A Pair of Original & Extraordinarily Beautiful, First Nation, Antique American Wild West Frontier Riding Gauntlets. Made for Settlers and Trade Market of The American Frontiersmen, Such As Army Scouts, Pony Express Riders & Buffalo Hunters. Likely, 1840’s

A stunning pair of simply captivating gauntlets, of the 19th century, made by First Nation native Americans, of the Huron, Lakota Sioux or Metis tribes, from the early 'Wild West Frontier' period.

Likely traditional North American Indian brain tanned and smoked leather to enable the surface to be more waterproof. To ensure a long-lasting resilience of the leather, it was traditionally stored in a special tent over wood smoke, which gave the skin a darker brown tone and also made it waterproof, thus achieving better protection. Without this process, the leather turns out to be whitish and water-sensitive

All the embroidery is incredibly technical micro stitching of amazing beauty and intricacy. These stunning and fringed gauntlets are beautifully embroidered with flowers, florid patterns and a western monogram. They were possibly traded in the 1840's from the Cree, or the Lakota Sioux tribes of North and South Dakota, but theirs is often decorated with beadwork as opposed to this very fine stitched embroidery, which may better indicate Huron or Metis craftsmanship, according to a most kind lady from the region, who visited our gallery, and who fortunately knows this form of First Nation tribal art very well.

The most famous members of the Lakota Sioux were Sitting Bull and Crazy Horse. In yellow hide likely deer buckskin with typical long fringing. Excellent condition, with a small split in base of one finger. The style of Gauntlets worn by 'Kit Carson' and his contemporaries. Superbly beautiful, charming and highly collectable pieces from the old, American, Wild West Frontier.

Gauntlets are protective gloves that distinctively have a flared protective cuff. For centuries, these cuffs protected European and Asian bow hunters and military archers from being snapped on the wrist by their bowstrings. Medieval soldiers and knights began wearing chain-mail gauntlets during the 1300s, and armoured gauntlets appeared in Europe during the 1400s. Four hundred years later and halfway around the world, leather gauntlets appeared in the American West as military uniform accessories. They were soon appropriated by Indian artists, embellished with diverse ornaments, and incorporated into the civilian wardrobe. Here they became intrinsically linked with Western people, history, and landscape, and a symbol of the frontier. The original European form was reworked with a wild American veneer. Former mountain men -- Jim Bridger and Kit Carson among them -- occasionally worked guiding emigrant trains and military units through little-known country. They also helped track renegades of diverse stripes. These scouts were colourful characters, highly skilled, and not required to maintain a military dress code. Their attire was subsequently functional, comfortable, and drawn from a variety of media and cultural sources. By the 1870s, long and abundant fringe was in style and pinked edges provided decorative flair to leather clothing that was by nature quite showy. A similar pair of gauntlets though later of the Lakota Sioux can be seen in the Eugene and Clare Thaw Collection of American Indian Art in the Fenimore Art Museum NY.

The inner lining of our gauntlets is some kind of fine quilted cloth.

These stunning gauntlets would superbly compliment any Wild West collection of original American revolvers, and would look amazing case framed. We offer a highly recommended bespoke case framing service accomplished by one of our local expert artisans.

Such original and rare items of Native American art and artefacts are new very rare in Europe, and thus most valuable to collectors, as they are almost always not permitted to be exported from North America any longer. However, strangely it is also not possible to import First Nation artefacts back into the USA either

The last photo in the gallery is of the Teton Sioux Lakota gauntlets in the Fenimore Museum, however, the embroidery on our gauntlets is very much like earlier Huron work.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 20890

A Wonderful, & Most Rare New Zealand Maori Jade Large Hand Axe 13th-17th Century Pounamu Toki

Some of the most fascinating objects in British museum collections come from many far flung places all over the world. They arrived in their collections due to the explorers and travellers gathering trinkets and objects of curios during the 19th century. One such object is this Pounamu Toki or the Greenstone Axe from New Zealand. These axes were used as a tool for daily work as well as being employed in ceremonial form.

We have had several over the past 50 years but unfortunately, none of them have ever had their handles remaining. They retain considerable meaning for the Maori, as Greenstone is known as the God Stone, and to the Europeans, Jade. They are imbibed with mysticism and sacred power to the Maori. Greenstone is a sacred material and most rare. It occurs naturally in the South island of New Zealand and is found in several areas and has been discovered in rivers as boulders or pebbles or washed up on the coast.

Maori myth and legend is attached to the greenstone and its origins. The Ngati Waewae tribe tells of a legend about a fearsome Taniwha (sea monster) and a beautiful princess kidnapped by the Taniwha. The princess eventually gets turned to greenstone on the riverbed. This myth tells how the greenstone was created. 6.25 inches long x 3.5 inches wide.  read more

Code: 21861

A Very Fine & Rare Original Napoleonic Wars ANXI Light Cavalry Trooper's Sabre. Used by Napoleon's Most Famed Lancers, Hussars, Chasseurs. The Sabre Troupe de Cavalerie Légère Modèle AN XI

Very rare combat sabre for the troop, perfectly homogeneous and authentic to discover in superb state of conservation considering all the battles it experienced during the Napoleonic wars it deserves to find a fine place in a thematic collection.

During a parade the sight of the hussars would the women’s hearts made wildly pounding. In combat they rode yelling most unearthly, cursing and brandishing their weapons. They had their own code - that of reckless courage that bordered on a death wish. The hussars were the eyes, ears and … egos of the army.
With their look suitably piratical their hair plaited and queued they were one heck of mean buggers. Some regiments were composed of fellows who had a natural longing for a fight (or trouble !) The mutually supporting camaraderie of the hussars was important factor of their esprit de corps. Tactically they were used as scouts and screen for other troops and due to their combativeness were also used in pitched battles. It was not a rare sight to see a hussar in a forefront of a hack-and-slash melee, gripping his reins with his teeth, a pistol in one hand and saber in the other.

Three bar guard the pommel back strap piece has a slight tilt forward complete the hilt's elegant form. One unique elements of this sabre is the leather bound, ribbed grip with its brass olive shaped stud. The arsenal markings are on the back of the slightly fulled 34 3/4 inch blade.

Hilt stamped stamped by Joseph Innocent Krantz, Chef de Batt'on, the Napoleonic Imperial period sword inspector from 1812, and Jean George Bick's mark of 1812 a controller 1st class. Blade marked, Klingenthal Man Imperial Janvier 1813 {only Janvier 1813 is still easily visible} Joseph Innocent Krantz, Chef de Batt'on, stamp is also on the blade face

Referenced in the works of Michel Pétard "Des sabres et des épées - Troupes à cheval de l'Empire à nos jours - Tome Second", pages 137 and 138; long-tailed cap; calf-covered wooden handle with brass olive mount.
One of the rare sabres specifically made to re-arm the French cavalry after the catastrophic losses in 1812 in Russia.

The disaster of 1812 in Russia
It is estimated that 175.000 excellent horses of cavalry and artillery were lost in 1812 in Russia ! The remnants were mounted on Russian and Lithuanian peasant ponies. The rebuilding of the cavalry in 1813 was more difficult than infantry and artillery. Shortages of trained cavalrymen, officers, NCOs and war horses were critical. Promotions were rapidly handed out and temporary squadrons were formed.
In the beginning of April 1813 general Bourcier gathered 10.000 battle-hardened veterans from 60 regiments spread across the countryside. The cavalry centres were in the cities of Magdeburg and Metz. Horses were coming from northern Germany. During Armistice was more time to train the young troops and many regiments showed improvements in their maneuvers. But they never reached the level of pre-1812.

French Cavalry Under Napoleon.
"When I speak of excellent French cavalry,
I refer to its impetous bravery,
and not to its perfection"
- General Jomini

Napoleon's Cavalry and Its Leaders "Cavalry is useful before, during and after the battle," wrote Napoleon, and he stressed the need for audacity in its employment and careful training to achieve true discipline. He was also insistent that careful categorization according to role was of great importance... It was some time before the French cavalry reached its full potential, as it had suffered the loss of many officers during the Revolutionary period, but by 1807 it was reaching its prime. The great charges led by Murat at Eylau and Grouchy at Friedland played vital parts in the outcome of these battles." (Chandler - "Dictionary of the Napoleonic Wars" pp 85-86)
"Under Napoleon, the French cavalry were, in contrast to the infantry, far more renowned for their action in masses than for their duty as light troops. They were deemed irresistible, and even Napier admits their superiority over the English cavalry of that day. Wellington, to a certain degree, did the same. And strange to say, this irresistible cavalry consisted of such inferior horsemen ... no soldiers are so careless of their horses as the French." ("The Armies of Europe" in Putnam's Monthly, No. XXXII, published in 1855).

Used in such battles as;

In the Battle of Lützen (German: Schlacht von Großgörschen, 2 May 1813), Napoleon I of France defeated an allied army of the Sixth Coalition.

The Russian commander, Prince Peter Wittgenstein, attempting to forestall Napoleon's capture of Leipzig, attacked the French right wing near Lützen, Saxony-Anhalt, Germany, surprising Napoleon. Recovering quickly, Napoleon ordered a double envelopment of the allies. After a day of heavy fighting, the imminent encirclement of his army prompted Wittgenstein to retreat. Due to a shortage of cavalry, the French did not pursue.

The two armies would clash again in the Battle of Bautzen three weeks later.

The Battle of Vitoria in North-Eastern Spain, to the South of Bilbao and near the French border.

Wellington’s army comprised 52,000 British and 28,000 Portuguese troops. An army of 25,000 Spanish troops co-operated in the campaign. Wellington’s army had 90 guns.

The French army, drawn from the Army of the South, the Army of the Centre and the Army of Portugal, comprised 50,000 troops (including 7,000 cavalry), with 150 guns. It was Wellington’s decisive defeat of Joseph Bonaparte’s French army on 21st June 1813 in North-Eastern Spain in the Peninsular War

The Battle of Leipzig, also known as the Battle of the Nations, was fought from 16 to 19 October 1813 at Leipzig, Saxony. The Coalition armies of Austria, Prussia, Sweden, and Russia, led by Tsar Alexander I and Karl von Schwarzenberg, decisively defeated the Grande Armée of French Emperor Napoleon Bonaparte. Napoleon's army also contained Polish and Italian troops, as well as Germans from the Confederation of the Rhine (mainly Saxony and Württemberg). The battle was the culmination of the German Campaign of 1813 and involved 560,000 soldiers, 2,200 artillery pieces, the expenditure of 400,000 rounds of artillery ammunition, and 133,000 casualties, making it the largest battle of the Napoleonic Wars, and the largest battle in Europe prior to World War I.

The War of One Hundred Days, culminating in Quatre Bras and Waterloo. This fabulous sabre was almost certainly a trophy of war from Waterloo, and any or all of the the previously listed battles it would likely have seen service within.

After the fighting at Quatre Bras (16 June 1815) the two opposing commanders Marshal Ney and the Duke of Wellington initially held their ground while they obtained information about what had happened at the larger Battle of Ligny. They received intelligence that the Prussian army under the command of Prince Blücher had been defeated by the French Army of the North under the command of Napoleon Bonaparte.

Upon receiving this news Wellington organised the retreat of the Anglo-allied army to a place he had identified a year before as the best place in Belgium for him to be able to employ his reverse slope tactics when fighting a major battle: the escarpment close to the village of Waterloo.

On the 17th, aided by thunderstorms and torrential rain and before the arrival of Napoleon, Wellington's army successfully extricated itself from Quatre Bras and passed through the defile of Genappe. The infantry marched ahead and were screened by a large cavalry rearguard. The French harried Wellington's army, but were unable to inflict any substantial casualties before night fell and Wellington's men were ensconced in bivouacs on the plain of Mont-Saint-Jean.
As with all our items it comes complete with our certificate of authenticity
Without scabbard  read more

Code: 25565

The Spectacular, Elizabeth Taylor, 'Million Dollar' Gold, Diamond And Ruby Rolex 'Mystery' Watch, With a Diamond & Ruby Bracelet. Described As, Probably, The Most Spectacular, Beautiful and Unique Rolex Watch in the World

What an incredible idea for a special occasion.
A unique, bespoke, Rolex ‘mystery’ watch, probably one of the most spectacular ‘statement watches’ ever to be seen anywhere in the world today, that once belonged to one of the greatest movie legends of them all, Elizabeth Taylor.

The concealed Rolex watch movement is hidden within the spectacular, gold diamond and ruby set 'belt and buckle' bracelet, and when worn, the watch movement is entirely concealed, and hidden, and can be viewed by simply lifting the end of the belt tab.
The current cost of a 1970's Bulgari Serpenti 'Mystery' Watch, available on the market today, is anything up to £170,000. But the fabulous Bulgari mystery watches hold not a candle to this simply unique and exquisite piece..

This extraordinary watch is as close to a Million Pound watch as you can get. Its provenance is as follows;

In the middle of October 1970, Elizabeth Taylor and Richard Burton arrived in Brighton for the location filming of Burton's latest film, Villain. During the filming they toured The Lanes in Brighton and visited our shop in Prince Albert St, in order to discuss with David Hawkins snr, the purchase of a mansion David had recently bought in Hove. During their hour long visit to our store some extraordinary business was transacted, between Elizabeth and Camilla Hawkins, Mark and David's mother, and wife of their father David snr. Camilla bought from Elizabeth, this most spectacular custom made, Rolex movement, gold and diamond bracelet 'mystery' watch that Richard had somewhat recently bought for Elizabeth.

It was the culmination of a conversation that Elizabeth had with David and Camilla concerning the purchase of a Hove mansion, that David and Camilla owned in Hove, that Michael Wilding {a very famous British actor and another former husband of Elizabeth Taylor} was attempting to buy from David Hawkins snr, for Michael Wilding's 'other' ex wife, Susan Wilding. Elizabeth had been asked by Michael to intercede on his behalf, and convince David to sell the Hove mansion to Michael, that, so far, he had thus refused to do.

That most curious conversation, and negotiation, obliquely developed into an entirely disconnected heated discussion between Elizabeth and Richard, concerning a ring that Elizabeth had seen in a neighbouring jewellers in the Brighton Lanes that very day, and that Elizabeth was determined to buy for herself. However, Richard had ‘forbade’ her from buying it. He strongly protested, and loudly argued, that he was the only one allowed to buy her Jewellery, and Elizabeth, took great exception to this affront to her status and independence. Bearing in mind, Elizabeth had, and always was, paid far more for her performances than Richard was for his. Richard’s talent and fame was world renown, but Elizabeth’s fame and status was positively stratospheric. This was the uncomfortable element to their relationship, that Richard never truly overcame.

In high dudgeon, to his unwanted rebuke, Elizabeth removed this fabulous Rolex watch from her wrist, and immediately offered it for sale, and duly sold it, to Camilla, most likely, simply in order to frustrate, anger and annoy Richard, and very possibly to also demonstrate her indifference of his opinions and wishes. which it certainly did. So, the upshot was, Camilla gained this magnificent watch that October, from Elizabeth, and subsequently, just a few years later, gave it to Mark her son as a wedding present, in May 1978.

Mark { the elder partner of The Lanes Armoury} was in fact present in the shop when the entire argument between Elizabeth and Richard took place, and thus personally witnessed exactly how the watch was offered and purchased from Elizabeth, within the shop, on that grey but significantly eventful October day in 1970.
It was, he says,
"certainly one of the most curious, momentous and unforgettable days I had ever experienced in the shop during the past 50 plus years".
It is certainly not every day one is personally witness to two of the most famous and talented movie stars in the world, having a full blown, somewhat high decibel, hour long marital discourse, within just a few feet.

Bearing in mind Elizabeth and Richard were true, original ‘superstars’ in the truest sense of the word. No celebrities today could even touch the fame that those two fabulous actors enjoyed in their day.

Dame Elizabeth Taylor had another, very similar quality diamond and gold 'Mystery' watch, and she was indeed photographed wearing it on the set of Cleopatra in 1962 {see the gallery photos}. It was a serpent 'mystery' watch with a very similar watch movement encased and hidden within the head of a diamond and gold coiled snake, acting as its bracelet, made by Bulgari. That watch was sold in December 2011 for over $974,500, however it did have the benefit of a photograph of Elizabeth wearing it, and so far we have never found a photograph of Elizabeth wearing our far superior example.
It is said that to custom hand-make and replicate this unique, finest quality gold, diamond and ruby bracelet watch, with the manual 'fold-out' movement by Rolex, would likely cost over a million dollars today.
Over the past near 40 years we have combed the world of photographs of Elizabeth Taylor to find her wearing it, sadly without success, and when she created her magnificent book on her world famous jewel collection, as it was thirty years after this magnificent Rolex had been sold to Camilla.

A photo in the gallery is of Richard and Elizabeth arriving at Brighton Station on the 16th October 1970, and she may well have been wearing it then, but her arms are obscured by her jaguar print pant suit. We also show views from her famous jewel collection book,' Elizabeth Taylor, My Love Affair With Jewellery' published in 2002, that we also include with the watch. The watch is being sold in part to benefit Mark and Judy's {Mark's beloved late wife} favourite charities, the National Society for the Prevention of Cruelty to Children, and The Guide Dogs for The Blind Association.
10.5 inches long x 1.4 inches wide at the buckle, 130.8 grams. Bears Swiss .750 hallmark, set with 24 diamonds and 40 rubies. There was once a small personal calling card with it from Elizabeth that doubled as it's receipt, but sadly it was lost many decades ago.

After meeting on the set of Cleopatra in the early '60s, actress Elizabeth Taylor (1932-2011) and actor Richard Burton (1925-1984) began one of the most publicized and turbulent love stories of all time, captivating millions with their on-again, off-again relationship. Despite the drama, they shared a love that was deep and fierce, the kind of love that can often be as destructive as it is beautiful. According to TIME, Burton admitted he was making movies due to his desire for money, not a love for the art. However, he thought quite highly of his talented wife. He once wrote, "You are probably the best actress in the world, which, combined with your extraordinary beauty, makes you unique. When, as an actress, you want to be funny, you are funnier than W.C. Fields; when, as an actress, you are meant to be tragic, you are, tragic."
We recommend this watch is professionally serviced before wearing, which we can undertake if required. Over the decades we have sold many watches, of course, mostly of a military nature, but we have never seen another watch so beautiful as this. A true work of the finest object d'art, as well as a piece of useful and functional jewellery. It will be accompanied with a signed statement from Mark Hawkins detailing its full story, but sadly there is no longer any surviving paperwork from Elizabeth Taylor.
However, if one wished for Rolex to create such a fabulous bespoke watch today it would very likely cost up to a million pounds.
We offer it set within a fine Cartier watch box .

Another photo in the gallery is of Elizabeth's other 'Mystery Watch' by Bulgari, which she was photographed wearing on the set of Cleopatra. It sold in 2011 for $974,500.

The bespoke watch case and bracelet of our watch was likely originally custom made for Elizabeth by an exclusive, finest Parisian or Swiss jeweller, such as, for example, Van Cleef & Arpels or Boucheron, and was then fitted with its fold-out ‘hidden’ Rolex movement.

The watch is an amazing 10.5 inches long x 1.4 inches wide at the buckle, and it weighs over 4 ounces {130.8 grams}. It bears a Swiss .750 18ct hallmark and contains 24 diamonds and 40 rubies.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 22793

Two Original Medieval Pages From Sir John Froissart's Chronicles Of France Printed in 1495, of the 14th Century, From The Printing Personally Ordered By King Henry VIIth Of England.

Two original loose pages from the original medieval 1495 printed book, mounted and bound in folio form, within cloth hard back binding with gold titles, 13 x 9 inches. Original medieval pages taken from the book printed in Paris in 1495 by Verrard. This particular printing [that these pages came from] was personally ordered in book form by King Henry VIIth of England from Anthoine Verard in Paris, and his copy now resides in the British Museum. Froissart's Chronicles were initially in manuscript form with fine illustration but were first transformed in to book form in Paris in 1495. Full and complete copies of this book, published by Anthoine Verard in 1495, and as was ordered by King Henry, can now achieve six figure sums. Froissart might be called the great interviewer of the Middle Ages. The newspaper correspondent of modern times has scarcely surpassed this medieval collector of intelligence. He traveled extensively in the various countries of Europe; he conversed with gentlemen of rank everywhere; and he had the remarkable knack of persuading those about him to divulge all he wanted to know. He learned the details of battles from both sides and from every point of view. He delighted in the minutest affairs of every cavalry skirmish, of the capture of every castle, and of every brave action and gallant deed. He lived from 1337 to about 1410, and wrote chiefly of contemporaneous events. The Chronicles are universally considered as the most vivid and faithful picture we have of events in the 14th century. As a picture of the most favorable side of chivalry, the work has no equal (Adams, Manual of Historical Literature, 334-35). There has never been any difference of opinion on the distinctive merits of this great work. It presents a vivid and faithful drawing of the things done in the 14th-century. No more graphic account exists of any age. No historian has drawn so many and such faithful portraits? (Britannica). The Chronicles were originally circulated in manuscript form, with the first printed version appearing around 1498 in Paris. Froissart was one of the greatest of the medieval European writers. In his own century, -the fourteenth it is not easy to see anyone who can be put beside him as a prose-writer. But the literary language of the day was still predominantly verse, and prose was still regarded as something of a utility medium. Because
of this and because Froissart is known principally for his descriptions of warfare - the greatest and most famous chronicle of French and English medieval history. Jean Froissart (1338-C.1410) is the supreme annalist of medieval chivalry, historian, poet, traveller, friend of Chaucer, and by far the most entertaining source for our knowledge of the Hundred Years’ War. It is as much a profane romance as a history book. It is filled with delightful stories and adventures reported first-hand.
Froissart was born in Valenciennes. At the age of 18 he came to England where he entered the service of Queen Philippa of Hainaut, acting as her secretary and private diplomat. In 1366 he set off again on his long travels, settling for a time in the Duchy of Brabant. Much of his great chronicle was probably written in his home town of Valenciennes, and he continued it over his life to the events after the murder of Richard II in 1399.
Froissart began writing Book I sometime after 1370, possibly at the request of Robert de Namur, to whom the earliest version was dedicated. It covers the period from 1322 to 1377, including the accession of Edward III, his campaign in Scotland and his marriage to Philippa of Hainault, the battle of Sluys, the Siege of Tournai, the Breton war of succession, the Battle of Crécy, the Siege of Calais, the battle of Neville’s Cross, the battle of Winchelsea, the battle of Poitiers, Etienne Marcel’s merchant revolt in Paris, the Black Prince’s campaigns in the south of France, the peace of Brétigny, the death of king John II of France, the battle of Cocherel, the battle of Auray, the Castilian Civil War, the battle of Chizé, the deaths of the Black Prince and Edward III and the accession of Richard III. We show in the gallery three hand coloured illustrations that have been used to illustrate the various versions of his works in manuscripts or books. One shows the execution of Hugh the Younger Despenser.  read more

Code: 20579

A Rare Aeronautical Medal, Dated 1912, Of The Zeppelin Z3 {AKA LZ12}, Count von Zeppelin Friedrichshafen to Hamburg Flight. Showing The Flight Over The Bismark Memorial

Original, 40.5mm scarce zinc medal of the 1912 flight of the zeppelin Z3 {also known as the LZ12} over Hamburg. The airship is shown sailing over the Bismark Memorial with the city view in background. Another, the more common bronze version sold in the Dr. Kallir auction for $360 in 1999.

Another example in the National Air and Space Museum, Smithsonian Institution.

Medal, Count von Zeppelin Friedrichshafen to Hamburg Flight Commemorative Medal of Count von Zeppelin's Friedrichshafen to Hamburg Flight; Obverse: relief profile bust of von Zeppelin depicted, embossed text "GRAF FERDINAND VON ZEPPELIN"; Reverse: relief of a Zeppelin airship over Hamburg cityscape depicted, embossed text "FRIEDRICHSHAFEN - HAMBURG 700 KoM. IN 10 STUNDEN 31 5.19.1912".  read more

Code: 25601

A Very Rare, Near Mint Condition Aeronautical Table Medal for The Graf Zeppelin LZ 4 Dirigible Test Flight To Strasbourg. Hallmarked Silver, {990} Plaque. Dated August 4th 5th 1908, For The Crew Of The Zeppelin That Exploded On Its Test Flight. By Lauer

Graf Zeppelin LZ 4 Dirigible 2 day Test Flight to Strasbourg Silver medal plaque August 1908. Hallmarked 990 silver on the edge, and maker marked by Ludwig Christian Lauer within the frontal design.

Silver plaque medal for presentation of the flight, but the flight was interrupted by several serious issues, which grounded the Zeppelin mid flight, but whereupon it was blown from its mooring, caught fire, and exploded.

The trial flight finally started on 4 August 1908, when the LZ 4 lifted off at 06:22 in the morning, carrying 12 people and sufficient fuel for 31 hours of flight. The flight to Zürich had excited considerable public interest, and large crowds gathered along the route to witness the flight, which took it over Konstanz, Schaffhausen, Basel and Strasbourg. Shortly after passing Strasbourg the forward engine had to be stopped since the fuel tank in the engine gondola had been exhausted, and needed to be refilled. At this point the airship was flying light due to the heat of the sun having caused the hydrogen to expand, and was being held at a low altitude by dynamic downforce generated by flying in a nose-down attitude: with the loss of the power of one engine, it rose to an altitude of 820 m (2,690 ft), venting gas from the relief valves as it did so. At 1:58 p.m the aft engine had to be stopped for refuelling: this time the airship rose to 884 m (2,900 ft), with a further loss of hydrogen. Two further engine stoppages caused further loss of gas: by now LZ 4 was only being kept in the air by dynamic lift generated by flying with a nose-up attitude, the resultant drag reducing its speed to 16 km/h (9.9 mph), and at 5:24 pm a landing was made on the Rhine near Oppenheim, 23 kilometres (14 mi) short of Mainz. All superfluous items and five crew members were unloaded, and the flight was resumed at 10:20. Mainz was reached half an hour later, and the ship turned to begin its return journey. Further engine problems followed: a crank bearing in the forward engine melted at 1:27 am, reducing airspeed to about 32 km/h (20 mph) and it was decided to land to have the engine repaired by engineers from the Daimler works at Untertürkheim. Accordingly, LZ 4 was set down at 7:51 am at Echterdingen.

The airship was tethered and engineers removed the forward engine to make repairs, but during the afternoon LZ 4 was torn from its moorings by a gust of wind. The soldiers present as a ground handling party could not hold it down, but it was brought to earth by a crew member who had remained on board. Unfortunately, the ship came into contact with a half-dead pear tree while landing, which damaged some of the gasbags, and it immediately caught fire. The cause of ignition was later ascribed to a static charge being produced when the rubberised cotton of the gasbags was torn.

The disaster took place in front of an estimated 40 to 50 thousand spectators and produced an extraordinary wave of nationalistic support for Zeppelin's work. Unsolicited donations from the public poured in: enough had been received within 24 hours to rebuild the airship, and the eventual total was over 6 million marks were donated, at last providing Zeppelin with a sound financial base for his experiments.

Made by Ludwig Christian Lauer was a medal maker in Nuremberg, Germany. He began his business in 1848. He expanded his business and in 1860 renamed it ‘coin mint L. Chr. Lauer’. He died in 1873 and the company continued under the supervision of his wife and three sons.
He was a leading 19th-century German manufacturer of medals

55mm x 36mm, 43 grams of 990 silver  read more

Code: 25602

Royal Artillery, Victorian Officer's 'Busby' Helmet Plume Holder Circa 1859-78.

A simply stunning example in superb condition. A very fine gilt example. Flaming grenade (straight flames), the ball mounted with Royal Arms with 'Ubique' scroll below; beneath the scroll, a gun with mounted wheel and scroll 'Quo Fas et Gloria Ducunt'.

Reverse retains plume holder and slider fitting. Very good condition.  read more

Code: 20591

8th Punjab Indian Army Regt. Officer's Cap Badge

Single pin mount. The 8th Punjab Regiment had its origins in the Madras Army, where its first battalion was raised at Masulipatam in 1798. Four more battalions were raised in 1799-1800. In 1824, they were designated as the 29th, 30th, 31st, 32nd and 33rd Regiments of Madras Native Infantry. In the early 19th century, these battalions were engaged in fighting the Marathas and took part in a number of foreign expeditions including the Anglo-Burmese Wars. Between 1890 and 1893, they were reconstituted with Punjabi Muslims and Sikhs as Burma Battalions and permanently based in Burma to police the turbulent Burmese hill tracts. Under the Kitchener Reforms of 1903, they were redesignated as the 89th, 90th, 91st, 92nd Punjabis, and 93rd Burma Infantry. They were delocalized from Burma before the First World War The 8th Punjabis have a most distinguished record of service during the First World War. Their long list of honours and awards includes the Victoria Cross awarded to Naik Shahmed Khan of 89th Punjabis in 1916. The 89th Punjabis had the unique distinction of serving in more theatres of war than any other unit of the British Empire. These included Aden, where they carried out the first opposed sea-borne assault landing in modern warfare, Egypt, Gallipoli, France, Mesopotamia, North-West Frontier Province, Salonika and Russian Transcaucasia. All battalions served in Mesopotamia, while 93rd Burma Infantry also served in France. The 92nd Punjabis were made 'Prince of Wales's Own' in 1921 for their gallantry and sacrifices during the war During the Second World War the 8th Punjab Regiment again distinguished itself, suffering more than 4500 casualties. It was awarded two Victoria Crosses to Havildar Parkash Singh and Sepoy Kamal Ram, besides numerous other gallantry awards. The regiment raised a further nine battalions. Two of its battalions, the 1st and 7th, were captured on Singapore Island, when the British Commonwealth Army surrendered there to the Japanese on 15 February 1942. Four battalions fought in the Burma Campaign, while others saw service in Iraq, Iran, Italy, French Indochina and the Dutch East Indies. Two men from the 8th Punjab Regiment received the Victoria Cross: Havildar Parkash Singh in Burma and Sepoy Kamal Ram in Italy. By the end of the war, the Regiment consisted of 14 Battalions.  read more

Code: 19938

Royal Scottish Clan Glengarry Badge 'In Defence' Lion Rampant, Gilt

WW1 period. A very nice Glengarry badge of the Scottish Royal crest. The glengarry bonnet is a traditional Scots cap made of thick-milled woollen material, decorated with a toorie on top, frequently a rosette cockade on the left side, and with ribbons hanging down behind. It is normally worn as part of Scottish military or civilian Highland dress, either formal or informal, as an alternative to the Balmoral bonnet or tam o' shanter. The Royal Regiment of Scotland wears the glengarry with diced band and black cock feathers as its ceremonial headdress. Traditionally, the Glengarry bonnet is said to have first appeared as the head dress of the Glengarry Fencibles when they were formed in 1794 by Alexander Ranaldson MacDonell of Glengarry, of Clan MacDonell of Glengarry. MacDonell, therefore, is sometimes said to have invented the glengarry - but it is not clear whether early pictures of civilians or fencible infantry show a true glengarry, capable of being folded flat, or the standard military bonnet of the period merely 'cocked' into a more 'fore-and-aft' shape. The first use of the classic, military glengarry may not have been until 1841, when it is said to have been introduced for the pipers of the 79th Foot by the commanding officer, Lieutenant Colonel Lauderdale Maule.

It was only in the 1850s that the glengarry became characteristic undress headgear of the Scottish regiments of the British Army. By 1860, the glengarry without a diced border and usually with a feather had been adopted by pipers in all regiments except the 42nd (Black Watch), whose pipers wore the full dress feather bonnet. In 1914, all Scottish infantry regiments were wearing dark blue glengarries in non-ceremonial orders of dress, except for the Cameronians (Scottish Rifles) who wore them in rifle green, and the Scots Guards, who wore peaked forage caps or khaki service dress caps. 2.25 inches high  read more

Code: 21054