C15th Illuminated Medieval French Book of Hours Manuscript Leaf. From Around The Time of The Battle of Agincourt or Later

A vellum manuscript leaf from a French Book of Hours, illuminated in gold leaf, blue and red ink; recto and verso each with 16 lines of Latin text in blackletter script.
A simply beautiful 15th century vellum leaf from a 'Book of Hours' written in Paris, with a block of text lines to each side in batarde script with use of gold leaf; coloured filler blocks with white detailing, gold leaf . Fine condition.

Books of hours were the most popular books for laypeople in the late Middle Ages and Renaissance. They contained sets of prayers to be performed throughout the hours of the day and night. These books were often designed to be visually appealing, and wealthy patrons commissioned leading artists to work on them. The manuscript also contained illustrations of hell which acted as reminders that behaviour on Earth would determine the destination of their soul. Scenes within some manuscripts of this type may show people being captured, tortured and eaten by monsters and demons. Many were illuminated with miniatures, decorated initials and floral borders. Paper was rare and most Books of Hours were composed of sheets of parchment made from skins of animals, usually sheep or goats the finest were called vellum. By the 14th century, the cloisters of monks writing in the scriptorium had almost fully given way to urban scriptoria, especially in Paris, Rome and the Netherlands. While the process of creating an illuminated manuscript did not change, the move from monasteries to alternative settings was a radical step. Demand for manuscripts grew to an extent that Monastic libraries began to employ secular scribes and illuminators. These individuals often lived close to the monastery and, in instances, dressed as monks whenever they entered the monastery, but were allowed to leave at the end of the day. In reality, illuminators were often well known and acclaimed and many of their identities have survived.

First, the manuscript was "sent to the rubricator, who added (in red or other colours) the titles, headlines, the initials of chapters and sections, the notes and so on; and then – if the book was to be illustrated – it was sent to the illuminator". In the case of some manuscripts the writing would "undoubtedly have been discussed initially between the patron and the scribe but by the time that the written gathering were sent off to the illuminator there was no longer any scope for innovation"
FOOTNOTES:
c.1460 A.D. by a French scribe.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24524

A Fabulous Victorian Set of 24 of Charles Dickens Works, Superbly Bound In 17 Volumes By Chapman And Hall

If you wanted a stunning set to enjoy or as an heirloom for future generations you would likely never see a better set of this type. Very good condition indeed, 17 beautiful volumes octavo, finest calf leather with marbled boards, five raised bands across each spine, with titles, in gilt on red leather with green leather title labels, and gilt decoratio. Marbled edges, with marbled end papers original illustrations, all contents clean and bright and bindings firm.
Charles Dickens
TWENTY-FOUR Works in Seventeen Volumes
COMPLETE
Sketches by Boz.

The Posthumous Papers of the Pickwick Club.

The Adventures of Oliver Twist & A Tale of Two Cities.

The Life and Adventures of Nicholas Nickleby.

The Old Curiosity Shop.

Barnaby Rudge.

The Life and Adventures of Martin Chuzzlewit.

Christmas Books & Hard Times. Including A Christmas Carol

Dombey and Son.

The Personal History of David Copperfield.

Bleak House.

Little Dorrit.

Great Expectations & The Uncommercial Traveller.

Our Mutual Friend.

The Mystery of Edwin Drood & Reprinted Pieces.

American Notes for General Circulation & Pictures from Italy & A Child's History of England.

Christmas Stories & Master Humphrey's Clock.  read more

Code: 25195

THE LANES ARMOURY NEW YEAR GIFT VOUCHER CAN BE A GREAT IDEA, AND ARE PROVING VERY POPULAR INDEED, AND HAVE DONE SINCE THE 1980'S. THEY ARE BESPOKE FOR ANY AMOUNT {AND WITHOUT EXPIRY DATE}

A Gift Voucher is often the ideal solution to leave the decision of the item to choose to the person you wish to gift. They can select any form of item whatsoever, such as samurai arms and armour, militaryantiques and militaria or books. They are available from us for all values, from only £15 upwards, and as required, and are entirely bespoke to the recipient. All are unique and customised for each and every occasion. We have priced this example in the gallery at £50, and the image shows our £200.00 voucher, but you can specify any alternative amount at all in the 'comment' section in the Webstore Order page, or call us direct.  read more

Code: 19501

A Delightful & Beautiful Early to Mid Edo Period 1598-1863 Samurai War Arrow. A Tagari-Ya Of Yadake Bamboo, With Sea Eagle Flights and Traditional Tamagahane Steel Head In Incredibly Rare Stunningly Beautiful Polish

It is most rare to find original, antique samurai war arrows {ya} that still have beautifully polished tamagahane steel blades, that they would all have had originally, that often show the traditional hamon, the same as a traditional samurai sword would have had.
Acquired by us by personally being permitted to select from the private collection one of the world's greatest, highly respected and renown archery, bow and arrow experts. Who had spent his life travelling the world to lecture on archery and to accumulate the finest arrows and bows he could find. .

With original traditional eagle feathers, probably the large edge-wing feathers of a Japanese sea eagle. The armour piercing arrow tip, that is swollen at the tip to have the extra piercing power to penetrate armour and helmets {kabuto}, is a brightly polished, traditional tamagahane steel hand made, by a sword smith, long arrow head, originally hand made with folding and tempering exactly as would be a samurai sword blade, possibly signed on the tang under the binding but we would never remove it to see. The Edo period early eagle feathers are now slightly worn. It is entirely indicative of the Japanese principle that as much time skill and effort be used to create a single 'fire and forget' arrow, as would be used to make a tanto or katana. A British or European blacksmith might once have made ten or twenty arrows a day, a Japanese craftsman might take a week to make a single arrow, that has a useable combat life of maybe two minutes, the same as a simplest British long bow arrow.

The Togari-Ya or pointed arrowheads look like a small Yari (spear) were pointed arrowheads were used only for war and are armour piercing arrows . Despite being somewhat of a weapon that was 'fire and forget' it was created regardless of cost and time, like no other arrow ever was outside of Japan. For example, to create the arrow head alone, in the very same traditional way today, using tamahagane steel, folding and forging, water quench tempering, then followed by polishing, it would likely cost way in excess of a thousand pounds, that is if you could find a Japanese master sword smith today who would make one for you. Then would would need hafting, binding, and feathering, by a completely separate artisan, and finally, using eagle feathers as flights, would be very likely impossible. This is a simple example of how incredible value finest samurai weaponry can be, items that can be acquired from us that would cost many times the price of our original antiques in order to recreate today. Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers.

Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of archery in battle. In the Edo period archery was considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai. In the gallery is from an Edo exhibition of archery that shows a tagari ya arrow pierced completely through, back and front, an armoured steel multi plate kabuto helmet. Another photo shows an unmounted arrow head with the considerable length of the tang that is concealed by the haft.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25591

A Delightful & Beautiful Early to Mid Edo Period 1598-1863 Samurai War Arrow. A Tsubaki-ne, With A Haft of Yadake Bamboo & With Sea Eagle Flights. With A Beautifully Rare Stunningly Polished Tamahagane Steel Head

It is most rare to find original, antique samurai war arrows {ya} that still have beautifully polished tamagahane steel blades, that they would all have had originally, that often show the traditional hamon, the same as a sword would have. Acquired by us by personally being permitted to select from the private collection one of the world's greatest, highly respected and renown archery, bow and arrow experts. Who had spent his life travelling the world to lecture on archery and to accumulate the finest arrows and bows he could find. .

With original traditional eagle feathers, probably the large edge-wing feathers of a Japanese sea eagle. The armour piercing arrow tip, that is swollen at the tip to have the extra piercing power to penetrate armour and helmets {kabuto}, is a brightly polished, traditional tamagahane steel hand made, by a sword smith, long arrow head, originally hand made with folding and tempering exactly as would be a samurai sword blade, possibly signed on the tang under the binding but we would never remove it to see. The Edo period early eagle feathers are now slightly worn. It is entirely indicative of the Japanese principle that as much time skill and effort be used to create a single 'fire and forget' arrow, as would be used to make a tanto or katana. A British or European blacksmith might once have made ten or twenty arrows a day, a Japanese craftsman might take a week to make a single arrow, that has a useable combat life of maybe two minutes, the same as a simplest British long bow arrow.

The Togari-Ya or Tsubaki-ne, were pointed arrowheads look like a miniature version of a long Yari (spear) and were used only for war and are armour piercing arrows . Despite being somewhat of a weapon that was 'fire and forget' it was created regardless of cost and time, like no other arrow ever was outside of Japan. For example, to create the arrow head alone, in the very same traditional way today, using tamahagane steel, folding and forging, water quench tempering, then followed by polishing, it would likely cost way in excess of a thousand pounds, that is if you could find a Japanese master sword smith today who would make one for you. Then would would need hafting, binding, and feathering, by a completely separate artisan, and finally, using eagle feathers as flights, would be very likely impossible. This is a simple example of how incredible value finest samurai weaponry can be, items that can be acquired from us that would cost many times the price of our original antiques in order to recreate today. Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers.

Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of archery in battle. In the Edo period archery was considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai. In the gallery is from an Edo exhibition of archery that shows a tagari ya arrow pierced completely through, back and front, an armoured steel multi plate kabuto helmet. Another photo shows an unmounted arrow head with the considerable length of the tang that is concealed by the haft.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25590

A 1933 Original German NSDAP Propaganda Piece by Walter Wolff. A Large Cast Iron Relief Portrait Bust ‘Ehren-Plakette Des Führers’ With Famous German Speech Quote. A "Fuhrer's Plaque of Honour"

Third Reich Adolf Hitler Plaque, rectangular cast iron plaque with profile relief of Adolf Hitler. This is a particularly fine, original and early cast iron example, the later and somewhat lesser ones were often in cast aluminium.

‘Ich glaube an Deutschland und kampfe dafur heute und morgen und in der Zukunft bis unser der sieg ist’ being one of Adolf Hitler’s famous speeches which translates too ‘I believe in Germany and will fight for it today and tomorrow and in the future until ours is the victory'
Signed ‘W WOLFF 33’

Wolff was represented with busts at Berlin Academy exhibitions and at major German art exhibitions in Munich in the 1930s and 1940s. His portraits of musicians (Walter Gieseking, Wilhelm Furtwängler, Paul Graener, Alfred Cortot, Otto Klemperer, Hans-Erich Riebensahm) became well known. He also portrayed the scientist Max Planck. He created a bronze bust of Hermann Göring in 1936 and an iron relief with a portrait of Adolf Hitler, which was distributed as a "Führer's plaque of honour" for propaganda purposes, as early as 1933. A copy of the latter is in the collection of the German Historical Museum Foundation. Alongside Arno Breker's Hitler busts, those by Wolff were among the best-known "Führer" heads; they shaped the public image of Hitler iconographically, for example in reading books, and appeared almost simultaneously during the National Socialist era. In later years, in addition to portraits, he mainly created animal sculptures and landscapes.

Walther Wolff’s specialty, however, became portrait busts of political leaders, top musicians and leading scientists. Among them Hitler, Hindenburg, Hermann Göring, pianist Alfred Cortot, theoretical physicist and Nobel prize winner Max Planck, composer and conductor Paul Graener, composer Wilhelm Fuhrtwängler and pianist and composer Walther Gieseking.
In 1933 he became famous when he created the ‘Ehren-plakette des Führers’ (‘Honour Plaque of the Führer’). This iron relief was a commissioned work, depicted the head of Hitler with the text. This was instituted as an official iron portrait and was installed in public spaces, schools and official institutions throughout Nazi Germany; Wolff’s famous reliefs were made by the hundreds, but after 1945 they were also destroyed just as abundantly.

Walther Wolff displayed his works at all the major Berlin exhibitions; at the Preussische Akademie der Künste (i.a. ‘Frühjahrs-Ausstellung’, 1940 and 1941), ‘Herbst-Ausstellung’, 1941 and 1942); at the exhibitions organised by the ‘Verein Berliner Künstler’ (i.a. ‘Herbstausstellung’, 1938, 1939, 1940 and 1941), and at the ‘Grosse Berliner Kunstausstellung’, i.a. 1942). In 1941 Wolff took part in the exhibition ‘100 Jahre Verein Berliner Künstler’, Berlin, and later in that year in the exhibition ‘Malerie-Graphik-Plastik’, in Berlin from 6 December 1941 to 31 January 1942.

Reverse stamped ‘ges gesch’ and with a ‘H’ to the bottom corner. Original bar fixing to the reverse.
32 cm x 22cm

A bust of Hermann Göring, created by Wolff in 1936, is in the possession of the RAF Museum Henden, Londen (Battle of Britain Hangar).

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25589

A Superb M42 German Combat Helmet With Rare, Original, Classic 'Normandy Pattern' Two Colour Green , Camouflage, Original Liner & Its Three Original Perfect Liner Rivets Intact. Waffen SS/Heer Issue

Well maker stamped and numbered on the rear neck piece. SE - Sachsische Emaillerwerk, Lauteran. Later in the war their stamp mark changed to HKP. This is an absolute beauty, with obvious signs of combat service, just as to be expected, but with its completely untouched original features, and it is totally 100% original, unmolested since the 1945 surrender of the Third Reich.
For the benefit of our Christmas WW2 collector regulars we are offering this most historical piece at a nominal profit, so if you have interest, act fast, this most scarce original camouflage helmet will surely not be available for long.

The German helmet of World War II is often broken down for distinction in three different models. The M35, M40 and M42. In truth according to the German high command there was only one model, the Model 35, so called because the first years of production was in 1935. The other models, the M40 and M42 do not exist in German military records. The reason for this is simply because the German military did not consider the later two versions to be new models, just modifications of the original design. The reasons for these modification were the result of a massively expanding war that required helmets as quickly as the factories could turn them out.

The German military had been experiencing helmet shortage since the 1930s. Part of this was due to the decision to sell over 220,000 brand newly produced M35 helmets to the Nationalist Chinese government between 1935 and 1937, not to mention smaller numbers of helmets being sent to Spain and Finland. The shortage was also due to the fact that the Germany military was going though massive growth during the same time frame. In addition on February 2nd of 1940 the German military ordered that all German armoured troops be issued helmets, where as before that date they were not issued one.

Starting on 28 August of 1943 an order was issued to the helmet factories that decals for the Heer, Luftwaffe, Kreigsmarine were no longer be applied. SS decals would continue to be applied at the factory level until another order was issued on 1 November 1943 requiring that the practice stop. The most likely reason the decals were dropped is likely for the exact same reason that Luftwaffe blue-gray painted helmet production ceased. The application of decals for five different branches of service was both costly and time consuming. With the war going badly the use of decals was no longer a luxury that could be afforded. By late 1944 a plane slate gray helmet would be issued to all branches of the service till the end of the war.

The panzer and panzergrenadier divisions of the Waffen SS were caught up in the strategic discussions, slowing their orders to Normandy in response to the D-Day invasion of June 6, 1944. That delay ultimately contributed to their destruction. In the meantime, however, the SS panzer and panzergrenadier divisions that did confront the Allied lodgement in Normandy in the summer of 1944 fought hard and long, impeding the advance of the British and Americans, but paying a terrible price. Once committed these divisions were true to their reputation as fierce, fanatical combat formations dedicated to Nazi ideology and men willing to die for their Führer.

And they did die, thousands of them, under a relentless storm of artillery, air attacks, naval gunfire, and the thrusts of Allied ground troops toward the frontier of the Third Reich. Nevertheless, the Waffen SS exacted a heavy toll in lives and equipment while sacrificing its strength to halt the enemy in Normandy. Highly motivated and led by dedicated veteran officers, the Waffen SS soldier was deployed with the best weaponry available. From early June to late August 1944, no fewer than six Waffen SS divisions—1st SS Panzer Division Leibstandarte Adolf Hitler, 2nd SS Panzer Division Das Reich, 9th SS Panzer Division Hohenstaufen, 10th SS Panzer Division Frundsberg, 12th SS Panzer Division Hitlerjugend, and 17th SS Panzergrenadier Division Götz von Berlichingen—were joined by the 101st and 102nd SS Heavy Panzer Battalions in the death struggle.

The SS panzer divisions were equipped with tanks that had been proven superior to Allied types in tank-versus-tank combat. The 29-ton PzkPfw. IV medium tank, workhorse of the German formations, mounted a 75mm cannon, while the 45-ton PzKpfw. V Panther, perhaps the best all-around tank of World War II, was outfitted with the long-barreled high-velocity 75mm cannon, and the 56-ton PzKpfw. VI Tiger mounted a deadly 88mm high-velocity cannon.

The German guns generally possessed greater range than those of Allied tanks, and the heavier armour protection of the German armoured fighting vehicles offered enhanced survivability. The panzergrenadiers, or armored infantrymen, were equipped with the reliable Mauser K98k bolt action rifle, squad level automatic weapons such as the MP-38 and MP-40 submachine guns, the first-generation assault rifle known as the Sturmgewehr 43, and the superb MG-34 and MG-42 machine guns, which possessed cyclical rates of fire well above those of any Allied weapon.

Roughly 100,000 German troops were trapped in the Falaise Pocket at the end of August, but 60 men of the 12th SS fought to keep the escape route open north of Argentan. After three days, four of them were captured alive. The battered Hitlerjugend and Leibstandarte fought desperately to keep the gap open, allowing up to 40,000 soldiers to elude capture. The Leibstandarte held the southern shoulder and conducted a fighting withdrawal. On the nights of August 13 and 14, the remnants of Das Reich filtered through the Leibstandarte to a new defensive line at Champosoult. On the 16th, the Leibstandarte began its final retirement as fog cloaked the withdrawal across the River Orne.

The SS divisions in Normandy were shattered, and their losses were tremendous. The Leibstandarte had suffered 5,000 casualties and abandoned nearly all its remaining tanks and artillery during the retreat at Falaise. The 9th SS Panzer Division lost half its strength, about 9,000 men, and the 10th SS Panzer had been reduced to four battalions of infantry.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25587

Original Viking 9th Century Battle Axe Head, Worn & Used by Vikings from the Viking Lands of Grand Prince Oleg and Vladimir the Great Period,

From a fabulous small collection of original, Viking, 9th century early Christian artefacts. Only two items, including this one remains for sale, the other sold within 10 minutes of upload to the site.

A Viking realm founded by the Viking, Oleg, ruler of Novgorod Kievanrus from c. 879, who seized Smolensk and Kiev 882, which became his capital. Viking Prince Oleg can be seen depicted, and as a central character, in the well regarded and incredibly popular worldwide drama series ‘Viking’, in series 6 shown by the History channel.
Extending his rule, Oleg united local Slavic and Finnish tribes, defeated the Khazars, and, in 911, arranged trade agreements with Constantinople. His empire peaked in the 10th and 11th centuries under Vladimir I and Yaroslav, becoming eastern Europe’s chief political and cultural centre. At Yaroslav’s death in 1054, his sons divided the empire into warring factions. The 13th-century Mongol conquest decisively ended its power. Although Oleg was pagan it was the time that Christianity took hold in Viking realms. In the Viking Age most of Europe had converted to Christianity, but the Vikings were very satisfied with their own gods and held on to them. ... By the end of the Viking period, around 1050, most Vikings were Christians. They were baptised, went to church and were buried in a Christian manner. he Viking Age was a period of considerable religious change in Scandinavia. Part of the popular image of the Vikings is that they were all pagans, with a hatred of the Christian Church, but this view is very misleading. It is true that almost the entire population of Scandinavia was pagan at the beginning of the Viking Age, but the Vikings had many gods, and it was no problem for them to accept the Christian god alongside their own. Most scholars today believe that Viking attacks on Christian churches had nothing to do with religion, but more to do with the fact that monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

...monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

The Vikings came into contact with Christianity through their raids, and when they settled in lands with a Christian population, they adopted Christianity quite quickly. This was true in Normandy, Ireland, and throughout the British Isles. Although contemporary accounts say little about this, we can see it in the archaeological evidence. Pagans buried their dead with grave goods, but Christians normally didn't, and this makes it relatively easy to spot the change in religion.

As well as conversion abroad, the Viking Age also saw a gradual conversion in Scandinavia itself, as Anglo-Saxon and German missionaries arrived to convert the pagans. By the mid-11th century, Christianity was well established in Denmark and most of Norway. Although there was a temporary conversion in Sweden in the early 11th century, it wasn't until the mid-12th century that Christianity became established there. As part of the process of conversion the Christians took over traditional pagan sites. A good example of this can be seen at Gamle Uppsala in Sweden, where the remains of an early church stand alongside a series of huge pagan burial mounds. for those that follow the superb History Channel's series, Vikings, he is the main protagonist of series 6. Kievan Rus was largely pagan until the late 10th century, when Vladimir the Great took power and introduced Christianity. The conversion actually resulted from a deal between Vladimir and the Byzantine Emperor. Vladimir agreed to convert to Christianity and send the emperor 6,000 soldiers to defend his throne; in exchange, Vladimir would marry the emperor’s sister.The transition to Christianity in Denmark took place gradually and without major conflict. The Vikings regarded the new belief as supplementing the Nordic gods – it was not simply a choice between the old and the new religion. The Vikings’ belief in many gods meant that it was possible for the new Christian god, White Christ, to be worshipped alongside gods like Thor and Odin.

In this way both religious beliefs could exist alongside each other. One religion did not exclude the other. This is shown by the find of a mould, which the smith could use to make both Thor’s hammers and Christian crosses. It was a time of great change and perhaps the Vikings sought security in both religious creeds – just to be on the safe side.a smith’s mould from Trend in Jutland, which has spaces for two crosses and one hammer. The smith could use it to produce exactly which amulets his customers wanted. In addition, a medieval font from Gettrup, in Jutland, displays both crosses and Thor’s hammers. Several Thor’s hammers, which feature cross ornamentation, have also been found. The Viking belief in the Norse gods was thus reinterpreted and drawn into Christianity.The Jelling Stone displays what is probably the earliest image of Christ from Scandinavia. But there are also clear pre-Christian elements on the stone. Tendrils or interlacing branches, surround Christ, just as Odin could also be depicted surrounded by tendrils or branches.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24578

Original Viking Cross Pendant, Worn in the Viking Lands of Grand Prince Oleg and Vladimir the Great Period, A Christian Cross Pendant in Bronze

Part of a small Viking artefacts collection, the first cross sold within a day or so. A one piece cast bronze cross with chain ring neck mount, thus still eminently wearable today. From a fabulous small collection of original, Viking, 9th century early Christian artefacts. Only two items, including this one remains for sale, the other sold within 10 minutes of upload to the site.
A Viking realm founded by the Viking, Oleg, ruler of Novgorod Kievanrus from c. 879, who seized Smolensk and Kiev 882, which became his capital. Viking Prince Oleg can be seen depicted, and as a central character, in the well regarded and incredibly popular worldwide drama series ‘Viking’, in series 6 shown by the History channel.
Extending his rule, Oleg united local Slavic and Finnish tribes, defeated the Khazars, and, in 911, arranged trade agreements with Constantinople. His empire peaked in the 10th and 11th centuries under Vladimir I and Yaroslav, becoming eastern Europe’s chief political and cultural centre. At Yaroslav’s death in 1054, his sons divided the empire into warring factions. The 13th-century Mongol conquest decisively ended its power. Although Oleg was pagan it was the time that Christianity took hold in Viking realms. In the Viking Age most of Europe had converted to Christianity, but the Vikings were very satisfied with their own gods and held on to them. ... By the end of the Viking period, around 1050, most Vikings were Christians. They were baptised, went to church and were buried in a Christian manner. he Viking Age was a period of considerable religious change in Scandinavia. Part of the popular image of the Vikings is that they were all pagans, with a hatred of the Christian Church, but this view is very misleading. It is true that almost the entire population of Scandinavia was pagan at the beginning of the Viking Age, but the Vikings had many gods, and it was no problem for them to accept the Christian god alongside their own. Most scholars today believe that Viking attacks on Christian churches had nothing to do with religion, but more to do with the fact that monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

...monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

The Vikings came into contact with Christianity through their raids, and when they settled in lands with a Christian population, they adopted Christianity quite quickly. This was true in Normandy, Ireland, and throughout the British Isles. Although contemporary accounts say little about this, we can see it in the archaeological evidence. Pagans buried their dead with grave goods, but Christians normally didn't, and this makes it relatively easy to spot the change in religion.

As well as conversion abroad, the Viking Age also saw a gradual conversion in Scandinavia itself, as Anglo-Saxon and German missionaries arrived to convert the pagans. By the mid-11th century, Christianity was well established in Denmark and most of Norway. Although there was a temporary conversion in Sweden in the early 11th century, it wasn't until the mid-12th century that Christianity became established there. As part of the process of conversion the Christians took over traditional pagan sites. A good example of this can be seen at Gamle Uppsala in Sweden, where the remains of an early church stand alongside a series of huge pagan burial mounds. for those that follow the superb History Channel's series, Vikings, he is the main protagonist of series 6. Kievan Rus was largely pagan until the late 10th century, when Vladimir the Great took power and introduced Christianity. The conversion actually resulted from a deal between Vladimir and the Byzantine Emperor. Vladimir agreed to convert to Christianity and send the emperor 6,000 soldiers to defend his throne; in exchange, Vladimir would marry the emperor’s sister.The transition to Christianity in Denmark took place gradually and without major conflict. The Vikings regarded the new belief as supplementing the Nordic gods – it was not simply a choice between the old and the new religion. The Vikings’ belief in many gods meant that it was possible for the new Christian god, White Christ, to be worshipped alongside gods like Thor and Odin.

In this way both religious beliefs could exist alongside each other. One religion did not exclude the other. This is shown by the find of a mould, which the smith could use to make both Thor’s hammers and Christian crosses. It was a time of great change and perhaps the Vikings sought security in both religious creeds – just to be on the safe side.a smith’s mould from Trend in Jutland, which has spaces for two crosses and one hammer. The smith could use it to produce exactly which amulets his customers wanted. In addition, a medieval font from Gettrup, in Jutland, displays both crosses and Thor’s hammers. Several Thor’s hammers, which feature cross ornamentation, have also been found. The Viking belief in the Norse gods was thus reinterpreted and drawn into Christianity.The Jelling Stone displays what is probably the earliest image of Christ from Scandinavia. But there are also clear pre-Christian elements on the stone. Tendrils or interlacing branches, surround Christ, just as Odin could also be depicted surrounded by tendrils or branches. 42mm x 28mm

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24035

A Good Koto Era Samurai 0-Tanto Signed Mihara ju Masaiye, An Impressive 'Shibui' Beauty

Circa 1530. a large sized tanto with all original Edo era fittings and mounts, a very nice sukashi tsuba in iron, iron Higo style fittings, beautiful polish blade with fine sugaha hamon. Blue tsuka-ito over good quality rayskin, good Edo period ishime lacquer saya with recessed pocket for a kozuka knife. From the school of Mihara sword smiths. known as shibui which is old Japanese for 'quiet'. a fine early tanto mounted beautifully but unobtrusively, restrained and thus 'shibui'. Mihara den was founded at the beginning of the fourteenth century, in the Bingo province, by sword maker Masaiye. Other prominent masters of this school are Masanobu, Masanori, Masamori, Masachika and already mentioned Masaiye. The latter founded a family that made swords to the end of the Edo era. Mihara's school upheld the tradition of Yamato, which belonged to Gokaden (the school of Five Traditions). With the beginning of the Kamakura period, tanto were forged to be more aesthetically pleasing, and hira and uchi-sori tanto were the most popular styles for wars in the kamakura period. Near the middle of the Kamakura period, more tanto artisans were seen, increasing the abundance of the weapon, and the kanmuri-otoshi style became prevalent in the cities of Kyoto and Yamato. Because of the style introduced by the tachi in the late Kamakura period, tanto began to be forged longer and wider. The introduction of the Hachiman faith became visible in the carvings in the tanto hilts around this time. The hamon (line of temper) is similar to that of the tachi, except for the absence of choji-midare, which is nioi and utsuri. Gunomi-midare and suguha are found to have taken its place. In Nambokucho, the tanto were forged to be up to forty centimetres as opposed to the normal one shaku (about thirty centimetres) length. The tanto blades became thinner between the uri and the omote, and wider between the ha and mune. At this point in time, two styles of hamon were prevalent: the older style, which was subtle and artistic, and the newer, more popular style. Blades could be of exceptional quality. As the end of the period neared, the average blade narrowed and the sori became shallow. 19 1/2 inches long overall, blade 13 1/2 inches long tsuba to tip.  read more

Code: 23876