Beautiful 17th to 18th Century Chinese Qing Dynasty Period Sword Of The Era Of Emperor Kangxi, With a Silver Wire Bound Hilt, and a Silver, Giant Rayskin, Coral & Turquoise Gem Set Panelled Scabbard, Typical of Eastern Tibet

Likely the sword of a Chinese or Tibetan noble or high ranking warrior. A functional combat sword yet with elements of extravagant decor, that clearly shows to high status of its owner, during the early Qing also called Ching dynasty, that followed the late Ming dynasty.
Steel hilt with silver wire bound grip, stylised traditional Chinese batwing engraved pommel and steel mounting bands of the scabbard, the scabbard is panelled in giant rayskin, and a bottom chape in repousse silver metal, with decor of swirling winds, mounted with cabouchons of torqoise and coral to one side. The scabbard also has some silver wire re-enforced binding. This a most rare, beautiful and original antique Chinese sword. Original surviving antique swords are extremely scarce due to the Cultural Revolution in the mid 20th century in China, when 99.99% of all existing antique swords were destroyed or ordered melted down for their metal content.

Of course the manufacture and sale of reproduction Chinese swords in China is a thriving market, many intimated and sold to be old or original, but very sadly, none are.

Old original Chinese antique arms very rarely survive, and now are generally only to be seen in the biggest and best museums. The fittings are very much in the form popular in the south to eastern region of the old Chinese empire in the Xizang province, and Eastern Tibet. This sword is a textbook representative example of the familiar Chinese form, well made and of good quality. The blade has traces still visible of the prominent ‘hairpin’ lamination pattern, the hallmark of traditional blades of the region, consisting of seven dark lines alternating with six light lines, caused by the different types of iron that were combined during the forging process. This was formed by combining harder and softer iron, referred to as "male iron" and "female iron" in traditional ancient texts from the region, which was folded, nested together, and forged into one piece in a blade-making technique called pattern welding. The hilts are often made of engraved silver set with coral or turquoise, or in some rare instances are intricately chiseled and pierced in iron that is damascened in gold and silver. The different styles of swords that were once found in greater China can be distinguished by several basic features, which include the type of blade, the form of hilt, the type of scabbard, and how the sword was designed to be worn. Traditional texts divide swords into five principal types, each of which has a main subtype, for a total of ten basic types. These are in turn subdivided into dozens of further subtypes, many of which may, however, reflect legends and literary conventions rather than actual sword forms.

A few excellent examples of arms and armour from the region can be found in museum collections today. Other types were preserved for ceremonial occasions, the most important of which was the Great Prayer Festival, a month-long event held annually in the local capitol. Historical armour and weapons were also very fortunately preserved due to the long-standing tradition of placing votive arms in monasteries and temples, where they are kept in special chapels, known as gonkhang (mgon khang), and dedicated to the service of guardian deities. Although there are representatives of the Manchus in Tibet, the region is largely left to function independently and does so for the next 200 years.

Currently in one of the worlds greatest museums, the Metropolitan Museum of Art in New York, there is an exhibition of Chinese & Tibetan arms and armour. Item 36.25.1464., within the exhibition, is a near identical sword, dated as 17th century, used until the 19th century.

The Qing dynasty, officially the Great Qing pronounced Ching, was the last imperial dynasty of China and Mongolia. It was established in 1636, and ruled China proper from 1644 to 1912. The Qing multi-cultural empire lasted for almost three centuries and formed the territorial base for modern China. It was the fifth largest empire in world history. The dynasty was founded by the Manchu Aisin Gioro clan in Manchuria. In the late sixteenth century, Nurhaci, originally a Ming Jianzhou Guard vassal, began organizing "Banners", military-social units that included Manchu, Han, and Mongol elements. Nurhaci formed the Manchu clans into a unified entity. By 1636, his son Hong Taiji began driving Ming forces out of the Liaodong Peninsula and declared a new dynasty, the Qing.

In an unrelated development, peasant rebels led by Li Zicheng conquered the Ming capital, Beijing, in 1644. Rather than serve them, Ming general Wu Sangui made an alliance with the Manchus and opened the Shanhai Pass to the Banner Armies led by the regent Prince Dorgon. He defeated the rebels and seized the capital. Resistance from the Southern Ming and the Revolt of the Three Feudatories led by Wu Sangui delayed the Qing conquest of China proper by nearly four decades. The conquest was only completed in 1683 under the Kangxi Emperor reign (1661-1722). The Ten Great Campaigns of the Qianlong Emperor from the 1750s to the 1790s extended Qing control into Inner Asia.

During the Qianlong Emperor reign (1735-1796) the dynasty reached its apogee, but then began its initial decline in prosperity and imperial control. The population rose to some 400 millions, but taxes and government revenues were fixed at a low rate, virtually guaranteeing eventual fiscal crisis. Corruption set in, rebels tested government legitimacy, and ruling elites failed to change their mindsets in the face of changes in the world system. Following the Opium Wars, European powers imposed "unequal treaties", free trade, extraterritoriality and treaty ports under foreign control. The Taiping Rebellion (1850-1864) and the Dungan Revolt (1862-1877) in Central Asia led to the deaths of some 20 million people, most of them due to famines caused by war. In spite of these disasters, in the Tongzhi Restoration of the 1860s, Han Chinese elites rallied to the defense of the Confucian order and the Qing rulers. The initial gains in the Self-Strengthening Movement were destroyed in the First Sino-Japanese War of 1895, in which the Qing lost its influence over Korea and the possession of Taiwan. New Armies were organised, but the ambitious Hundred Days' Reform of 1898 was turned back in a coup by the conservative Empress Dowager Cixi. When the Scramble for Concessions by foreign powers triggered the violently anti-foreign "Boxers", the foreign powers invaded China, Cixi declared war on them, leading to defeat and the flight of the Imperial Court to Xi'an.
Overall 23 3/4 inches long.  read more

Code: 22307

Beautiful, Inscribed, Elizabethan Tudor & Renaissance Nobleman’s Rapier 16th Century, Circa 1570

A stunning Renaissance rapier with tapered blade of flattened hexagonal section, fullers on both sides of the forte inscribed with Fio Nio, [abbreviated Latin] opposite armourer’s marks of crescents plus circle with cross on the blade, nicely defined long ricasso; with an elaborate, swept hilt with thumb ring, and three, hand guard bars, the quillon finials with shaped knobs very nicely embossed. It has a restored leather grip surface and a beautifully pronounced ovoid egg form pommel.

Often used in duels in conjunction with a maine gauche off-hand parrying dagger.

Exactly the same form of sword rapiers as worn by all of the great admirals and knights in Queen Elizabeth the 1st's court. See the three original portraits of such as Sir Walter Raleigh, Sir Francis Drake, & Earl Dudley.

Sir Francis Drake while commanding the English fleet against the Spanish Armada, plus all his senior captains and command officers, carried and used the very same form of rapier, despite its length being somewhat impractical to hand to hand combat aboard ship. It wasn’t for some time that logic prevailed and swords for use aboard ships became much shorter, such as hunting swords, and thus far more practical when hampered by low slung rigging aboard the main deck of all ships.

It was also the very form of sword carried by the senior Spanish Conquistadors on their conquest of the South Americas in the 16th century.

From the early 16th century onward, the practice of wearing a sword or rapier with civilian dress, made duels between unarmoured opponents more common. Lacking the armour, shield or hand protections worn in battle, the fighters had to block or parry an attack by other means. Methods of defence included the use of a dagger or a buckler held in the left hand. Fundamental characteristics of the spada da lato, compared to the normal one-handed sword and the sword, are the long and pointed but still massive blade, sharpened on both sides, with a short ricasso protected above by a metal ring; and the hilt with one or two-handed sleeves, normally in relation to the length of the blade and therefore to the total weight of the weapon, cross-shaped guard with large, straight or folded arms, loaded with branches, bridges and rings, articulating on the ricasso, to ensure greater protection of the hand.

For further reference as to type;
C. Foulkes, Inventory and Survey of the Armouries of the Tower of London, published 1916; and A.R. Dufty, European Swords and Daggers in the Tower of London, published 1974, see letter D on plate 21
From the early 16th century onward, the practice of wearing a sword or rapier with civilian dress, made duels between unarmoured opponents more common. Lacking the armour, shield or hand protections worn in battle, the fighters had to block or parry an attack by other means. Methods of defence included the use of a dagger or a buckler held in the left hand. Fundamental characteristics of the spada da lato, compared to the normal one-handed sword and the sword, are the long and pointed but still massive blade, sharpened on both sides, with a short ricasso protected above by a metal ring; and the hilt with one or two-handed sleeves, normally in relation to the length of the blade and therefore to the total weight of the weapon, cross-shaped guard with large, straight or folded arms, loaded with branches, bridges and rings, articulating on the ricasso, to ensure greater protection of the hand. The maker's mark shows comparisons with a rapier in the Tower of London Armoury see Foulkes, no.107 p.274, 1916

41 1/3" overall length. Fine condition.  read more

Code: 24093

An Original English Civil War Period Portrait of General George Monk & General Monk's Early Leather Bound Biography

A fine portrait After Samuel Cooper of George Monk, 1st Duke of Albemarle. Oil on canvas laid on board, inscribed Gen: Monk, Duke of Albermale upper centre. And a fine volume of The Life of General Monk, Duke of Albemarle 2nd Edit. 1724. George Monk, 1st Duke of Albemarle, KG (6 December 1608 - 3 January 1670) was an English soldier and politician and a key figure in the Restoration of Charles II. During the operations on the Scottish border in the Bishops' Wars (1639-1640) he showed his skill and coolness in the dispositions by which he saved the English artillery at the Battle of Newburn (1640).

At the outbreak of the Irish rebellion (1641) Monck became colonel of Robert Sidney, 2nd Earl of Leicester's regiment under the command of James Butler, 1st Duke of Ormonde. All the qualities for which he was noted through life his talent for making himself indispensable, his imperturbable temper and his impenetrable secrecy were fully displayed in this post. The governorship of Dublin stood vacant, and Leicester recommended Monck.

However, Charles I overruled the appointment in favour of Charles Lambart, 1st Earl of Cavan, and Monck surrendered the appointment without protest. James Butler, 1st Duke of Ormonde viewed him with suspicion as one of two officers who refused to take the oath to support the Royal cause in England and sent him under guard to Bristol.

Monck justified himself to Charles I in person, and his astute criticisms of the conduct of the Irish war impressed the king, who gave him a command in the army brought over from Ireland during the English Civil War. Taken prisoner by Parliament's Northern Association Army under Sir Thomas Fairfax, 3rd Lord Fairfax of Cameron at the Battle of Nantwich in January 1644, he spent the next two years in the Tower of London. He spent his imprisonment writing his Observations on Military and Political Affairs Monck's experience in Ireland led to his release. He was made major general in the army sent by Parliament against Irish rebels. Making a distinction (like other soldiers of the time) between fighting the Irish and taking arms against the king, he accepted the offer and swore loyalty to the Parliamentary cause. He made little headway against the Irish led by Owen Roe O'Neill and concluded an armistice (called then a "convention") with the rebel leaders upon terms which he knew the Parliament would not ratify. The convention was a military expedient to deal with a military necessity. When in February 1649 Scotland proclaimed Charles, Prince of Wales, as Charles II, King of Scotland, the Protestant Ulster Scots settlers did the same and following Charles's lead took the Solemn League and Covenant. Most of Monck's army went over to the Royalist cause, placing themselves under the command of Hugh Montgomery, 1st Earl of Mount Alexander. Monck himself remained faithful to Parliament and returned to England.

Although Parliament disavowed the terms of the truce, no blame was attached to Monck's recognition of military necessity. He next fought at Oliver Cromwell's side in Scotland at the 1650 Battle of Dunbar, a resounding Roundhead victory. Made commander-in-chief in Scotland by Cromwell, Monck completed the subjugation of the country.

In February 1652 Monck left Scotland to recover his broken health at Bath, and in November of the same year he became a General at Sea in the First Anglo-Dutch War, which ended in a decisive victory for the Commonwealth's fleet and marked the beginning of England's climb to supremacy over the Dutch at sea.

On his return to shore Monck married Anne Radford (n?e Clarges).In 1653 he was nominated one of the representatives for Devon in Barebone's Parliament. He returned to Scotland, methodically beating down a Royalist insurrection in the Highlands. At Cromwell's request, Monck remained in Scotland as governor During the confusion which followed Cromwell's death on 3 September 1658, Monck remained silent and watchful at Edinburgh, careful only to secure his hold on his troops. At first he contemplated armed support of Richard Cromwell, but on realising the young man's incapacity for government, he gave up this idea and renewed his waiting policy. In July 1659 direct and tempting proposals were again made to him by the future Charles II. Monck was elected Member of Parliament for both Devon and Cambridge University in the Convention Parliament of 1660. Though he protested his adherence to republican principles, it was a matter of common knowledge that the parliament would have a strong Royalist colour. Monck himself, in communication with Charles II, accepted the latter's Declaration of Breda of 4 April 1660, which was largely based on Monck's recommendations. On 1 May the newly convened Convention Parliament formally invited Charles, as King Charles II, to be the English monarch in what has become known as the Restoration. The painting size is 27cm x 23.5 cm., and in its frame it is 16.75 inches x 15.5 inches  read more

Code: 22723

A 13th Century Iron Head, Crusader Knight's Battle Mace, 800 Years Old, Mounted Upon A Later Museum's Display Haft

Pineapple shaped lobes on circular head with large mounting hole through which the haft slots. it was fitted to a plain wood haft for a museum display, as its original rotted away centuries ago as usual, in order to show how it looked and was used 800 years ago.
This type of mace head were also used as a Flail Mace, by filling out the hollow iron head with lead and a chain mounted hook placed within it, a chain would then be added to the end of a similar but shorter wooden haft. This subsequent mace head weapon could thus then became a flail, often called a scorpion at the time.

This very fine and rare iron mace head has flattened pyramidal protuberances, and is possibly English. Made for a mounted Knight to use as an armour and helmet crusher in hand to hand mortal combat upon his war horse, or then for use dismounted.

It would have been used for several hundred years, up to the 15th to 16th century.
Used as a flail it had the sobriquet of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'.

King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed. In fact so noble were his actions regarded, it is said his banner of three erect and standing feathers became the symbol of the then Prince of Wales, Edward, the Black Prince, and as such, is still used by the current Prince of Wales today.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used, especially in iron-deficient areas.
It is popularly believed that maces were employed by the clergy in warfare to avoid shedding blood (sine effusione sanguinis). The evidence for this is sparse and appears to derive almost entirely from the depiction of Bishop Odo of Bayeux wielding a club-like mace at the Battle of Hastings in the Bayeux Tapestry, the idea being that he did so to avoid either shedding blood or bearing the arms of war. One of the Crusades this type of mace may have been used was the Crusade of 1239, which was in territorial terms the most successful crusade since the First. Called by Pope Gregory IX, the Barons' Crusade broadly spanned from 1234-1241 and embodied the highest point of papal endeavour "to make crusading a universal Christian undertaking." Gregory called for a crusade in France, England, and Hungary with different degrees of success. Although the crusaders did not achieve any glorious military victories, they used diplomacy to successfully play the two warring factions of the Muslim Ayyubid dynasty (As-Salih Ismail in Damascus and As-Salih Ayyub in Egypt) against one another for even more concessions than Frederick II gained during the more well-known Sixth Crusade. For a few years, the Barons' Crusade returned the Kingdom of Jerusalem to its largest size since 1187.
This crusade to the Holy Land is sometimes discussed as two separate crusades: that of King Theobald I of Navarre, which began in 1239; and, the separate host of crusaders under the leadership of Richard of Cornwall, which arrived after Theobald departed in 1240. Additionally, the Barons' Crusade is often described in tandem with Baldwin of Courtenay's concurrent trip to Constantinople and capture of Tzurulum with a separate, smaller force of crusaders. This is because Gregory IX briefly attempted to redirect the target his new crusade from liberating the Holy Land from Muslims to protecting the Latin Empire of Constantinople from heretical Christians.

Despite relatively plentiful primary sources, scholarship until recently has been limited, due at least in part to the lack of major military engagements. Although Gregory IX went further than any other pope to create an ideal of Christian unity in the process of organizing the crusade, in practice the crusade's divided leadership did not reveal a unified Christian action or identity in response to taking a cross. Approx. 2.5 inch wide lobed iron head.

Painting in the gallery by Julian Russel Story of the Black Prince at the battle of Crecy. At his feet lies the body of the dead King John of Bohemia painted in 1888.  read more

Code: 21534

A Superb 19th Century French Chassepot M1866 Sword Bayonet, Franco Prussian War Issue, Manufactured at the Armoury of StEtienne 1870

Stunning example, with very good steel and brass,
Its inventor was, Antoine Alphonse Chassepot, and it became the French service weapon in 1866. It was first used at the battlefield at Mentana, November 1867, where it inflicted severe losses on Garibaldi's troops. The event was reported at the French Parliament: "Les Chassepots ont fait merveille!", {The Chassepots did marvelous execution !} In the Franco-Prussian War (1870-1871) it proved greatly superior to the German Dreyse needle gun, outranging it by 2 to 1. Although it was a smaller caliber but the chassepot ammunition had more gunpowder and thus faster muzzle velocity. The Chassepots were responsible for most of the Prussian and other German casualties during the conflict. This is the most widely copied of all the sword bayonets. Many countries - including the United States, Egypt, Belgium, and Argentina - have manufactured or used very similar bayonets. The French model was designed to fit on the French Model 1866 Chassepot Rifled Infantry Musket (the musket was revolutionary in itself). It was manufactured from 1866 to about 1874 and was replaced by the French Model 1874 "Gras" Bayonet.
The bayonets are brass-hilted The crossguard is iron (steel) and has a screw-type tightening arrangement on the muzzle-ring. The lower quillon is a hooked "blade-breaker" type.
The blade is steel, single-edged, fullered (both sides), with a re-curved or "yataghan-shape." The blades marked on the back-edge (opposite the cutting edge) with the arsenal, month, and year of manufacture; this is done in engraved cursive fashion
Arsenals encountered may be such as Chatellerault, Mutzig, St. Etienne, Paris-Oudry, Tulle, and perhaps Steyr (not confirmed on the 1866). The French wars during the life-span of this bayonet were: French Intervention in Mexico (1861-1867);
Franco-Prussian War (July 19, 1870 - May 10, 1871)
French Indo-China (1873-1874, 1882-1883);
Sino-French War (1883-1885);
Madagascar Wars (1883-1885, 1895);
1st Mandingo-French War (1883-1886);
1st Dahomeyan-French War (1889-1990);
2nd Dahomeyan-French War (1892-1894);
Franco-Siamese War of (1893)
2nd Mandingo-French War (1894-1895);
Conquest of Chad (1897-1914);
3rd Mandingo-French War (1898);
Moroccan War (1907-1912);
The Wadai War (1909-1911);
World War I (early).

These bayonets were widely copied and used by many countries - including the United States, Belgium, and Germany. Many of the actual French-marked bayonets can be found with German manufactured blades. It is believed some of these were used during the American Civil War when many European arsenals were emptied of their surplus arms.
These bayonets are the French Model 1866 "Chassepot" Bayonet.
The crossguard are iron (steel) and with a "cock's comb" muzzle-ring finial. The lower quillon is a hooked "blade-breaker" type.
The blade is steel, single-edged, fullered (both sides), with a re-curved or "yataghan-shape." One blade is marked on the back-edge (opposite the cutting edge) with the arsenal, month, and year of manufacture; this is done in engraved cursive fashion.  read more

Code: 25133

An Edo Period Armourer's Myochin School Chrysanthemum Katana Tsuba

Iron plate tsuba in circular shape with omote and ura surfaces showing multiple hot stamp kiku stamp designs.

Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 20740

A Most Attractive Late King George IIIrd English Long Barrel Fowling Piece

Very long barrel, and good walnut stock. Percussion action. The earliest smoothbore firearms loaded with shot were the fowling pieces that appeared in 16th-century Europe. In the early 17th century, the barrels were made as long as 6 feet in an attempt to gain maximum accuracy. Hunting has been practised in Britain since prehistoric times; it was a crucial activity of hunter-gatherer societies before the domestication of animals and the dawn of agriculture.

In Britain, hunting with hounds was popular in Celtic Britain before the Romans arrived, using the Agassaei breed. The Romans brought their Castorian and Fulpine hound breeds to England, along with importing the brown hare (the mountain hare is native) and fallow deer as quarry. Wild boar was also hunted.

The earliest known attempt to specifically hunt a fox with hounds was in Norfolk, in the East of England, in 1534, where farmers began chasing down foxes with their dogs as a form of pest control. Packs of hounds were first trained specifically to hunt foxes in the late 17th century, with the oldest such fox hunt likely to be the Bilsdale in Yorkshire. By the end of the 17th century, many organised packs were hunting both hare and fox.

Shotguns were improved during the 18th and 19th centuries and game shooting became more popular. To protect the pheasants for the shooters, gamekeepers culled vermin such as foxes, magpies and birds of prey almost to extirpation in popular areas, and landowners improved their coverts and other habitats for game. Game Laws were relaxed in 1831 which meant anyone could obtain a permit to shoot rabbits, hares, and gamebirds, although shooting and taking away any birds or animals on someone else's land without their permission continued to be the crime of poaching, as it still is.

Hunting was formerly a royal sport, and to an extent shooting still is, with many Kings and Queens being involved in hunting and shooting, including King Edward VII, King George V (who on 18 December 1913 shot over a thousand pheasants out of a total bag of 3937), King George VI and the present day Prince Philip, although Queen Elizabeth II does not shoot. Shooting on the large estates of Scotland has always been a fashionable country sport. This trend is generally attributed to the Victorians, who were inspired by the romantic imagery of the Scottish Highlands.

The modern shotgun evolved principally from a series of 19th-century improvements in gunpowder, cartridges, and guns. The barrel was shortened and lightened, making possible the double-barreled gun, in which two barrels shoot to the same point of aim at normal ranges. The choke bore was introduced to limit the spread of the shot and increase range and accuracy. As with all our antique guns, no license is required as they are all unrestricted antique collectables

Barrel 50.5 inches long, overall 67 inches long  read more

Code: 22357

We Just Signed Up To Instagram This Week. Another Way to Connect To our Webstore & Our Daily Updates

We signed up on Thursday to Instagram, thanks to the suggestions and guidance of our tech savvy Victoria, and our eldest granddaughter / great neice, Holly {who has her own 500k instagram followers}

copy and paste.
https://www.instagram.com/lanesarmoury

We only have a few pictures to view there at present, and it will take us a while to add our other 20k+ photographs, but we will get it done eventually.

If you use Instagram... why not 'follow' us and enjoy  read more

Code: 25130

The Lanes Armoury..Everything You Can Imagine, and a Lot, Lot More!

Original pieces from the great ancient civilisations, Ancient Egyptian, Greek, Scythian, Persian, Roman, Celtic, Anglo-Saxon, Viking, Norman, Japanese, Chinese, Indian, British, and beyond, in fact more antiquities, armoury antiques, militaria, that you can imagine, plus leaves from illuminated manuscripts, rare and historical books, incunabula and Ist editions

We may not quite have everything that everyone might be seeking, but you can trust that we have spent over 100 years trying, and every day we do our utmost to scour the collecting world to find yet more, unique ancient or antique pieces. We put in all the hard work, effort and expertise, so that you don't have to!, and remember, every purchase is accompanied with our Certificate of Authenticity, as our unique, lifetime guarantee, backed up by over 100 years of long established experience.

We are asked almost every day by many of our amazed and curious visitors about famous celebrities that have been customers past and present, so here goes, but just a snippet of a few mixed up names including those that Mark has personally assisted since 1970, and David since 1980, but of course there are many here below that our younger viewers will very likely have never even heard of!;

Elizabeth Taylor and Richard Burton, actors
Charlton 'Chuck' Heston, actor
Edward G. Robinson, actor,
HRH Princess Margaret, late sister of Her Late Majesty Queen Elizabeth
'Fat Boy' Slim, aka Norman Cook, songwriter +
Ronald Reagan, Potus
John Osborne, author
Lord Olivier, a most well beloved Brighton resident, and actor director..
Barry Humphries, genius writer actor of limitless talent
Max Millar, comedian
Harold, Viscount Watkinson, Winston Churchill's Minister of Defence 1959/62
Garfield [Garry] Weston, proprietor of Fortnum and Mason, chairman Associated British Foods and of the Garfield Weston Foundation
John Montgomery, author
Johnny Rotten, singer and armed forces supporter
The Lord St John of Fawsley
The Tower Armouries, museum
The Higgins Museum, USA
Octav Botnar Chairman, &. Late Owner Nissan UK, formerly Datsun UK
The Metropolitan, New York
The Smithsonian, Washington D.C.
Lord Hailsham
Katy Melua, singer songwriter
Will Young, singer
Douglas Bader, RAF
Mark Williams, character actor par excellence
Sir Ralph Richardson, actor
Jim Davidson major armed services charities benefactor and comedian
Warner Bros. UK,
Sir Henry Cecil One of the world's greatest horse trainers
Macy’s, New York Department Store
St Albans Museum + Gallery, providing their new centrepiece exhibit for their new ‘War of the Roses’ Battle of St. Albans gallery.
Rebekkah Brooks & Ross Kemp in their past to-gether days, journalist and actor
The Horniman Museum, UK.
Major General Lord Fitzalen Howard Life Guards GCVO, CB, CBE, MC.
Howard Blackmore Deputy Master of The Tower of London Armouries, Founder and President The Arms and Armour Society
Steven Berkoff, actor, playwright, theatre director
Kaufhof GmbH German department store chain
Galeria D'Arte Adriana Papiri-Brignoni foremost gallery proprietor of Lugano Switzerland [with her husband Gigi] & Her friends, residents of Lugano;
Gina Lollobrigida, actress
Valentino, fashion designer
Eugene Faberge, in the 1950’s, the eldest son Carl Faberge of Moscow.
Dzigar Kongtrul Rinpoche (Jigme Namgyel), renown Buddhist and author.....
Plus, many thousands more...  read more

Code: 23976

A 19th Century, Highly Attractive, Antique Stilletto Bladed So-Called Courtesan's Protective Dagger

Spiral carved bone hilt, powerful quatrefoil 'armour piercing' blade, steel teardrop quillon crossguard, nickle scabbard. A so called coutesan's dagger, also often regarded as the gambler's boot dagger when found in North America
A coutesan's dagger was so called due to their attractiveness and useful size for concealment by unaccompanied ladies travelling abroad after dark.
Of course they would never have been sold as such by retailers, and the term has entered the vernacular of collectors probably even after the time they were actually made, however, like the term 'mortuary hilted swords' that bore the engraved visage of the king in the hilt from the English Civil War, they were never actually called that until almost 200 years later.

They are attractively designed elegant daggers, just such as this one, with a powerful and most efficient blade. 'Ladies of the night' became a major concern and a focal point for social reformers in the 19th century. Concerns were seen everywhere including the literature of notables such as Charles Dickens. He created characters (some of which may have had real life versions) like Nancy in Oliver Twist, and Martha Endell in David Copperfield.

No one knows for certain, but there were somewhere between 8,000 and 80,000 ladies of the trade in London during the Victorian Age. It is generally accepted that most of these women found themselves in prostitution due to economic necessity and desperate want.

There were three attitudes towards those in the profession – condemnation, regulation, and reformation. Dickens adopted the last and was intimately involved in a house of reform called Urania Cottage.

The carved handle has some feint natural line age markings  read more

Code: 24160