An Amazing Samurai Sword Katana. Signed, Hizen kuni Dewa no kami Yukihiro Circa 1670 Made For the Nabeshima Clan

A fabulous, signed, samurai katana of the Nabeshima clan lords.
All original Edo fittings to compliment the blade. A sword made circa 1670, with fine iron Higo school mounts with pure gold inlaid Imperial chrysanthemum mon to the fushi and kashira. Round iron Edo tsuba. Original Edo period urushi lacquer saya.

Yukihiro was a swordsmith of Hizen province, and as we believe this sword was made by him around 1670, he was making his swords for the Nebeshima at this time, so we believe it is very likely this was created intially for one of that family clan.
He was the Second son of Hashimoto Yoshinobu.
Yukihiro acquired the title of Dewa Daijo in 1648 and was ranked up to Dewa (No) Kami in 1663.
He travelled to Nagasaki to learn under Hisatsugu and Tanenaga who were highly informed about western steels brought to Japan by the Dutch. Yukihiro also studied Bizen-den style under the swordsmith that belonged to the Ishido School and sometimes added the character Ichi to his signature. Later he became a retained swordsmith of the Nabeshima family and lived in Nagase town. He passed away in 1683, aged 66. The clan controlled Saga Domain from the late Sengoku period through the Edo period.

The Nabeshima clan was a cadet branch of the Shoni clan and was descended from the Fujiwara clan. In the late 12th century, Fujiwara no Sukeyori, a descendant of Fujiwara no Hidesato in the 9th generation, received the title of Dazai Shoni (equivalent to that of vice-governor of the military government of Kyushu) from Shogun Minamoto no Yoritomo, and the title became the family name.

The clan played an important role in the region as early as the Muromachi period, when it helped suppress opposition to the Ashikaga shogunate's control of Kyushu. It did not take the name Nabeshima, however, until the late 15th century, when Shoni Shigenao established himself at Nabeshima in Hizen province (today part of Saga City, Saga prefecture). Later, in the Sengoku period (1467-1603), the Nabeshima were one of a number of clans which clashed over the island. The Nabeshima sided with the Ryuzoji clan against the Otomo clan, though this ultimately ended in failure and the death of Ryuzoji Takanobu at the 1584 battle of Okita Nawate. Several years later, however, the Nabeshima recovered power and prominence by aiding Toyotomi Hideyoshi in his 1587 invasion of Kyushu; Nabeshima Naoshige was granted the region of Saga as his fief, as a reward for his efforts. Naoshige also contributed to Hideyoshi's invasions of Korea in the 1590s.

The clan initially aided Ishida Mitsunari against Tokugawa Ieyasu in the Sekigahara Campaign in 1600. However, they switched sides to support the Tokugawa, who were ultimately victorious, before the campaign had ended, battling and occupying the forces of Tachibana Muneshige, who was thus prevented from contributing directly to the battle of Sekigahara. Though regarded as tozama daimyo ("outside" lords), and assigned particularly heavy corvee duties, the Nabeshima were allowed to keep their territory in Saga, and in fact had their kokudaka increased. The clan's forces served the new Tokugawa shogunate loyally in the years which followed; they remained in Kyushu during the 1615 Osaka Campaign as a check against a possible rebellion or uprising by the Shimazu clan, and aided in the suppression of the Shimabara Rebellion of 1637. In recognition of their service, members of the clan were granted the prestigious family honorific name of Matsudaira in 1648, Matsudaira being the original Tokugawa family name, the ruling Shogun of Japan for almost 300 years. 29.75 inch blade from tsuba to tip. Overall 39 inches long in saya. No p/x or layaway available on discounted items.  read more

Code: 19598

PRICE DROP AN AMAZING SPECIAL 50% OFF A Very Rare US Civil War 'C.Howard' Rimfire Long Gun with Underlever Action

Only the second we have seen in the past 10 years.
The Howard-Whitney Thunderbolt. This is undoubtedly one of the scarcest patent action guns made in the 1860's used in the American Civil War. .44 Cal Rimfire cartridge. There are elements of similarity in this rifle to the profile of Jean Baptiste Revol's of New Orleans patent breech loading rifle of 1853. In America around this time all manner of new gun actions and mechanisms were being created, in order to utilize the latest breech loading cartridges that had been designed to replace the outdated percussion muzzle loading system. This rifle, although not in pristine condition, and showing an overall russet finish, is a mighty rare gun and a must for collectors of rare patented long guns from this incredible era. For it was this very time, when no one new for certain which way the new cartridges could be made to function to their best advantage, that probably the most significant weapons were being created, and those systems and actions were to mould the whole industry of arms production even until today. Great and legendary gunsmiths, such as Henry who sold out to Winchester, were striving to create the best, most efficient, and indeed most marketable methods to evolve the rifle into the next level of development and progress, and this is likely one of those that simply failed to make the grade. This gun is one of only 2000 Mr. C. Howard's patent guns ever made, including the examples made under contract by Whitney Arms of Conn. USA. Made from the 1862 patent by Howard from the Civil War and by Whitney from 1866 to 1870. Most examples are marked by Whitney but just a few earlier examples were completely unmarked, and this is one of those. Some came to England in the late 19th century some after the war, so although a very rare gun, it is far rarer here in the UK. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 22921

A Fine Japanese Shinto Aikuchi Tanto, Made Over 240 to 300 Years Ago, During the Edo Period, With Old Edo Silvered Fittings & A Very Fine And Beautiful Blade

An extremely sophisticated and elegant tanto, of stunning simplicity. With silvered twin kogai

The kogai is actually two pieces ("warikogai") that can be used as chopsticks. The tsuka bound in thin strands of beleen. It has a hammered chequered pattern pure gold foiled covered habaki, blade collar.
The beautiful blade has a very fine deep, gunome undulating hamon. it has gilt chrysanthemum mekugi ana roundels.

All the original fittings are Edo period, as is the urushi lacquer saya. Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce decorated samurai sword saya and also ceremonial and decorative objects for their homes and palaces

The samurai tanto is commonly referred to as a knife or dagger, although in technical Japanese terms it is still a sword, however short. The blades of tanto can be single or double edged with a length between 15 and 30 cm (6-12 inches, in Japanese the length of 11.8 inches is called 1 shaku).

The tanto was designed primarily as a stabbing weapon, but the edge can be used for slashing as well. Tanto are generally forged in hira-zukuri style (without ridgeline) as is this one, meaning that their sides have no ridge line and are nearly flat, unlike the shinogi-zukuri structure of a katana. Some tanto have particularly thick cross-sections for armour-piercing duty, and are called yoroi toshi.

A very small gold foil area of the habaki now lacking. The old urushi lacquer on the saya has very small old contemporary wear marks etc.

Overall 12.5 inches long, blade around 8 inches long  read more

Code: 22202

British Army CWC W10 Watch. Formerly From A British Tank Regiment, 'Tanker' Serviceman. Excellent Quality Service Issue Timepiece, Iraq War Era Issue

With original military strap. New battery fitted and time checked. Beneath the 12 o’clock triangle marker is the encircled CWC insignia, and below that, is the encircled ‘T’ marker, which was the British military way to denote that the dial uses luminous material containing tritium. Government Broad Arrow inspection stamp. Service code, followed by ‘6645’ representing ‘Time Measuring Instrument’ and ‘99’ referring to the UK Nato country code, & Serial number with batch date, 1997

The CWC, or Cabot Watch and Clock Co. saw its inception in 1972 by Ray Mellor. Mellor got his start in the watch industry working for Hamilton to set up a retail distribution network in the United Kingdom. He would build on that opportunity and become the managing director for Hamilton UK, as well as spearheading the development of government contracts with the Ministry of Defence (MoD).

The CWC name actually gets its inspiration from the famed explorer John Cabot, an Italian explorer, known for his notable voyage from Bristol to the continent of North America in the late 1400’s.

Between 1972 and 1980, Mellor secured additional contracts under the CWC brand with the MoD and provided the Royal military with the W10, their tonneau shaped field watch and their asymmetric chronograph pilots watch, which would be issued to the RAF, as well as BBC war correspondents. In 1980.  read more

Code: 25067

A Most Attractive, 20th Century, Silver Omani Jambiya Knife. a Symbol of Status in UAE Society

An Omani Sa'idiyyah khanjar, a Khanjar with the distinctive ‘7 Rings’ to denote its owner is gifted to a person of high status, comprising of an all silver fronted scabbard and hilt. Decorated in intricate and delicate silver filigree wirework with a pattern similar to the 'tree of life'. Also known as the Jambiya, daggers of this quality were almost always usually custom made for presentation, not use. Lawrence of Arabia had several very similar ones presented to him, they were his favourite dagger, and he was frequently photographed wearing them. Silver, usually more often than not, coin silver, not English hallmarked silver. The jambia, a curved Islamic dagger, is the main customary accessory to the clothing worn by Arabian men. For centuries the people of South Arabia have inherited the their jambiahs from generation to generation. There are several theories about the origin of the Jambia. There are historical facts, concerning the existence of the Jambia revealing that it used to be worn at Sheban times, in the Himiarite kingdom. They take the statue of the Sheban king (Madi Karb 500 bc ) as proof. This statue, which was discovered by an American mission in Marib in the 1950s, was found to be wearing a Jambia. Since The most expensive and famous jambiya was purchased by Sheikh Naji Bin Abdul-Aziz Al-Sha'if, who was able to pay US $1 million for one prized and ancient piece. This jambiah had a historical importance, belonging to Imam Ahmed Hamid Al-Din, who ruled Yemen from 1948 to 1962. The Imam's most precious possession was transferred to Sheikh Hussein Al-Watari, who in turn sold it to Sheikh Al-Sha'if. According to Sheikh Muhammad Naji, the son of current owner of the most precious jambiah, his father's prize is the most expensive and famous one in the country. Its cost was made so high because it is one of the best jambiahs ever made by Al-Saifani, and a piece of history, as well.

Just returned from our conservation workshop.  read more

Code: 25066

A Fabulous & Impressive Large 10th Century Original Viking Spear, Classified as 'Petersen type G'... Vápnum sínum skal-a maðr velli á feti ganga framar, því at óvíst er at vita, nær verðr á vegum úti geirs of þörf guma

From the 13th century Codex Regius, a collection of Old Norse poems from the Viking Age. Verse 38 quoted above is translated here;

Let a man never stir on his road a step
without his weapons of war;
for unsure is the knowing when need shall arise
of a spear on the way without.

Circa 10th century. A fabulous example of an original Viking war spear.
Using the Petersen scale of dating swords axes and spears of the medieval era, it is around 1100 years old, and in super condition for its age. With a slightly impacted tip, possibly bent from penetration of mail armour or shield. With edge shoulders placed low on the blade and a short conical socket with marked narrowing below the blade. Although not as glamorous as the sword, the spear was in every sense the definitive weapon of the Viking Age and used as the primary weapon of combat by almost every warrior. Decorated spearheads inlaid with precious metals prove that in the Viking Age spears were not seen as the poor man's choice and one has only to look at the representations of warriors from the illuminated manuscripts of the era to quickly come to the conclusion that the use of the spear was ubiquitous. Many of the Anglo-Saxon phrases used to describe both battle and warrior help to underline the importance of the spear.

The spearheads were made of iron, and, like sword blades, were made using pattern welding techniques (described in the article on swords) during the early part of the Viking era . They could be decorated with inlays of precious metals or with scribed geometric patterns
After forming the head, the smith created the tang in the early period, such as for a javelin type spear, or in the later Viking mostly a socket fitting for a regular spear. Sometimes with holes for rivets to grip onto the haft.

However, there is little evidence that tells us the length of the shaft. The archaeological evidence is negligible, and the sagas are, for the most part, silent. Chapter 6 of Gísla saga tells of a spear so long-shafted that a man's outstretched arm could touch the rivet. The language used suggests that such a long shaft was uncommon.

Perhaps the best guess we can make is that the combined length of shaft and head of Viking age spears was 2 to 3m (7-10ft) long, although one can make arguments for the use of spears having both longer and shorter shafts. A strong, straight-grained wood such as ash was used. Many people think of the spear as a throwing weapon. One of the Norse myths tells the story of the first battle in the world, in which Odin, the highest of the gods, threw a spear over the heads of the opposing combatants as a prelude to the fight. The sagas say that spears were also thrown in this manner when men, rather than gods, fought. At the battle at Geirvör described in chapter 44 of Eyrbyggja saga, the saga author says that Steinþórr threw a spear over the heads of Snorri goði and his men for good luck, according to the old custom. More commonly, the spear was used as a thrusting weapon. The sagas tell us thrusting was the most common attack in melees and one-on-one fighting, and this capability was used to advantage in mass battles. In a mass battle, men lined up, shoulder to shoulder, with shields overlapping. After all the preliminaries, which included rock throwing, name calling, the trading of insults, and shouting a war cry (æpa heróp), the two lines advanced towards each other. When the lines met, the battle was begun. Behind the wall of shields, each line was well protected. Once a line was broken, and one side could pass through the line of the other side, the battle broke down into armed melees between small groups of men.

Before either line broke, while the two lines were going at each other hammer and tongs, the spear offered some real advantages. A fighter in the second rank could use his spear to reach over the heads of his comrades in the first rank and attack the opposing line. Konungs skuggsjá (King’s Mirror), a 13th century Norwegian manual for men of the king, says that in the battle line, a spear is more effective than two swords

Part of an original medieval collection we have acquired, of Viking and early British relics of warfare from ancient battle sites recovered up to 220 years ago. 14 inches long.

Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only a very few of the swords of kings, that have been preserved in national or Royal collections can today be still in a relatively good state and surface condition. However, Bronze Age swords, daggers etc. that are usually much earlier, survive far better as they only suffer from surface ageing and patination, unlike iron and steel weaponry, which makes early iron weapons so incredibly rare, especially the Viking examples, as so many were abandoned, lost in battle or sacrificed due to precious few Viking burials discovered.

As with all our items it comes complete with our certificate of authenticity, and an attractive complimentary display stand.  read more

Code: 22758

An Edo Period 1603 -1867, Katana Tsuba Tenbo Saotome Style, Hammered Iron With Formed Rim Mimi

A most attractive form of tsuba with fabulous patina, the hitsu-ana infills are extremely well done, and very nicely surface decorated. The hammering of the surface is superb and to us this is an exceptional piece for a collection or to compliment a suitable blade. Likely early Shinto, 1600’s. With pierced kozuka and kogai hitsu-ana both metal filled, possibly in a silver alloy. The tsuba, is a fundamental element in the mounting of the Japanese sword, it is the guard, the most important element of the fittings, and has two main functions: the first to protect the hand against the slashes and lunges of an opposing sword; the second is to prevent that the hand ends up directly on the cutting edge of the blade. Over the course of more than ten centuries of history, the tsuba has undergone a number of important changes, as regards the materials used for its manufacture and its appearance.

During the centuries of wars that characterised Japan until the advent of the Tokugawa Shogunate during the first half of the 17th century, the tsuba was essentially made of iron or steel. From the mid-17th century onwards the tsuba became a real work of art, with the use of soft metals used in various ways, with engravings, incrustations; well made tsuba were the pride of hundreds of craftsmen’s schools whose value sometimes exceeded that of the same blades of the mounting where tsuba was part of
75mm  read more

Code: 24233

A Most Fine 18th-19th Century Indo Persian Khula Khud Helmet

The helmet has a hemi-spherical skull engraved throughout, the skull fitted at its apex with a high spike, a pair of plume-holders at the front and with a staple for a sliding nasal guard, decorated over the greater part of its surface with traces of gold koftgari of scenes of a hunt, and a band of koranic Islamic text, and mail neck-defence of butted links. Khula Khud helmets originated in Central Asia, and were worn by Persian Empire soldiers in the 18th and 19th Centuries. Despite the similarity in their design, the Khula Khud helmets were decorated with a wide degree of variations depending on the cultures from which they were created. Decorations often appeared in the skull and the nasal bar, which were often heavily decorated with patterned motifs of inlaid brass, silver or gold; or decorated with figurative images. Some Mughal helmets feature calligraphic inscriptions from the Quran, supposedly to gain "Help from Allah and a speedy victory." Made of steel, these bowl-shaped helmets were designed as either low and flat, or high and pointed. They sometimes contained a spike socket such as this one, at the top of the helmet, which resembles a spearhead with a cross-like section. Two or three plume holders were attached on either side of the skull, used to mount feathers from birds such as the egret or peacock.  read more

Code: 22516

A Simply Beautiful Original Napoleonic Wars French 'Prisoner of War' Straw Valuables Box. Around 220 Years Old Made By French Prisoners from The Battle of the Nile To Waterloo

A fabulous original souvenir of the Anglo French wars, that is not only beautiful, and historically important, it is perfectly functional as a desk top jewel case, or, anything of similar use, such as a gentleman's watch and cufflink case

Napoleonic prisoner of war straw work marquetry ladies jewelry box with hinged lid opening to reveal three compartments, and one is hinge lidded. Overall in super condition. Decorated throughout with numerous and varied scenes of the British built Prisoner of War wooden fort.

This box dates to the Napoleonic wars between the French and English. Prisoners-of-war were held in purpose-built prisoner-of-war depots and typically were soldiers and sailors of the rank and file. Straw was a popular craft material for prisoners of war. They turned their skill to the making of cases and boxes covered with intricate straw patterns created using the contrasts between the light and dark sides of the straw strips. Those who understood dyes were also able to add colour to their work and produced some very sophisticated objects. Fewer of these straw items have survived to the present day, but there are still some lovely straw-covered boxes and cases which are intact.

Very similar example to one that is on display in the Burghley House Collection. Made by the captured Napoleonic and French wars French Prisoners-of-War in the early 1800's in order to subsidise their meagre prison rations, and this fine piece is made to give the impression it is a sizeable book when closed. All of the interior straw-work is pristine in colour and unfaded showing wonderful contrasts.

Great Britain was at war with France continuously from 1793 to 1802. Hostilities ceased briefly in 1802, but conflict soon recommenced. The Napoleonic Wars continued until 1815, when Napoleon's forces were finally defeated at Waterloo.

In 1796 the first prison to house French prisoners was built at Norman Cross, some 5 miles north of Peterborough. Conditions must have been both harsh and crowded; disease killed more that 1,700 inmates between 1797 and 1814.
To supplement their rations and to provide small income, some prisoners made ornaments, models and toys, which they were allowed to sell. The materials used included straw, wood, bone and even human hair. Many of the items made were extraordinary in their complexity and design and were always very desirable to collectors. The proximity of Burghley House to the camp meant that members of the Cecil family acquired many fine examples.

Those displayed at Burghley include a number of containers made of wood with applied decoration of coloured straw, a stationery box, a set of bone spillikins in a pocket case, a framed straw-work picture of the house built for Napoleon Bonaparte on St Helena, to where he was exiled, a bone set of dominoes and playing cards and a detailed model of an 80-gun ship-of-the-line with hair rigging.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

9 inches x 6 3/4 inches x 3 inches when closed
some very small straw inlay losses but overall in beautiful order.  read more

Code: 25072

A Very Good British Army Officer's Sword WW1, Regimentally Marked for The Army service Corps

With deluxe quality blade, showing traditional royal cypher of King George Vth, and the ASC beneath crown for the Army Service Corps. In its Field Service leather bound wood scabbard. Traditional three bar hilt in steel, full sharkskin triple wire bound grip.

During WW1 it was a most hazardous and perilous corps to be a member of, as it meant every day the officers and men were travelling to the combat front of every single combat region of the trenches. And supply trains and bridges etc. were a fond and useful target of the German air force, and dedicated, concentrated artillery fire, due to the fact that the cutting of supply lines, and eliminating of supply troops to the front could achieve as much effective damage as a huge barrage of artillery against a full line of the British entrenched positions. Thus the corps was awarded many Victoria and George Crosses for valour in the field.

The shortcomings of the supply chains during the early stages of the Crimean War (1854-56), and the ensuing public outrage, persuaded the Army to set up a new supply unit in 1855. This was known as the Land Transport Corps, before changing its name to the Military Train.

Army supply overall, however, was still in the hands of a unit of uniformed civilians known as the Commissariat. In 1869, this merged with the Military Train’s officers to form the Control Department. The Military Train thereby became a unit solely composed of other ranks who were commanded by officers from the Control Department. In 1870, the Military Train was renamed the Army Service Corps.

In 1875, the Control Department split into the Commissariat and Transport Department (CTD) and the Ordnance Store Department (OSD), the latter forming the predecessor to the Royal Army Ordnance Corps. In 1880, the CTD was renamed the Commissariat and Transport Staff (CTS), while the Army Service Corps became the Commissariat and Transport Corps (CTC).

In 1888, the CTS, the CTC and the War Department Fleet merged to form a new Army Service Corps, bringing officers and other ranks back together into one unit. That unit went on to absorb some of the Royal Engineers’ transport duties.

During the First World War, the Army Service Corps (ASC) operated the transport systems that delivered ammunition, food and equipment to the Front Line. The ASC used motor vehicles, the railways and waterways as part of a complex supply line linking Britain to the various Fronts. As this poster demonstrates, despite the increasing mechanization of warfare, much reliance was also made on horse-drawn transport.  read more

Code: 25057