeld, with whom he developed Drachenballons: balloons used by the military for observation.

In 1901 Parseval and Sigsfeld began building a dirigible airship. After Sigsfeld's death during a free balloon landing in 1902, the work was interrupted until 1905.

By 1905, thanks to improvements in motor design, an appropriate engine was now available. His designs were licensed to the British Vickers company. Up to the end of the First World War, 22 Parseval airships (both non-rigid (blimps) and semi-rigid (with keels)) were built. In the late twenties and early thirties, four more semi-rigid airships were built in accordance with the "Parseval-Naatz principle".  read more

Code: 23836

A Large 19th century European, Imperial, Crowned, Twin Headed Royal Eagle Crest Mount

In hard metal, probably solid nickel. A most attractive piece that could beautifully embellish either a fine box, door, cabinet, case, or maybe a bespoke wooden plaque. 225 grams, 3.5 inches x 4.5 inches  read more

Code: 23826

A Unique 'Sealed Pattern' Cap Badge of the Fusilier Brigade 16.9 1966

Inspectorate of Stores and Clothing . Since the early XVIII Century, it was common practice for all European armies to approve items of clothing and accoutrements for each regiment in a formal session of the appropriate War Office `Dress Committee`.
At these sessions, an example of each item would be deposited with the Committee, signed, sealed and certified as being the `Sealed Pattern`, against which all items worn in future would be compared. At future inspections of each regiment, any item showing variations from the norm would be amended or scrapped. since the start of the eighteenth century a band of officers of the British Army (or other responsible persons) has approved the quality and finish of all items of military clothing, it was then sealed with the wax of the Board of Ordnance or other Government seal to be recognised as the standard to be kept by the manufacturers. There is valuable evidence to be seen on these patterns because they also carry the date of approval and obsolescence of each item. Unfortunately, that system has not proved to be infallible. In 1841, all sealed patterns accumulated since the beginning of the eighteenth century, were destroyed in a fire at the Tower of London. No secondary store existed and thus all patterns encompassing Marlborough?s campaigns, the Seven Years War, the American War of Independence and the Napoleonic Wars were lost.  read more

Code: 21683

Iron Round Chisa Katana or Wakazashi Tsuba With Amidayasuri and Wave Rim

Koto period circa 1550 with very finely chisseled designs. Tsuba are usually finely decorated, and are highly desirable collectors' items in their own right. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 19820

A Superb, Victorian, Scottish Lord Lieutenant's Belt Plate and Silver Bullion, Belt and Sword Straps. Queen Victoria's Personal Representative in Scotland When She Was Not Available

Belt. Silver bullion belt backed with morocco leather, silver scrolling thistle pattern to the silver lace brocade belt. Since 1831 this has been analogous to the uniform worn by a General Staff Officer, but with silver lace in place of the gold worn by Regular General officers. The Lord-Lieutenant is the British monarch's personal representative in each county of the United Kingdom. Historically, the Lord-Lieutenant was responsible for organising the county's militia. Lieutenants were first appointed to a number of English counties by King Henry VIII in the 1540s, when the military functions of the sheriff were handed over to him. He raised and was responsible for the efficiency of the local militia units of the county, and afterwards of the yeomanry, and volunteers. He was commander of these forces, whose officers he appointed. These commissions were originally of temporary duration, and only when the situation required the local militia to be specially supervised and well prepared; often where invasion by Scotland or France might be expected.

Lieutenancies soon became more organised, probably in the reign of his successor King Edward VI, their establishment being approved by the English parliament in 1550. However, it was not until the threat of invasion by the forces of Spain in 1585 that lieutenants were appointed to all counties and counties corporate and became in effect permanent. Although some counties were left without lieutenants during the 1590s, following the defeat of the Spanish Armada, the office continued to exist, and was retained by King James I even after the end of the Anglo-Spanish War.

The office was abolished under the Commonwealth, but was re-established following the Restoration under the City of London Militia Act 1662, which declared that:


The King's most Excellent Majesty, his Heirs and Successors, shall and may from Time to Time, as Occasion shall require, issue forth several Commissions of Lieutenancy to such Persons as his Majesty, his Heirs and Successors, shall think fit to be his Majesty's Lieutenants for the several and respective Counties, Cities and Places of England and Dominion of Wales, and Town of Berwick upon Tweed.

Although not explicitly stated, from that date lieutenants were appointed to "counties at large", with their jurisdiction including the counties corporate within the parent county. For example, lieutenants of Devon in the seventeenth and eighteenth centuries appointed deputy lieutenants to the City of Exeter, and were sometimes described as the "Lieutenant of Devon and Exeter" The origin of this anomaly may have lain in the former palatine status of Pembrokeshire.

The City of London was uniquely given a commission of lieutenancy, and was exempt from the authority of the lieutenant of Middlesex. The Constable of the Tower of London and the Warden of the Cinque Ports were ex-officio lieutenants for the Tower Hamlets and Cinque Ports respectively, which were treated as counties in legislation regarding lieutenancy and militia affairs.

The official title of the office at this time was His or Her Majesty's "Lieutenant for the county of ..", but as almost all office-holders were Peers of the realm, they were referred to as "Lord-Lieutenant".  read more

Code: 21339

A Rare and Original British WW2 'Concealment' Instructional Poster for The Camouflage Officer

Original British Army poster. With four fold creases and a little staining. 19 inches x 24 inches  read more

Code: 21274

ERII Drum of the Royal Monmouthsire Royal Engineers Regiment.

An ERII, post 1954 drum of a Welsh Royal Engineers regiment. The Royal Monmouthshire. Top skin needs replacing. A most attractive piece of British Military History. The Royal Monmouthshire Royal Engineers (Militia) (R MON RE(M)) is the most senior regiment in the British Army Reserve, having given continuous loyal service to the crown since 1539. It is part of the reserve forces, and is the only remaining Militia unit in the British Army. The regiment is also unusual in having the word Royal appear twice in its name. It gained the first "Royal" in 1804 when it was known as the Monmouth and Brecon Militia. The second was acquired in 1877 when the regiment transferred from an infantry unit into a Special Reserve section of the expanding Royal Engineers. The top skin in split and would need replacing if it was required to be used as a drum once more.  read more

Code: 21515