A Superb Case Hardened Steel Gun Lock Of a Greene Carbine 1856 For the Crimean War Then the American Civil War

Scarce British-Type Greene Carbine by Massachusetts Arms Company
Case-hardened swivel breech action with Maynard tape primer system. Lock marked: Queen's crown /VR/Mass.Arms Co./U.S.A./1856.

James Durell Greene was a prolific firearms inventor and determined to make his mark This carbine lock was manufactured by the Massachusetts Arms Company and exported to Great Britain after being inspected and stamped with the Queen's Crown by British inspectors in the USA. These were used by the British Cavalry in the Crimean War but re-exported to the USA after the Crimea War. These fine guns were deemed to be very accurate but the paper and linen cartridges of the time were criticised as being prone to swell in the damp and consequently the carbine did not find favour with the British Government. The carbine features an unusual "floating thimble" to obdurate the breech and an internal "pricker" that punctured the cartridge. It also featured Maynard Tape priming which was in the forefront of priming technology at the time and the mechanism for this is in perfect condition. The quality of workmanship is exceptional and it actions as crisply today as it did when it was made 158 years ago.
An exceptional item in outstanding condition. Only 2000 were manufactured and a complete carbine sold at Rock Island auction for $6,900 in 2021  read more

Code: 24920

Battle of the River Plate, HMS Ajax Miniature Wooden Barrel Made From Teak from the Ship

One of the most desirable of the miniature pieces made from salvaged parts from British warships, HMS Ajax is in the premier division of maritime collectables.

A wooden miniature barrel made from wooden, teak parts of HMS Ajax, With a name plate thereon. The Battle of the River Plate.

The battle in 1939 was how 3 battleships, 3 aircraft carriers and 14 cruisers in seven Hunting Groups searched for a German raider that was the the Admiral Graf Spee and how the weakest force of three cruisers found her and the action which led to her destruction.

The Second World War against Nazi Germany had been waged for three months. At sea Britain had lost the passenger liner, Athenia, the armed merchant cruiser, HMS Rawalpindi, the battleship HMS Royal Oak and the aircraft carrier HMS Courageous. There was very little good news for Britain and France.

In the South Atlantic Captain Langsdorff in the German pocket battleship, Admiral Graf Spee had been sinking British merchant ships since September 1939. Commodore Harwood, commanding Royal Navy Hunting Group G, had studied the area and knew the attraction to a German raider of the rich pickings of British merchant ships leaving the River Plate estuary between Argentina and Uruguay in South America. The Germans claimed that their pocket battleships could out-gun any ships faster than them and outrun any ship with heavier armament.

In early December 1939 Harwood received enemy reports from the British freighters Doric Star and Tairoa as they were captured and sunk. He calculated that if the raider chose to head for South America she would probably arrive in the area off the River Plate on the morning of the 13th December. With this in mind, Harwood ordered the cruisers, HMS Ajax, Achilles and Exeter to concentrate there the previous day (12th December). They met at the pre-arranged time and exercised their action plan. On the morning of 13th December HMS Exeter was ordered to investigate smoke that was spotted on the horizon. She soon signaled, “I think it is a pocket battleship”. The three ships had finally met Admiral Graf Spee and at 0617 they went into action, following Harwood’s orders, “Attack at once, by day or night”. At first Graf Spee concentrated her fire on Exeter. Ajax and Achilles then closed on Graf Spee at speed, drawing her fire and causing significant upper deck damage and loss of morale. Graf Spee's Captain Langsdorff later said, “They came at me like destroyers”. At 0636 Graf Spee about-turned to the west, from where she started her retreat. With 66 of her crew killed, Exeter later retired from the battle badly damaged and made for the Falklands.

By 0725 Ajax and Achilles had closed to within 4 miles from Graf Spee. Harwood then decided to open the range and shadow her. However Graf Spee steadied and concentrated her fire again on Ajax and Achilles. Ajax fired a salvo of torpedoes to encourage Graf Spee to maintain her westward course, which she did, but shortly afterwards Graf Spee obtained a hit on Ajax which put her two after-turrets out of action. Achilles also suffered severe damage to her director control tower from a near-miss. This was Graf Spee's chance to turn on the pursuers and regain the initiative but it was not taken. Captain Langsdorff chose to break off the action and head for port in Montevideo, the capital of neutral Uruguay. Whether this was the result of a confused state because of wounds and concussion, a sense of defeat or to preserve the lives of his men we do not know.

On return home the men of HMS Ajax and HMS Exeter were feted in London by King George VI and Winston Churchill (First Lord of the Admiralty at the time). HMS Achilles' crew were similarly feted in their home town of Auckland, New Zealand.  read more

Code: 24923

A Beautiful Original Roman 1st to 2nd Century A.D. Modius or Fire Alter Status Seal Ring.

Henig type Xb. Wide oval bezel affixed to flattened shoulders engraved copper alloy. Almost identical to one found in the UK near Hadrian's Wall. Engraved to either to represent the Zaroastrian fire altar, or vessel of sprouting grains. The engraved intaglio seal ring was important for displaying the Roman's status. For example Tiberius, who was after all left-handed according to Suetonius, thus displays a ring in his bronze portrait as the Pontifex Maximus: The complete Roman Empire had around a 60 million population and a census more perfect than many parts of the world (to collect taxes, of course) but identification was still quite difficult and aggravated even more because there were a maximum of 17 men names and the women received the name of the family in feminine and a number (Prima for First, Secunda for Second…). A lot of people had the same exact name.
So the Roman proved the citizenship by inscribing themselves (or the slaves when they freed them) in the census, usually accompanied with two witnesses. Roman inscribed in the census were citizens and used an iron or bronze ring to prove it. With Augustus, those that could prove a wealth of more than 400,000 sesterces were part of a privileged class called Equites (knights) that came from the original nobles that could afford a horse. The Equites were middle-high class and wore a bronze or gold ring to prove it, with the famous Angusticlavia (a tunic with an expensive red-purple twin line). Senators (those with a wealth of more than 1,000,000 sesterces) also used the gold ring and the Laticlave, a broad band of purple in the tunic.

So the rings were very important to tell from a glimpse of eye if a traveller was a citizen, an equites or a senator, or legionary. People sealed and signed letters with the rings and its falsification could bring death.
The fugitive slaves didn’t have rings but iron collars with texts like “If found, return me to X” which also helped to recognise them. The domesticus slaves (the ones that lived in houses) didn’t wore the collar but sometimes were marked. A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one. Comes in a complimentary box  read more

Code: 24910

A Small & Beautiful Neolithic 7000 to 10000 Year Old Small Polished Stone Age Symbolic Flint Hand Axe 5000 to 8000 bc

In the Neolithic period (later stone age) people started to settle down and start farming. At places such as Springfield Lyons, in Chelmsford, Essex, these early settlements have been identified. It was also at this time when stone tools, which up until this point had been purely functional, started to take on a more symbolic meaning.

A beautiful piece of ancient craftsmanship, with the hand polishing of flint being incredibly labour intensive, even for the smallest of examples.

Besides being tools, axes could also have important ritual and social functions. Polished stone axes and other tools that were never used have been found across the county, showing changes in social hierarchy and possibly even the development of religion.

In the Neolithic period people began to use flint axes that had been polished. The polishing of flint marks such a significant technological advance that archaeologists use this to draw the boundary between the Mesolithic and the Neolithic periods.

Although small polished axes are readily believed to be symbolic for ceremonies some speculate they could also be the first human concept of jewellery, the evolution of two dimensional art of cave paintings, into three dimensional art, being artefacts of rare and fine materials to be given or traded.

The population grew, and this led to competition for space, power and leadership. The farmer could mark his position in battle, as well as with peaceful exchanges of gifts with neighbours and friends. Gifts could be ornate axes of flint or amber beads. Many of these riches were sacrificed to the powers above in lakes. In the early Neolithic period people were also sometimes executed and thrown in lakes. Conflicts among the farmers may have triggered off violence and killings. Human sacrifices were also made. Both young and old people ended their days in this way.

The Neolithic also known as the "New Stone Age", the final division of the Stone Age, began about 12,000 years ago when the first development of farming appeared in the Epipalaeolithic Near East, and later in other parts of the world. The division lasted until the transitional period of the Chalcolithic from about 6,500 years ago (4500 BC), marked by the development of metallurgy, leading up to the Bronze Age and Iron Age. In Northern Europe, the Neolithic lasted until about 1700 BC, while in China it extended until 1200 BC. Other parts of the world (the New World) remained in the Neolithic stage of development until European contact.

The Neolithic comprises a progression of behavioral and cultural characteristics and changes, including the use of wild and domestic crops and of domesticated animals.

The term Neolithic derives from the Greek neos and lithos "New Stone Age". The term was coined by Sir John Lubbock in 1865 as a refinement of the three-age system.

Photo of Skara Brae, Orkney, Neolithic home, thought to be 5,000 years old

38 mm long  read more

Code: 24912

A Superb 60 Million Year Old Otodus Shark's Tooth Fossil. The Ancestor of the Megaladon The Giant Great White Type Shark

This would make a fabulous and incredibly unusual and original gift for a loved one.

The Otodus of 60 million years ago was up to 40 foot long and the Megalodon of 20 million years ago was up to 60 foot long.

A stunning large Otodus shark's tooth fossil in super condition. One of a small collection we have just been delighted to acquire. It would make a stunning desk ornament, as an impressive collector's item and conversation piece. Otodus is an extinct genus of shark which lived from the Paleocene to the Miocene epoch.
Otodus likely preyed upon large bony fish, other sharks, and from the Eocene until the genus' extinct during the Miocene, marine mammals. It was among the top predators of its time.The fossils of Otodus indicate that it was a very large macro-predatory shark. The vertebral centrum of this shark are over 12.7 cm (5 inch) wide. Scientists suggest that this shark at least reached 9.1 metres (30 ft) in total length, with a maximum length of 12.2 metres (40 ft) The Paleocene Epoch is bracketed by two major events in Earth's history. It started with the mass extinction event at the end of the Cretaceous, known as the Cretaceous–Paleogene (K–Pg) boundary. This was a time marked by the demise of non-avian dinosaurs, giant marine reptiles and much other fauna and flora. The die-off of the dinosaurs left unfilled ecological niches worldwide. The Paleocene ended with the Paleocene–Eocene Thermal Maximum, a geologically brief (0.2 million year) interval characterised by extreme changes in climate and carbon cycling. The otodus was likely the ancestor of the Giant White Megaladon shark of 40 million years later. The tooth shown here was sold on day 1 but we have two others near identical, also the same size, the price is also the same. It is possible they may have been from the remains of the same shark.

As with all our items it comes complete with our certificate of authenticity.  read more

Code: 24516

Sword of US General John H Eaton, President Jackson’s Personal Envoy, and Aide in the Creek War, and the War of 1812. A Superb Spanish Epee Presented by the Queen of Spain to US General J.H. Eaton in 1837

This fabulous sword was later worn, after its inheritance from General Eaton, by a friend of Ulysses S. Grant, Col. James A. Magruder, at the funeral of President Lincoln.

Since 1967, for several decades, this wonderful and historic sword was on display at Dumbarton House in Washington DC, a federal historic house museum

A simply stunning historical Spanish full dress epee, by tradition, presented to United States General John H Eaton, Envoy Extraordinary & Minister Plenipotentiary for President Andrew Jackson's America, to the Kingdom of Spain, by Her Majesty Maria Christina de Borbon, Queen Consort, and Regent for her daughter Isabella II Queen of Spain, in 1837. The sword has a fine tapering double-edged blade of flattened-hexagonal section, stamped 'Ano D 1837' and 'Fa Ntl Di Toledo' on the respective faces at the forte, finest gilt bronze hilt cast with wonderful classical ornament in relief, including oval shell-guard decorated with the Iberian eagle flanked by classical figures, the quillon-block bears the letter 'F' for Ferdinand' enclosed within a laurel wreath, a
pair of straight quillons, knuckle-guard and pommel, and integral grip all decorated en suite, in its blued iron scabbard (now oxidised to brown) with gilt-bronze suspensions mounts and drag 76.8 cm; 30 1/4 in blade
Provenance;
By tradition presented to General John H. Eaton US General J.H.Eaton, Envoy Extraordinary for President Andrew Jackson to Spain, who was married to the ward of President Andrew Jackson. It was presented by the Regent of Spain, Her Majesty Queen Maria Christina in 1837, when General Eaton was Envoy Extraordinary and Minister Plenipotentiary to Spain (1836-1840). Maria Christina of Spain (when Regent for her daughter, the future Isabella II) was Maria Cristina de Borbon, Princesa de las Dos Sicilias; 27 April 1806 - 22 August 1878) she was Queen Consort of Spain (1829 to 1833) and Regent of Spain (1833 to 1840). This sword was thence passed after his death to his friend and physician Dr William B. Magruder; thence to his brother Colonel James A. Magruder, a personal friend of General Grant, who wore the sword on full dress occasions including the funeral of President Lincoln, thence by descent to
Mrs. Millicent Magruder Nichols, Massachusetts who gifted the sword to Dumbarton House in 1967. Dumbarton House, is a Federal period historic house museum in Washington, DC. The house serves as the headquarters for The National Society of Colonial Dames of America, a group of women whose ancestors contributed to America’s founding. Eaton originally became active in the Tennessee militia, and attained the rank of major. He developed a close friendship with Andrew Jackson, and served as an aide to Jackson during the Creek War and the War of 1812. Eaton took part in all Jackson's major campaigns. He supported Jackson's controversial decision in November 1814 to attack Pensacola in Spanish Florida, claiming that Spain had put herself in a belligerent position by allowing its territory to be occupied by British soldiers. Eaton participated in the Battle of New Orleans, and became a major proponent of Jackson's presidential candidacy following the war. He was later appointed governor of Florida by President Jackson

The First Carlist War was a civil war in Spain from 1833 to 1840, the first of three Carlist Wars. It was fought between two factions over the succession to the throne and the nature of the Spanish monarchy: the conservative and devolutionist supporters of the late king's brother, Carlos de Borbón (or Carlos V), became known as Carlists (carlistas), while the progressive and centralist supporters of the regent, Maria Christina, acting for Isabella II of Spain, were called Liberals (liberales), cristinos or isabelinos. It is considered by some authors the largest and most deadly civil war of the period.

The Carlist forces were split in three geographically distinct armies: Norte ('North'), Maestrazgo and Cataluña ('Catalonia'), which by and large operated independently from each other.

Aside from being a war of succession about the question who the rightful successor to king Ferdinand VII of Spain was, the Carlists’ goal was the return to a traditional monarchy, while the Liberals sought to defend the constitutional monarchy. Portugal, France and the United Kingdom supported the regency, and sent volunteer and even regular forces to confront the Carlist army.

As with every item we sell it will be accompanied with a Certificate of Authenticity, our unique lifetime guarantee  read more

Code: 21497

A Fabulous, Huge, & Very Rare Original 1909 Poster For Schichtl's Marine-Theater. Depicting Germany’s Military Might In The Air, and Sea. Produced by the Showman Known at the Time as Germany’s P,T. Barnum The Greatest Showman on Earth

An extraordinarily beautiful original theatre poster from the turn of the 1900’s, and as far a we know, it may well the the only surviving example outside of a museum collection. In Excellent plus condition.

This spectacularly beautiful piece would grace any home or office surrounding, from contemporary modern to classical. The vibrant colours, artistry and the subject are a unique combination in antique poster art

A most rare collectors piece in that it covers the areas of interest of numerous fields. Such as, original theatrical production advertising posters, the rare artwork associated with the centuries old art of puppetry, early Imperial German propaganda of their military might, as a direct taunt to the British Empire of the Kaisers cousin King Edward VIIth, a rare poster of early German airships, and last but not least a beautiful surviving example of the very specific form artistry that appeared in the late 19th century and up to WW1.

Schichtl's Puppet Theater - The Original Marine Spectacles.

Museum of Adolph Friedländer. A variety theatre that put on a production depicting Imperial Germany's Maritime and Aeronautical might for the amazement of the viewing public.

Set's and artists provided a theatrical view of Germany's Grand Fleet and Airships using clever sets, backdrops and marionettes.

A little like America's P.T.Barnum's circus and curiosity side shows, but more typically Germanic, having a greater militaristic perspective.

Schichtl's Marine-Theater
Werbeplakat, feine Farblithographie, Hamburg 1909, 71 x 95 cm,

gemarkt "Lith. Adolph Friedlender, Hamburg", selten.  read more

Code: 16905

An American WW2, M3 Pattern, Fighting Knife, in its Beckwith Manufacturing Company, Victoria Plastics, M8 Scabbard

The scabbard has the VP mark over a 41 on the scabbard reverse side. It is the logo of the Victory Plastics Division of the Beckwith Manufacturing Company. The number is believed to be a mould identification number for quality control purposes. the metal throat has very old applied black surface protective paint which may reveal a US M8 BMCO stamp beneath, but we would not recommend removing it, as it is part of its character and history. One can see the layered cotton ducking and Tenite under the surface of the scabbard green paint on the both the front and reverse very easily. Metal tip to scabbard with lanyard hole,

The traditional double edged bladed M3 has no maker markings, it has a usual stacked leather washer grip but with a three washer, composition material, replaced top section. possibly through combat damage. The crossguards have both been custom shortened and squared off etc, likely accomplished when the three top washers were replaced. It came from a WW2 and Korean War American US Marine veteran who settled here and married in the UK in the 1960's. The blade has grey overall old surface corrosion traces. We have no knowledge of its past service use anymore, but one can see it has certainly seen use for the purpose for which it was designed. An interesting and speculative vintage combat piece, with old repairs etc. but none the less interesting for that

When the United States adopted the M3 fighting knife, they also adopted the M6 leather sheath to carry the new combat knife in. Despite having been one of the first militaries to adopt cloth field gear in place of leather belts, cartridge cases, etc., the U.S. military still used leather goods extensively for holsters, knife handles, and other materials. While perfectly fine for hunting knives, leather sheaths (as well as other leather products) have a tendency to mildew and rot in wet weather conditions like those found in the trenches of WWI or the jungles of the Pacific. As reports from the field came in, the shortcomings of the leather M6 soon became apparent. The Ordnance Department began looking for an alternative.The new scabbard consisted of a composite plastic material made from a combination of layered cotton ducking and Tenite. By heat treating the combination, it could be pressure moulded into a solid shape.The new scabbard was able to withstand temperatures fluctuations from 170 degrees Fahrenheit to 45 below. Superior to the Model 1910 in durability, the Army Ordnance Department adopted it as the M3 in the summer of 1941. To meet the contract, Beckwith purchased a plant in Hudson, Mass. Victory Plastics was born.

Beckwith began production of replacement for the M6 sheath, as well. Incorporating the materials produced at Victory Plastics, the new M8 had a metal throat, stamped “U.S. M8” and “BMCO” (for Beckwith Manufacturing Company). The “ears” of the throat were turned down to accommodate the angled hilt on the M3 knife.  read more

Code: 24911

A Very Good & Highly Desirable, 19th Century Pistol Powder Flask For Cased Duellers or Revolver

The most desirable kind of antique powder flask. The large fowling piece flasks can be very inexpensive, but the small 'cased pistol' sized flasks are incredibly sought after, as they can fit into cases were the flask is missing beautifully and complete a cased set perfectly..

A very good flask with crescent and bush embossed design, good spring and nice patination. All good seams. A great find for those that have a cased revolver single or pair or a pair of cased duellers lacking their flask. We show several cased pistols all with similar sized pistol flasks, including a cased pair of Colt pocket revolvers, and a pair of Durs Egg duellers.The flask is 4.75 inches long overall, max width 2 inches.  read more

Code: 21924

A Wonderful Victorian Dandy Cane, With the Head of an Expressive Monkey

The monkey's head is made of simulated amber, with decorated highlights. It conveys a somewhat wry expression. Monkeys have created a fascination in British art, design sculpture for over two centuries and their depiction in walking or dandy canes is nothing but a delight. This is an especially endearing large example. The cane haft is dark brown with a nickel collar beneath the head. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maitre (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honore De Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comedie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates esthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism. Inches long, the ears appear to have had some old restoration. Inches long, the ears appear to have had some old restoration.  read more

Code: 23190